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ADOBE DIRECTOR:HomeDirector ForumTagMotion Graphics

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July 30th, 2015
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RSSNEWS:
SMPTE and HPA Issue Call for Entries for SMPTE-HPA Student Film Festival
Students Have Until Sept. 9 to Submit Work, Which Will Be Screened and Judged Oct. 27 at SMPTE 2015 Annual Technical Conference & Exhibition
The Society of Motion Picture and Television Engineers® , a leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, and the Hollywood Post Alliance® (HPA®), the organization serving the professional community by providing expertise, support, tools, and the infrastructure for the creation and finishing of motion pictures, television, commercials, and an array of content for a growing number of platforms, have issued a call for entries for the SMPTE-HPA Student Film Festival. The event is scheduled for Tuesday, Oct. 27, following the Opening Night Reception for the SMPTE 2015 Annual Technical Conference & Exhibition (SMPTE 2015) in Hollywood, California, and will be hosted by SMPTE Standards Director and film director Howard Lukk. The deadline for entries is Sept. 9.
published 11 hours ago   read more
Heresy's So & So sparks a festive night of high jinks for Hey Violet
Creative studio Heresy directing duo So & So sparks a vibrant midnight fiesta in the new music video for Hey Violet’s single “I Can Feel It,” via Capitol Records. The video is set in Downtown Los Angeles’ thriving hub of paper mâché delights: the Piñata District, and features the band members enjoying a carefree night of colorful antics.
published 1 day ago   read more
Visual Effects Society to Present Visual Futurist and Iconic Artist Syd Mead with its Visionary Award
Today, the Visual Effects Society (VES), the visual effects industry’s professional global honorary society, named acclaimed visual futurist and conceptual artist Syd Meadas the next recipient of its Visionary Award in recognition of his enormous contributions to visual arts and filmed entertainment. The award will be presented at the 14th Annual VES Awards on February 2, 2016 at the Beverly Hilton Hotel.
published 1 day ago   read more
@LArge Productions Welcomes EP Ashley Hydrick,
@LArge Productions is excited to welcome Ashley Hydrick as Executive Producer and Partner. With this strategic addition, the @LArge management triumvirate includes Hydrick, and company founders Tracy Mays and Beth Aranda. The company was launched in March of this year, and is designed to fulfill clients’ creative needs from concept to execution. With the addition of Ashley Hydrick comes an expanded network of trusted post collaborators via @LArge’s unique and robust model.
published 3 days ago   read more
Surfing Film Catches Big Break At AlphaDogs
California
The origins of surfing date as far back as the 18th Century where wooden surfboards that sometimes weighed as much as 150 pounds were used for big wave surfing. While methods of surfing have changed substantially since the early days, what hasn’t changed is the lure of finding that perfect wave, and there is no place quite like Mexico for a surfing adventure! In the new film from filmmaker Mark Kronemeyer titled Gone, audiences are taken on a journey from Baja to Oaxaca, to bone-dry deserts and tropical jungles on the search for the soul of surfing in Mexico. “I got the idea for the film traveling around Mexico and documenting our journey up and down the Pacific coast,” said Kronemeyer. “I hope audiences will want to travel and discover more of the real Mexico after watching Gone. http://www.gonefilm.tv/
published 3 days ago   read more
CRYSTAL VISION PROVIDES THE FOUNDATION FOR ORF STUDIO UPGRADE
Crystal Vision has won a contract to provide the core technical infrastructure for a major upgrade to studio RP3 at the headquarters of ORF in Vienna, Austria.
published 4 days ago   read more
Roland Professional A/V Appoints HWPco to Represent Southeast U.S.
Roland’s Professional A/V Division is pleased to announce the appointment of HWPco as the new manufacturer’s representative firm for their professional audio and video product lines in Tennessee, Alabama, Georgia and the Carolinas.
published 6 days ago   read more
Aframe Partners with ROOT6 Technology to Offer Seamless Integration with ContentAgent
Provides a centralized hub from which customers can manage and automate all aspects of their file-based workflow
Aframe, the cloud video platform, has partnered with broadcast supplier, ROOT6 Technology, to provide a seamless workflow for customers using its automated file-based management system, ContentAgent.
published 1 week ago   read more
SMPTE IBC2015 Product Preview
IBC2015 Preview Society of Motion Picture and Television Engineers® Partnership Village, Stand 8.F51f
(July 23, 2015) SMPTE at IBC2015
published 1 week ago   read more
FUJINON 4K Ultra HD Series Now Being Delivered
UA22x8 portable zoom and UA80X9 Ultra HD Serieslenses for sports and entertainment applications are available for delivery
Introduced in April during the National Association of Broadcasters (NAB) convention in April, the Optical Devices Division of FUJIFILM North America Corporation has announced that the first two lenses in its 4K Ultra HD Series for sports and entertainment applications are available for delivery. The UA22x8 is the first portable zoom lens in the series, and the new UA80X9 is the first field lens.
published 1 week ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
PluralEyes: Fast & Easy Connections for Video & Audio Clips
PluralEyes: Fast & Easy Connections for Video & Audio ClipsWith the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.
Review, Editorial, Feature by Bill O'Neil on 05/20/2015
Adobe Premiere Pro
Adobe Premiere Pro CC's Lumetri Color Tool: Gamechanger
Adobe Premiere Pro CC's Lumetri Color Tool: GamechangerLongtime Creative COW Leader and passionate color grader Walter Biscardi notes that the word "gamechanger" gets thrown around too easily, but for color grading inside an NLE, Adobe Premiere Pro CC's new Lumetri Color Tool, "gamechanger" is the only word that will do.
Feature by Walter Biscardi on 04/09/2015
Adobe Premiere Pro
Misery Loves Comedy: Comedian Kevin Pollak Cuts His Docu
Misery Loves Comedy: Comedian Kevin Pollak Cuts His DocuComedian and actor Kevin Pollak talks about directing and editing his documentary "Misery Loves Comedy", a film that explores the darker side of comedians. After three software lessons from editor (and renowned VFX supervisor) Rob Legato and ten months at the console, Pollak has some new insight about the cross-over between stand-up comedy and editing.
Editorial, Feature, People / Interview by Kylee Wall on 01/23/2015
Adobe Dreamweaver
Bridging Web Design and Development with Adobe Extract
Bridging Web Design and Development with Adobe ExtractAdobe Extract, released in August 2014, is a feature in Photoshop 2014 CC, Dreamweaver 2014 CC and Creative Cloud that has the potential to transform the way web designers and developers work together. If the designer does have a Creative Cloud membership, it opens up a new possibility: uploading a PSD file (one received via email, for instance) to Creative Cloud and getting the assets and CSS information out to to your project.
Editorial, Feature by Michael Hurwicz on 12/21/2014
Adobe Premiere Pro
Purrrfect Videos with Adobe Premiere Clip for Cat Day
Purrrfect Videos with Adobe Premiere Clip for Cat DayThe Premiere Clip app is a great way to get started in shooting, editing and sharing your own videos, and today Adobe is encouraging everyone to sink their claws into a cat video of their own for National Cat Day.
Editorial, Feature by Kylee Wall on 10/29/2014
Adobe Premiere Pro
Gone Girl: Editing a Hollywood Feature with Adobe Premiere
Gone Girl: Editing a Hollywood Feature with Adobe PremiereDavid Fincher's "Gone Girl" is the latest in a series of critically acclaimed films from the director, but it's the first studio feature edited with Adobe Premiere Pro, with a complex post production workflow that includes 6K acquisition and over 200 visual effects completed in house with the help of Dynamic Link and After Effects.
Editorial, Feature, People / Interview by Kylee Wall on 10/18/2014
Adobe Photoshop
Going from Aperture to Lightroom? Put it in the Cloud!
Going from Aperture to Lightroom? Put it in the Cloud!Why Wait for Apple Photos? Adventurer and editor Jigs Gaton takes us through some easy steps for migrating your photo library from Apple's Aperture and iPhoto into Adobe Lightroom.
Tutorial, Feature by Jiggy Gaton on 08/21/2014
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe After Effects Techniques
After Effects: Animated Guitar Strings with Plexus
After Effects: Animated Guitar Strings with PlexusUsing Rowbyte Plexus (the 3D particle system plugin for Adobe After Effects) and Trapcode SoundKeys in After Effects, Gardy Raymond demonstrates how to create animated guitar strings that distort in time with the music.
Tutorial, Video Tutorial by Gardner Raymond on 04/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013




RSSTHREADS:
Re: Beginner question
by Suzin Daly in the Adobe Encore DVD Forum
Worked, all is well Thank you Have a great weekend Sz...
9 hours ago   read more
Re: Beginner question
by Ricky Barrow in the Adobe Encore DVD Forum
Bring in MOV file, if on PC, right click and select New Timeline. Ricky...
9 hours ago   read more
Beginner question
by Suzin Daly in the Adobe Encore DVD Forum
Can I bring in finished video [.mov] into Encore, save as - time line, or does the content have to come in as a sequence?...
11 hours ago   read more


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