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ADOBE DIRECTOR:HomeDirector ForumTagMotion Graphics

Adobe Director

March 27th, 2015
Adobe : Director Home
RSSNEWS:
Roger Welcomes CD Dane Macbeth; Promotes Brandon Stevenson to Head of Production
Mixed-media production studio Roger continues its mission to grow its senior leadership by welcoming Dane Macbeth as Creative Director and promoting Producer Brandon Stevenson to Head of Production. The appointments come as Roger continues expanding its creative footprint in broadcast while adding content creation to its menu of services.
published 18 hours ago   read more
Marquis Launches Solo Parking Giveaway
Marquis Broadcast, expert in content workflows and media integration software, specialises in moving media. The Company has today announced its biggest ever promotion: a giveaway of 100 copies of Solo Parking, its new archive and restore solution aimed at freelance editors or small facilities, looking to manage their Avid storage, create a complete archive copy of any Avid project, or move a project to another workstation.. The giveaway is part of a prize draw for those completing a six question industry survey about how they use their edit storage: www.marquisbroadcast.com/promotions and will run from 30 March and finish on 19 April.
published 19 hours ago   read more
SMPTE 2015 NAB Show Preview Society of Motion Picture and Television Engineers® Booth L28
SMPTE at the 2015 NAB Show: The 2015 NAB Show's Technology Summit on Cinema (TSC): Building the Future of Storytelling, produced in partnership with SMPTE, will be dedicated to exploring the technical and creative innovations that will define the cinema experience of tomorrow. Highlights of the summit will include a first-look preview of the SMPTE documentary, "Moving Images," which is being created in conjunction with SMPTE's centennial celebration. At the SMPTE booth, the Society will highlight significant advances in standards development, promote its upcoming educational conferences, and expand on details about its upcoming centennial celebration activities in 2016. The Society continues to support student engagement in the motion-imaging field through scholarships, membership programs, and events. SMPTE board members and directors will again engage with students at the Society's popular networking social, which drew 100 participants to the SMPTE booth in 2014. The new #LIFEWITHOUTSMPTE project will engage show attendees in a multimedia dialog about the Society's contributions to the arts, science, and popular culture.
published 19 hours ago   read more
Grass Valley News: TV Cultura Adds a Half Dozen Grass Valley LDX
TV Cultura Adds a Half Dozen Grass Valley LDX Cameras for Enhanced News Production
São Paulo-based TV Cultura has been relying on solutions from Grass Valley, a Belden Brand, to provide overall operational excellence in its studios for almost a decade. So when the time came to upgrade its cameras, the choice was an easy one. Six new LDX Flex cameras with XCU base stations are coming online to provide improved image quality and flexibility for the future.
published 19 hours ago   read more
TDC announces partnership with NIDA - Australia’s National Institute of Dramatic Art
Guiding Australia’s next generation of artists
TDC - Technical Direction Company is proud to announce a pioneering partnership with the National Institute of Dramatic Art, which will see TDC provide invaluable expertise, guidance and support to the next generation of Australia’s artists, technical theatre designers and practitioners.
published 21 hours ago   read more
Bringing Meaning to Chappie's Colour
SKYLAB designs an integrated ACES colour workflow with FilmLight’s BLG and Baselight grading system
Leading post-house, SKYLAB, recently developed an innovative new workflow to tightly integrate creative grading with both editorial and VFX for Neill Blomkamp’s new movie, Chappie. Working with visual effects studio, Image Engine, the team created a seamless feature-finishing architecture which took advantage of FilmLight’s BLG file format, Baselight and Academy Color Encoding System (ACES) technology.
published 21 hours ago   read more
PR: Billy Gabor Tapped as Managing Director of Deluxe Creative
Billy Gabor Tapped as Managing Director of Deluxe Creative Services Atlanta
Deluxe Creative Services has promoted Billy Gabor from Senior Colorist to Managing Director of its Atlanta studio, which currently is home to local outposts of Company 3, Method, Encore and Beast. The new position serves to further unify the post production services of each company under the Creative Services umbrella.
published 1 day ago   read more
Boris FX and Imagineer Systems Team Up to Unveil New Graphics and VFX Tools at NAB 2015
Boris Continuum Complete 10 and mocha Pro 5 new technology demos at NAB
Boris FX™, the leading developer in VFX and workflow solutions for film and video, and Imagineer Systems, the Academy Award-winning developer of mocha® Planar Tracking tools, will be previewing the newest versions of flagship products, Boris Continuum Complete and mocha Pro, at the National Association of Broadcasters (NAB) Show, April 13-16, 2015 in Las Vegas, Nevada, USA, booth SL4225.
published 1 day ago   read more
ArsenalFX Provides Flame and Compositing Work on New Samsung Jewels Spot for Client McKinney
ArsenalFX, a leading visual effects, motion graphics and design studio specializing inglobal commercial media and entertainment services, has just completed work on a new Samsung spot through client McKinney of North Carolina. ArsenalFX provided Flame cleanup and compositing for a new Samsung spot, entitled “Jewels.”
published 1 day ago   read more
Nice Shoes Colorist Lenny Mastrandrea Roasts Justin Bieber For Comedy Central
Nice Shoes colorist Lenny Mastrandrea, who has worked with Comedy Central on promos for many of their hit shows, brought his skills to the channel’s campaign for the upcoming roast of pop superstar Justin Bieber. Mastrandrea was tasked with creating a high contrast, saturated look across all three spots.
published 1 day ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Misery Loves Comedy: Comedian Kevin Pollak Cuts His DocuComedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview by Kylee Wall on 01/23/2015
Adobe Dreamweaver
Bridging Web Design and Development with Adobe Extract
Bridging Web Design and Development with Adobe ExtractAdobe Extract, released in August 2014, is a feature in Photoshop 2014 CC, Dreamweaver 2014 CC and Creative Cloud that has the potential to transform the way web designers and developers work together. If the designer does have a Creative Cloud membership, it opens up a new possibility: uploading a PSD file (one received via email, for instance) to Creative Cloud and getting the assets and CSS information out to to your project.
Editorial, Feature by Michael Hurwicz on 12/21/2014
Adobe Premiere Pro
Purrrfect Videos with Adobe Premiere Clip for Cat Day
Purrrfect Videos with Adobe Premiere Clip for Cat DayThe Premiere Clip app is a great way to get started in shooting, editing and sharing your own videos, and today Adobe is encouraging everyone to sink their claws into a cat video of their own for National Cat Day.
Editorial, Feature by Kylee Wall on 10/29/2014
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere
Gone Girl: Editing a Hollywood Feature with Adobe PremiereDavid Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.
Editorial, Feature, People / Interview by Kylee Wall on 10/18/2014
Adobe Photoshop
Going from Aperture to Lightroom? Put it in the Cloud!
Going from Aperture to Lightroom? Put it in the Cloud!Why Wait for Apple Photos? Adventurer and editor Jigs Gaton takes us through some easy steps for migrating your photo library from Apple's Aperture and iPhoto into Adobe Lightroom.
Tutorial, Feature by Jiggy Gaton on 08/21/2014
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe After Effects Techniques
After Effects: Animated Guitar Strings with Plexus
After Effects: Animated Guitar Strings with PlexusUsing Rowbyte Plexus (the 3D particle system plugin for Adobe After Effects) and Trapcode SoundKeys in After Effects, Gardy Raymond demonstrates how to create animated guitar strings that distort in time with the music.
Tutorial, Video Tutorial by Gardner Raymond on 04/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013
Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
Premiere Pro CC: 108 Multi-Cam Synched by AudioIn this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
RE:Match Non-matching Cameras in Premiere ProIn this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013




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