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February 7th, 2016
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RSSNEWS:
Nagoya TV Builds 4K and HDR Edit and Color Suite Around DaVinci
Blackmagic Design announced today that Nagoya Broadcasting Network has built a new 4K editing and grading suite with DaVinci Resolve Studio and Blackmagic Smart Videohub routers. The suite is one of the first 4K editing and grading suites in Japan’s Tokai region that’s able to handle HDR workflows.
published 2 days ago   read more
SMPTE Announces 2016 Directors and Appointment of New Governors-at-Large
In Society's Centennial Year, Experienced Group of SMPTE Directors and Governors Guides Society's Ongoing Growth and Industry Leadership
The Society of Motion Picture and Television Engineers® (SMPTE®), a leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE Board of Governors has named the Society's 2016 directors and has appointed two new governors-at-large.
published 3 days ago   read more
Dolby chooses Baselight X for ultimate grading and finishing
FilmLight’s latest Baselight system fuels Dolby’s drive for HDR
FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware range yet. Baselight X, designed with exceptional power and performance for the most demanding projects, will be used in the Dolby Vision mastering suite in the company’s Burbank facility.
published 3 days ago   read more
DynaScan Technology to Unveil 6 New Models at Integrated Systems
DynaScan Technology is pleased to announce it will be returning to Integrated Systems Europe (ISE) in February, 2016. ISE is the largest tradeshow for the professional AV market in Europe, and will be held at the Amsterdam RAI from February 9-12 in Amsterdam, The Netherlands. The company will be exhibiting its entire line of ultra-high brightness LCDs and professional video wall solutions. In addition, DynaScan will be unveiling 6 new models, including 2 brand new sizes, to its premium line of ultra-high brightness displays.
published 4 days ago   read more
Broadcast Pix Joins ASPEN Community To Develop MPEG-Based Transport Protocol
Broadcast Pix™ today announced it has joined the ASPEN Community, a collaborative effort of more than 30 broadcast industry leaders, to develop a robust transport format for video, audio, and associated metadata over IP networks. ASPEN, short for Adaptive Sample Picture ENcapsulation, is a standards-based, open format that moves uncompressed Ultra HD, 3G, HD, and SD signals over MPEG-2 transport streams (ISO/IEC 13818-1).
published 5 days ago   read more
Epson Introduces New Pro G-Series Large Venue Projectors
Include Eight Models with up to 8,000 Lumens
Epson, the number-one selling projector brand worldwide, today announced its next-generation Pro G7000-Series large venue projectors. With new features, including increased brightness, and motorized lenses, the Pro G-Series delivers uncompromising image quality, low total cost of ownership and $199 replacement lamps. Consisting of eight models delivering up to 8,000 lumens of color brightness and 8,000 lumens of white brightness1, the series also features the world's first zero-offset ultra short-throw lens with 0.35 throw ratio, ideal for space constrained venues and digital signage applications. The Pro G-Series will be on display at ISE 2016 in Amsterdam from Feb. 9-12 at Epson booth, #1-H90.
published 5 days ago   read more
The 33rd Annual Miami International Film Festival | Full Program Release
Running March 4–13, 2016, Filmmakers from 40 CountriesProudly Exhibit 129 Feature, Documentary, and Short Films
Monica Bellucci, Iciar Bollaín, Gavin Hood,
published 6 days ago   read more
Matthew Johnson's Sundance Film "Operation Avalanche" Shot on Blackmagic Pocket Cinema Cameras
Blackmagic Design announced today the highly anticipated Sundance film “Operation Avalanche” was shot using Blackmagic Pocket Cinema Cameras. The film, by award winning director Matthew Johnson and DPs Jared Raab and Andrew Appelle, was shot using the Pocket Cinema Cameras, along with a unique film conversion workflow to capture the look and feel of an underground 1960s documentary.
published 1 week ago   read more
Blackmagic Design announces deal on ATEM Production Studio 4K and HyperDeck Studio 12G
For a limited time customers can get a special price on ATEM Production Studio 4K and HyperDeck Studio 12G when purchased together for only $2,495.
Blackmagic Design today announced a new ATEM Production Studio 4K and HyperDeck Studio 12G package deal for only $2,495, making it possible for customers to get a live production solution that’s future proof because it’s designed for Ultra HD.
published 1 week ago   read more
The SIM Group to Hold Annual Technology Showcase January 28th in Toronto
Highlights will include a Dolby Atmos demo from Tattersall Sound & Picture.
The SIM Group will host leading manufacturers of cameras, lenses, sound, grip and lighting, post production gear and workflow systems at the 11th Annual SIM Technology Showcase slated for January 28th in Toronto. The popular event provides members of the production and post-production communities with a unique opportunity to examine innovative new products, witness leading-edge technology demonstrations and find out from the experts how these new tools and workflows can benefit their businesses.
published 2 weeks ago   read more


RSSTUTORIALS:
Adobe After Effects
3D Dance Show in After Effects
3D Dance Show in After EffectsWhen Ari Grunzeweig needed to create a dynamic promo, he turned to a remarkable combination of keyed footage, particles, and the dynamic 3D compositing and cameras in Adobe After Effects to build a virtual world exploding with dance and light. Take a look to see how to build your own 3D world in After Effects.
Tutorial, Feature by Ari Grunzeweig on 10/12/2015
Adobe After Effects
Perfect Chroma Keys from Bad Green Screens in After Effects
Perfect Chroma Keys from Bad Green Screens in After EffectsHigh-quality green screen footage is a luxury that many of us will never have. Your quest for perfect chroma keys from awful green screen footage is nearing its happy conclusion as Bracer Jack shows you exactly how to achieve success using only the tools built into Adobe After Effects.
Tutorial by Bracer Jack on 10/05/2015
Adobe After Effects
Introducing Rotoscoping With mocha for Adobe After Effects
Introducing Rotoscoping With mocha for Adobe After EffectsImagineer's mocha is Academy Award-winning technology for rotoscoping and motion tracking that's ideal for use with Adobe After Effects. Visual effects artist and editor Ruan Lotter shows some of the keys to unlocking this exceptionally powerful tool.
Tutorial by Ruan Lotter on 08/10/2015
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips
PluralEyes: Fast & Easy Connections for Video & Audio ClipsWith the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature by Bill O'Neil on 05/20/2015
Adobe Premiere Pro
Adobe Premiere Pro CC's Lumetri Color Tool: Gamechanger
Adobe Premiere Pro CC's Lumetri Color Tool: GamechangerLongtime Creative COW Leader and passionate color grader Walter Biscardi notes that the word "gamechanger" gets thrown around too easily, but for color grading inside an NLE, Adobe Premiere Pro CC's new Lumetri Color Tool, "gamechanger" is the only word that will do.
Feature by Walter Biscardi on 04/09/2015
Adobe After Effects
Adobe Creative Cloud 2015 Updates: Collaboration & Workflow
Adobe Creative Cloud 2015 Updates: Collaboration & WorkflowWith Creative Cloud updates announced ahead of the 2015 NAB Show, Adobe brings new workflows and expanded collaboration to Pro Video apps, including a Character Animator, new color workspaces and editorial tools in Premiere Pro, and Adobe Anywhere for Teams.
Feature by Kylee Peña on 04/08/2015
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Misery Loves Comedy: Comedian Kevin Pollak Cuts His DocuComedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview by Kylee Peña on 01/23/2015
Adobe After Effects
Sexism in Post: Sometimes It's What You Think, Sometimes Not
Sexism in Post: Sometimes It's What You Think, Sometimes NotSexism in video production is making work environments hostile and keeping women away, but the most damaging sexist actions aren't what you think.
Editorial, Feature, People / Interview by Kylee Peña on 11/06/2014
Adobe After Effects
NetApp Simplifies Hybrid Cloud Management Software
NetApp Simplifies Hybrid Cloud Management SoftwareStorage and data management company NetApp announced a set of tools to enhance cloud services, including a more efficient operating system with simple tools to manage data on Amazon Cloud web services.
Editorial, Feature, People / Interview by Kylee Peña on 11/05/2014
Adobe Premiere Pro
Purrrfect Videos with Adobe Premiere Clip for Cat Day
Purrrfect Videos with Adobe Premiere Clip for Cat DayThe Premiere Clip app is a great way to get started in shooting, editing and sharing your own videos, and today Adobe is encouraging everyone to sink their claws into a cat video of their own for National Cat Day.
Editorial, Feature by Kylee Peña on 10/29/2014




RSSTHREADS:
Re: Reduce enhancement artifacts WAS:recover "lost" highlights
by Anmol Mishra in the Adobe After Effects Forum
I downloaded it. Do i just replace the jpg with the video file? I tried adding a file to final comp but nothing happened. Many thanks...
6 minutes ago   read more
Re: how do I render in slow motion in after effects or Quicktime ?
by John Cuevas in the Adobe After Effects Forum
Take your video, drag it to the make new comp icon. If you want it to be 1 minute, press cntl+k and change the duration to 1 minute. Couple of methods you can use now, one is to simply use Time Remapping(cntl + alt + t), then drag the second...
2 hours ago   read more
Re: Reduce enhancement artifacts WAS:recover "lost" highlights
by Chris Wright in the Adobe After Effects Forum
ae cs5.5 blowout fixer will repair blow out sky and dark in 32bpc and now supports 8bit video in soft and vivid modes https://f1.creativecow.net/6445/6445 dv to film has an edge blur feature taken from dct repair. you can unselect the texture, color, grain layers. https://f1.creativecow.net/8107/free-convert-dv-to-film-with-slider-controls...
3 hours ago   read more
Re: Reduce enhancement artifacts WAS:recover "lost" highlights
by Anmol Mishra in the Adobe After Effects Forum
Hi. Just wondering if anyone still has the script. Perhaps if you could email it to me. Cheers....
4 hours ago   read more
Explosion Compositing
by Matthew Ruiz in the Adobe After Effects Forum
So I have been messing around with this shot all day, trying to practice some compositing work. Something feels off to me...thoughts? Thanks, Matt...
6 hours ago   read more
how do I render in slow motion in after effects or Quicktime ?
by Bobby singer in the Adobe After Effects Forum
i have 30 seconds of animation in maya how do i render it slow to around 1 minute in after effects or quicktime .. Anybody having done this please help .. or post any links to online video tutorials or any other tutorial.. thanks,...
11 hours ago   read more


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