|SMPTE 2015 Annual Technical Conference & Exhibition (SMPTE 2015)|
SMPTE® 2015 Annual Technical Conference & Exhibition (SMPTE 2015) to Delve Into OTT, Cloud, and IP
The Society of Motion Picture and Television Engineers® (SMPTE®), a leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2015 Annual Technical Conference & Exhibition (SMPTE 2015), Oct. 26-29, in Hollywood, California, will feature an array of sessions dedicated to over-the-top (OTT), cloud, and IP (Internet Protocol)-based technology and services. During the SMPTE 2015 Industry Luncheon on Tuesday, Oct. 27 at 12:30 p.m., Ted Middleton, chief product officer at Verizon Digital Media Services, will make the keynote presentation titled "The TV Everywhere Frontier — Where Broadcasting Meets the Internet."
published 4 days ago read more
|Black envisions post-apocalyptic Stockholm with ftrack|
Stockholm-based studio Bläck has produced a great deal of eye-catching work in the past, including an award-winning Nike+ campaign with classic black-and-white cartoons designed by French illustrator McBess, and a series of commercials for Electronic Arts' fantasy role-playing game, Dragon Age Inquisition. But with State Zero – a live-action short film directed by Andrée Wallin – the team had to take on a very different task altogether: it had to transform its very own backyard into a post-apocalyptic nightmare.
published 1 week ago read more
|FUJINON 4K Ultra HD Series Now Being Delivered|
UA22x8 portable zoom and UA80X9 Ultra HD Serieslenses for sports and entertainment applications are available for delivery
Introduced in April during the National Association of Broadcasters (NAB) convention in April, the Optical Devices Division of FUJIFILM North America Corporation has announced that the first two lenses in its 4K Ultra HD Series for sports and entertainment applications are available for delivery. The UA22x8 is the first portable zoom lens in the series, and the new UA80X9 is the first field lens.
published 3 months ago read more
|Canon's New Powershot G3 X Digital Camera Delivers Features Pros|
Newest Addition to G-Series Features a One-inch 20.2MP CMOS Sensor, a 25x Optical Power Zoom Lens, Dust- and Water-Resistance and Built-in Wi-Fi® with NFCTM
Canon U.S.A., Inc., a leader in digital imaging solutions, today announced an exciting addition to its G-series of premium compact digital cameras -- the Canon PowerShot G3 X. Ideal for photographers looking for DSLR-style features and quality in a compact, dust- and water-resistant body, this camera’s large, one-inch, 20.2 Megapixel* High-Sensitivity CMOS sensor delivers optimal performance with an ISO range of 125 – 12,800. The sensor, along with a proprietary DIGIC 6 Image processor, creates Canon’s HS System to provide photographers with a high-performance point-and-shoot camera that captures vivid and detailed still images and video, even in difficult low-light shooting scenarios.
published 4 months ago read more
|Adobe Stock Launches Worldwide|
Integration into Creative Cloud Gives Adobe the Edge in $3 Billion Global Stock Image Market
Adobe today launched Adobe Stock, the industry’s first stock content service to be integrated directly into the content creation process and the tools creatives use every day. Available through Adobe Creative Cloud, this new service radically simplifies buying and using stock content, including photos, illustrations and graphics.
published 4 months ago read more
|Guild Of Television Cameramen Announces Gtc Awards 2015 Winners|
The Guild of Television Cameramen’s 42nd annual awards presentations at The Great Barn in Upper Aynho, Oxfordshire
The Guild of Television Cameramen’s 42nd annual awards presentations were held on Sunday May 18 at The Great Barn in Upper Aynho, Oxfordshire. The awards were presented by Stuart McDonald, one of the UK's premiere live and event television directors.
published 5 months ago read more
Apple Shake Video Tutorial: An Introduction to Node-based Compositing
Steve Wright is a visual effects veteran with 70 broadcast television commercials and over 60 feature films credits. Hes also written and taught extensively on many aspects of effects creation. Here, using Apple Shake as an example, Steve introduces the ideas and methods of node-based compositing.
Tutorial, Video Tutorial, Feature by Steve Wright on 09/04/2007
Keying 101: Spill Suppression
This tutorial from Creative Cow Leader Andrew Shanks demonstrates various common approaches to getting rid of colour spill after keying.
Tutorial, Video Tutorial by Andrew Shanks on 02/27/2007
Keying 101: Edge, Core and Garbage Mattes
Going beyond the one click keying technique most beginners use, this tutorial from Creative Cow Leader Andrew Shanks shows a common technique and includes tips for other ways to tackle pulling a key.
Tutorial, Video Tutorial by Andrew Shanks on 02/16/2007
Smoothing DV Jaggies
In this video tutorial, Creative Cow Leader Andrew Shanks demonstrates cleaning up DV/HDV chroma compression artifacts in Shake to allow for better keying.
Tutorial, Video Tutorial by Andrew Shanks on 02/13/2007
Morphing in Shake
IIn this third video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates a brief overview of the Morpher Node in Shake.
Tutorial, Video Tutorial by Michael Mench on 07/17/2006
In this second video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates Slow Motion in Apple Shake.
Tutorial, Video Tutorial by Michael Mench on 07/10/2006
Smooth Cam Node
In this Apple Shake video tutorial, Creative Cow Contributor Michael Mench begins a series called Shake is Money in which he will discuss how Final Cut Pro editors can quickly learn how to integrate Shake into their workflow for added flexibilty in the studio. In this first video in the series, Michael demonstrates the Smooth Cam Node in Shake.
Tutorial, Video Tutorial by Michael Mench on 07/03/2006
How to become a Feature Film Compositor by John Lafauce Jr.
Have you ever wanted to contribute to building a twenty thousand man army in "Troy", make a mouse fly a plane in "Stuart Little 2", or launch a doomed luxury liner in "Titanic?" You can achieve visual feats you never dreamed possible and accomplish them all through the magic of compositing. Read this article written by John Lafauce Jr., and see... How to become a feature film compositor. A note just to clarify: this article is about high-end 2d/3d compositing for long form media such as films, where the goal is to make the work seamless, integrated and "invisible". Not to be confused with compositing for motion graphics, where the objective is to make the object or design stand out and be "visible" to the viewer.
Tutorial, Feature by John Lafauce Jr. on 02/25/2005