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Adobe Premiere Pro

July 1st, 2015
Adobe : Premiere Home
RSSNEWS:
October Three Consulting shoots promo with JVC GY-LS300 4KCAM
JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced October Three Consulting, retirement plan design and administration firm headquartered in Chicago, shot a promotional video using two JVC GY-LS300 4KCAM Super 35 camcorders. Designed as a “conversation starter” for human resources executives, the short video includes expert interviews and B-roll footage to explain why October Three entered the benefits administration market and what type of services clients can expect from the Retirement Architects.
published 16 hours ago   read more
Encore VFX Envisions the Paranormal for 'The Whispers'
Encore artists in Vancouver and Los Angeles completed anywhere from 30 to 60 VFX shots per episode
A mysterious force begins manipulating children in ABC Television's new series "The Whispers," which features visual effects from Encore VFX.
published 2 days ago   read more
International Cinematographers Guild Selects 19th Annual Emerging Cinematographer Awardees
The International Cinematographers Guild (ICG, IATSE Local 600) has named eight honorees for the 19th Annual Emerging Cinematographer Awards (ECA). The short films will premiere at the Directors Guild of America Theater in Los Angeles on September 27, 2015. A New York premiere will follow on October 25 at the School of Visual Arts.
published 5 days ago   read more
International Cinematographers Guild Selects 19th Annual Emerging Cinematographer Awardees
The International Cinematographers Guild (ICG, IATSE Local 600) has named eight honorees for the 19th Annual Emerging Cinematographer Awards (ECA). The short films will premiere at the Directors Guild of America Theater in Los Angeles on September 27, 2015. A New York premiere will follow on October 25 at the School of Visual Arts.
published 5 days ago   read more
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear 2015 Hollywood draws to Successful Close and Technical Award-Winners Announced
Cine Gear Expo drew the world’s top motion picture, video and new media community for the unveiling of the latest industry technology and to discuss the latest trends. There were 15,490 attendees from 48 countries at the event.
published 1 week ago   read more
Art Directors Guild Presents "THE ADVENTURES OF ROBIN HOOD" Film Screening
Academy Award-winning film spotlights production design of Carl Jules Weyl
The Art Directors Guild (ADG) Film Society and American Cinematheque will present a screening of Errol Flynn’s swashbuckling adventure fantasy THE ADVENTURES OF ROBIN HOOD (1938) spotlighting the production design by Academy Award®-winning designer Carl Jules Weyl, as part of the 2015 ADG Film Series on Sunday, June 28, at 5:30 P.M. at the Aero Theatre in Santa Monica. The ADG “Confessions of a Production Designer” Film Series is sponsored by The Hollywood Reporter.
published 2 weeks ago   read more
‘Gear Dictionary’ Web Series Uses Zylight for Studio Shoots
Zylight F8-100’s quantum dot technology provides more refined and balanced natural light output on minimal power
For Zeke Kamm, a week does not go by without a call from someone in the industry looking for production equipment advice. A self-described “gear head” filmmaker with more than 20 years in the industry, he decided to create Gear Dictionary, a free online educational series, to collect his advice on a number of subjects in one spot. Kamm, who serves as CEO of Aviator Camera Gear in Bend, Ore., began posting episodes to www.geardictionary.comin April.
published 2 weeks ago   read more
ALKEMY X Creative Director Bex Schwartz Hosted “Promoting Promos” Panel At Promax/BDA 2015 Featuring Writer/TV Host Dave Holmes
Last week, Alkemy X’s Creative Director of Awesomeness Bex Schwartz hosted a panel entitled “Promoting Promos” at the Promax/BDA 2015 Conference in downtown Los Angeles. Schwartz invited her long-time friend, Writer/TV Host Dave Holmes to join her as she presented her recommendations on promoting television promos via social media, followed by a Q&A with Dave about his experiences using social to promote on-air and live shows.
published 2 weeks ago   read more
Simian Introduces Infusion Plug-in for Adobe
New plug-in eliminates steps during post production allowing editors to focus on editing
Simian the industry leader in evolutionary collaboration and media management solutions, today released Simian Infusion for Adobe Premiere Pro which enables users to export videos directly into Simian from the editor. The plug-in seamlessly integrates with Premiere for a streamlined user experience.
published 2 weeks ago   read more
Adobe Unveils Milestone 2015 Creative Cloud Release
Unprecedented Innovation and Integration Across Creative Cloud Desktop and Mobile Apps; New Adobe Stock Service Debuts
Adobe (Nasdaq:ADBE) today launched a milestone release of its flagship Adobe Creative Cloud tools and services. The 2015 release of Creative Cloud includes major updates to Adobe’s industry-defining desktop tools, including Photoshop CC, Illustrator CC, Premiere Pro CC and InDesign CC; as well as new connected mobile apps for iOS and Android.
published 2 weeks ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips
PluralEyes: Fast & Easy Connections for Video & Audio ClipsWith the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature by Bill O'Neil on 05/20/2015
Adobe Premiere Pro
Adobe Premiere Pro CC's Lumetri Color Tool: Gamechanger
Adobe Premiere Pro CC's Lumetri Color Tool: GamechangerLongtime Creative COW Leader and passionate color grader Walter Biscardi notes that the word "gamechanger" gets thrown around too easily, but for color grading inside an NLE, Adobe Premiere Pro CC's new Lumetri Color Tool, "gamechanger" is the only word that will do.
Feature by Walter Biscardi on 04/09/2015
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Misery Loves Comedy: Comedian Kevin Pollak Cuts His DocuComedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview by Kylee Wall on 01/23/2015
Adobe Premiere Pro
Purrrfect Videos with Adobe Premiere Clip for Cat Day
Purrrfect Videos with Adobe Premiere Clip for Cat DayThe Premiere Clip app is a great way to get started in shooting, editing and sharing your own videos, and today Adobe is encouraging everyone to sink their claws into a cat video of their own for National Cat Day.
Editorial, Feature by Kylee Wall on 10/29/2014
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere
Gone Girl: Editing a Hollywood Feature with Adobe PremiereDavid Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.
Editorial, Feature, People / Interview by Kylee Wall on 10/18/2014
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013
Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
Premiere Pro CC: 108 Multi-Cam Synched by AudioIn this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
RE:Match Non-matching Cameras in Premiere ProIn this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 107 Rolling Shutter Repair
Premiere Pro CS6 Techniques: 107 Rolling Shutter RepairIn this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible. However, sometimes you have no choice and then need to clean up the end result to stop your audience from feeling sea-sick! The Rolling Shutter Repair is a very powerful tool to deal with this issue and make sure your footage looks more like you originally intended it to look.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012




RSSTHREADS:
Re: WTF?!?!?! 2015 does NOT PLAY AT ALL!
by Steve Brame in the Adobe Premiere Pro Forum
Yep. My first trial at opening a 2014 project in 2015 resulted in the age-old .mts files suddenly being 'unsupported' issue. The (also) age-old fix of renaming the base folder for the files took care of it, but that was enough to abandon the trial with a live project. Asus...
1 hour ago   read more
Re: Changing Sequence Starting Timecode
by Tero Ahlfors in the Adobe Premiere Pro Forum
[Kevin McDonald] "What I can't seem to understand is why Modify>Timecode doesn't seem to have any purpose at all and is greyed out." That command is for media clips....
2 hours ago   read more
Re: Changing Sequence Starting Timecode
by Kevin Monahan in the Adobe Premiere Pro Forum
[Alex Udell] "Is there any reason why this isn't part of "Sequence Settings" ?" That's an excellent idea. I like it. You know what to do! http://adobe.ly/feature_request Kevin...
4 hours ago   read more
Re: WTF?!?!?! 2015 does NOT PLAY AT ALL!
by Kevin Monahan in the Adobe Premiere Pro Forum
Hi, I don't recommend updating project files. Wait till you're done with your CC 2014 project before moving on. Here's my blog: http://blogs.adobe.com/kevinmonahan/2015/06/16/updating-and-backing-up-project-files-best-practices/ It's actually an editors long standing R.O.T. Thanks, Kevin...
4 hours ago   read more
Re: 2015: dynamic AE links not working in PP
by Kevin Monahan in the Adobe Premiere Pro Forum
Hi Tad, Sounds like you have a case of version confusion. Make sure both applications are the same version while you are working with them. Thanks, Kevin...
4 hours ago   read more
2015: dynamic AE links not working in PP
by tad newberry in the Adobe Premiere Pro Forum
my PP 2014 project with AE 2014 dynamically-linked sequences (which were editable within in PP), show up now as "media offline", so i loaded the AE 2014 projects into AE 2015 and resaved them. then went back to the PP project and put the new AE 2015 sequences in. no...
5 hours ago   read more
Re: Having lots of trouble with Ultra Keying GH4 Footage...
by Chris Cella in the Adobe Premiere Pro Forum
I wish I would of tested it before I bought it. It's a good and useful camera but I still prefer the sensor on my Canon 5dmk3 and even my 7D. It's not even about depth of field, the image just looks better in my opinion. Even at the lower...
8 hours ago   read more
Re: Can't access source settings on some R3D clips
by Paul Neumann in the Adobe Premiere Pro Forum
Select the clip and look in the Effects Controls Panel. Select the Master Clip tab and the R3D dialogue you're looking for will be there....
9 hours ago   read more
Just how much does Premiere really use the graphics card Memory?
by Zach Meissner in the Adobe Premiere Pro Forum
I do most of my work in Premiere and After Effects and am getting a new iMac 5k. I'm torn between an SSD and the standard M290x graphics card, and a 1TB fusion drive and the upgraded M295x graphics card. When using iStat menus and observing the graphics card memory...
12 hours ago   read more


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