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May 31st, 2016
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Bluefish444 and Visual Research Inc Integrate Technologies
Bluefish444 Broadcast Asia Stand 5A8-07 Visual Research Inc Broadcast Asia Stand 5K7-05
Bluefish444, manufacturer of the industry's highest-quality uncompressed 4K/2K/HD/SD SDI video cards, and Visual Research Inc.(VRi), a leading manufacturer of real-time 3D graphics, announced it has partnered with Visual Research Inc. to integrate three Bluefish444 video cards into the KarismaCG family of products.
published 4 days ago   read more
Twist Director Matt Pittroff Gets "Ready to Roll" With Campaign for Firehouse Subs
Filmed in the famous “Windy City” of Chicago, Twist Director Matt Pittroff gets “Ready to Roll” in a commercial campaign for Firehouse Subs. Established in 1994 by two former firefighter brothers, Firehouse Subs is reputable for being the “Hero of all Subs.” The humorous campaign gives a comedic twist to hunger and heroism.
published 6 days ago   read more
High Desert Church Relies On For-A’s Hvs-2000 Video Switcher For Multi-Site Video Streaming
California’s High Desert Church is a multi-site house of worship with four campuses that serve a total congregation of over 8,000 people. Looking for a switcher that enabled them to live stream sermons from their main campus to their other sites, High Desert turned to FOR-A. The church recently purchased the company’s HVS-2000 video switcher to fulfill all of the growing congregation’s video production needs.
published 6 days ago   read more
Anton/Bauer is the First to Offer an Air Travel Discharging Solution for Li-Ion Battery Users
Brand Now Offers Two Solutions to IATA’s New Travel Restrictions
Anton/Bauer, a premier provider of mobile power solutions for the broadcast, film and video industries, a Vitec Videocom brand, and part of Vitec Group, plc, has updated their Performance Quad Charger to satisfy new regulations set by the IATA. The new function makes the Performance Quad Charger the only charger on the market which allows the user to discharge a battery to any level, including the level specified in the new IATA regulations.
published 6 days ago   read more
MTV’s “Scream” Returns to Chainsaw for a Second Chilling Season
Post-production finishing for the second season of MTV’s hit show Scream: The TV Series is currently in high gear at Chainsaw in Hollywood. The facility is handling editorial finishing, color grading and deliverables. It is also supplying editing suites and gear used by series editors.
published 7 days ago   read more
Vantage Media Processing Platform Ingests & Transcodes 750 XDCAM HD Discs into Avid and CatDV Environment in Just Four Days
Warner Bros Belgium Bases Super Fast File-based Broadcast Workflow on Telestream Vantage
Telestream®, the leading provider of video transcoding and workflow automation solutions, today announced the successful implementation of a major Vantage transcode server, file-based content ingest platform and intelligent workflow automation system at Warner Bros International Television Production Belgium. Working with Belgian Systems Integrator, VP Media Solutions, Warner Bros has created an innovative file-based workflow at its Zaventem-based production facility where all ingest, transcoding, archiving, media asset management (MAM) and storage are supported.
published 7 days ago   read more
TwoPoint0 Continues to Tickle Funny Bones With New Work for Bernie & Phyl
TwoPoint0’s Anthony Marinelli has edited yet another round of spots for Bernie & Phyl’s Furniture, collaborating closely with ad agency creatives from DeVito/Verdi. Marinelli has enjoyed a long-term collaboration with the creative team behind these humorous spots.
published 7 days ago   read more
Arcade's Paul Martinez Edits New Justin Timberlake Video "Can't Stop the Feeling!"
Arcade Editor Paul Martinez has just collaborated closely with Director Mark Romanek on the new Justin Timberlake music video, “Can’t Stop the Feeling!” The official music video for DreamWorks Animation’s upcoming feature film release, “Trolls,” the new clip dropped nationwide last week.
published 7 days ago   read more
GEORGE’s Lorcan Finnegan Takes EA Games to Its “Shiny Place”
In U.S. debut, Irish director lenses inspired campaign launching new mobile game Bejeweled Stars
GEORGE’s Lorcan Finnegan has directed a new campaign for Electronic Arts and Team One that offers a whimsical take on the life-altering power of the new “match-3” game Bejeweled Stars.
published 1 week ago   read more
Community Films Signs Director Marius Crowne
Up & Coming Talent Selected For This Week's "Shoot" New Director Showcase in NY
Community Films has signed Director Marius Crowne to the company’s diverse roster of talent. Crowne joins Community in the midst of being selected for the prestigious “New Director Showcase” by “SHOOT Magazine.” The SHOOT New Director Showcase reel will be screened during the signature event at the DGA in New York this Thursday, May 26th.
published 1 week ago   read more

Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips
PluralEyes: Fast & Easy Connections for Video & Audio ClipsWith the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature by Bill O'Neil on 05/20/2015
Adobe Premiere Pro
Adobe Premiere Pro CC's Lumetri Color Tool: Gamechanger
Adobe Premiere Pro CC's Lumetri Color Tool: GamechangerLongtime Creative COW Leader and passionate color grader Walter Biscardi notes that the word "gamechanger" gets thrown around too easily, but for color grading inside an NLE, Adobe Premiere Pro CC's new Lumetri Color Tool, "gamechanger" is the only word that will do.
Feature by Walter Biscardi on 04/09/2015
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Misery Loves Comedy: Comedian Kevin Pollak Cuts His DocuComedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview by Kylee Peña on 01/23/2015
Adobe Dreamweaver
Bridging Web Design and Development with Adobe Extract
Bridging Web Design and Development with Adobe ExtractAdobe Extract, released in August 2014, is a feature in Photoshop 2014 CC, Dreamweaver 2014 CC and Creative Cloud that has the potential to transform the way web designers and developers work together. If the designer does have a Creative Cloud membership, it opens up a new possibility: uploading a PSD file (one received via email, for instance) to Creative Cloud and getting the assets and CSS information out to to your project.
Editorial, Feature by Michael Hurwicz on 12/21/2014
Adobe Premiere Pro
Purrrfect Videos with Adobe Premiere Clip for Cat Day
Purrrfect Videos with Adobe Premiere Clip for Cat DayThe Premiere Clip app is a great way to get started in shooting, editing and sharing your own videos, and today Adobe is encouraging everyone to sink their claws into a cat video of their own for National Cat Day.
Editorial, Feature by Kylee Peña on 10/29/2014
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere
Gone Girl: Editing a Hollywood Feature with Adobe PremiereDavid Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.
Editorial, Feature, People / Interview by Kylee Peña on 10/18/2014
Adobe Photoshop
Going from Aperture to Lightroom? Put it in the Cloud!
Going from Aperture to Lightroom? Put it in the Cloud!Why Wait for Apple Photos? Adventurer and editor Jigs Gaton takes us through some easy steps for migrating your photo library from Apple's Aperture and iPhoto into Adobe Lightroom.
Tutorial, Feature by Jiggy Gaton on 08/21/2014
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe After Effects Techniques
After Effects: Animated Guitar Strings with Plexus
After Effects: Animated Guitar Strings with PlexusUsing Rowbyte Plexus (the 3D particle system plugin for Adobe After Effects) and Trapcode SoundKeys in After Effects, Gardy Raymond demonstrates how to create animated guitar strings that distort in time with the music.
Tutorial, Video Tutorial by Gardner Raymond on 04/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013



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