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May 22nd, 2015
Final Cut : Color Home
RSSNEWS:
Panasonic announces NBCUniversal News purchases AVC-ULTRA camcorders
Investment Includes VariCam 35 4K Camera/Recorders for Long-Form Projects
NBCUniversal News Group (New York, NY) has purchased a number of Panasonic electronic newsgathering (ENG) cameras and related broadcast equipment as part of its technology and workflow transformation initiative.
published 17 hours ago   read more
Red Digital Cinema To Showcase Dragon Faamily At Broadcastasia 2015
RED will be showcasing the 6K RED DRAGON® sensor, as well as the latest product innovations and technologies
RED Digital Cinema is returning to the BroadcastAsia Exhibition in Singapore from June 2nd–5th, 2015. Located at Booth #4B3-01, RED will be showcasing the performance and versatility of the 6K RED DRAGON® sensor, as well as the latest product innovations and technologies.
published 17 hours ago   read more
Panasonic announces sale of 10 VariCam 35 4K camera/recorders to Panavision
Leading designer and manufacturer of high-precision camera systems augments inventory with 10 VariCam® 35 4K camera/recorders
Leading designer and manufacturer of high-precision camera systems Panavision has augmented its equipment inventory with 10 VariCam® 35 4K camera/recorders.
published 17 hours ago   read more
Inhance Digital Uses Fusion Studio for VFX on "Grimm"
Hollywood's Inhance Digital uses Fusion Studio to complete VFX work for a number of this year’s top shows, including “Jane the Virgin,” “Nashville,” and “Grimm"
Blackmagic Design today announced today that Hollywood’s Inhance Digital uses Fusion Studio to complete VFX work for a number of this year’s top shows, including “Jane the Virgin,” “Nashville,” and “Grimm,” one of NBC’s most popular and long running shows.
published 2 days ago   read more
Hitachi HDTV Cameras Facilitate Mobile Production Workflows for TNDV
Customer cites high price-to-performance ratio, exceptional quality in challenging production conditions for sports and live events
With seven trucks on the road, mobile production specialist TNDV has used up to 23 cameras for its largest live and broadcast events. A long-devoted user of HITACHI cameras, TNDV has now added five Z-HD6000 broadcast cameras to its arsenal.
published 1 week ago   read more
Nice Shoes and Optimus Remote Color Grading Partnership Extends to West Coast
Nice Shoes and Optimus Remote Color Grading Partnership Extends to West Coast
published 1 week ago   read more
Éclair Group selected FirePost to finish and color grade 3 features presented at the Festival de Cannes
Firefly Cinema congratulates Éclair Group and their colorist for their work on Standing Tall, the opening film of the 68th Festival de Cannes
published 1 week ago   read more
Signature of Donald O'Connor Discovered in Cement at Hollywood
Legendary actor/dancer/singer starred in a television series filmed on the historic lot in the 1950s
Construction workers upgrading courtyard office space at Hollywood Center Studios have uncovered a memento from the early days of television. Scratched into a concrete floor are several signatures including those of Singing in the Rain star Donald O’Connor and his frequent co-star and dance partner, Mitzi Gaynor. The signatures are dated November 6, 1954.
published 1 week ago   read more
Telestream Provides Media Transcoding Platform for Al Jazeera
London production centre is first Al Jazeera facility to adopt worldwide technology refresh built around file-based workflows
Telestream®, the leading provider of digital video tools and workflow solutions today announced the successful deployment of a Vantage transcode farm at Al Jazeera Media Network’s London news gathering, current affairs programming and live news output facility. Designed and installed by international systems integration specialist, Danmon Systems, this radical file-based technology upgrade sees the relocation of Al Jazeera’s European news headquarters to London’s iconic Shard building.
published 1 week ago   read more
4K Imaging With the Canon EOS-1D C Digital SLR Cinema Camera Enables Simultaneous Creation of TV Spots and Print Ads for Multiple Media
Maintaining a competitive edge in video production not only demands delivery of high-quality,creative content but also innovative and affordable new ways to serve client needs. Creative director Michael Ori and his team at Salt Lake City-based Ori Media and Studio Elevn [sic] provided a vivid example in TV spots they recently produced for the Utah Dept. of Health. A series of three 30-second cinéma vérité-style videos designed to encourage people to quitsmoking, Ori obtained the 4K image quality and unique looks he sought by using the CanonEOS-1D C Digital SLR Cinema camera from Canon U.S.A., Inc., a leader in digital imaging solutions. Ori won the assignment by also being able to produce still images from his Canon EOS-1D C camera’s 4K video for giant 48 ft. billboards.
published 1 week ago   read more


RSSTUTORIALS:
Apple Color
Euphonix MC Color Control Panel
Euphonix MC Color Control PanelIn this article Walter Biscardi, Jr. tries out the new MC Color controller from Euphonix.
Review by Walter Biscardi on 02/23/2010
Apple Color
Tangent Wave Control Panel Review
Tangent Wave Control Panel ReviewIn this article, Walter Biscardi, Jr. takes an in depth look at the new Tangent Wave Control Panel.
Review by Walter Biscardi on 10/27/2009
Apple Color
Final Cut Pro: Tracking Vignettes
Final Cut Pro: Tracking VignettesIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.
Tutorial, Video Tutorial by Richard Harrington on 02/23/2009
Apple Color
Final Cut Pro: Saturation Curves in Color
Final Cut Pro: Saturation Curves in ColorIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
Tutorial, Video Tutorial by Richard Harrington on 02/16/2009
Apple Color
Custom Shapes in Color - Final Cut Help
Custom Shapes in Color - Final Cut HelpIn this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
Tutorial, Video Tutorial by Richard Harrington on 01/19/2009
Apple Color
One Team. Three Network Shows. Every Week.
One Team. Three Network Shows. Every Week.Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
Feature by Zed Saeed on 12/23/2008
Apple Color
Apple Color: Building Vignettes in the ColorFX Room
Apple Color: Building Vignettes in the ColorFX RoomApple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial by Walter Biscardi on 09/24/2007
Apple Color
Apple Color: Auto Balance Feature
Apple Color: Auto Balance FeatureIn this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 07/09/2007
Apple Color
Should you use Final Cut Pro or Color?
Should you use Final Cut Pro or Color?Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/25/2007
Apple Color
Apple Color: First Time You Launch
Apple Color: First Time You LaunchIn this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/19/2007




RSSTHREADS:
How to render out to proress 4444 and othe proress from Davinci resolve 11
by Ali Quintana in the DaVinci Resolve Forum
I like to know how to render out to proress 4444 and othe proress in After effects. I am on windows 7 I understand that this is one of the highest qualities....
36 minutes ago   read more
Black Detail Mode question.
by Nodari Nozadze in the Flanders Scientific Forum
Hello I own LM24651W, recently in Function menu I found Black Detail mode, which kind of crushes the black on the monitor, image looks more contrasty, and the yellow light at the top blinks, is this mode better for grading? I am grading in rec 709 and then DCP software...
41 minutes ago   read more
digital cinema projector convert 2048X1080 to DCI scope?
by anand kamal in the DaVinci Resolve Forum
Hi friends, I have rendered a footage from DaVinci Resolve in JPEG2000 format with resolution 2048X1080 (my original source resolution was 1920X1080). I know that I want to project in theaters as scope, 2.40:1. So I added an "output blank" or "letterbox" in aspect ratio 2.40:1. I did this because...
4 hours ago   read more
Highlights clipping @ 100 IRE on render
by Murray North in the DaVinci Resolve Forum
Hi all! There are some situations where I need Davinci to render out clips and retain all the information below and above 0 and 100 IRE. When I render by defualt, it does a hard clip at those levels, which is usually fine becuase it acts as a bit of...
7 hours ago   read more
Re: Clip attributes for logC material: Video or data level?
by NubusAvid in the DaVinci Resolve Forum
To add weight to Guillaume’s comments, my testing shows that Resolve (11 lite) always applies a studio to full range level change to ProRes 444 QT files. Assimilate Scratch (play) does the same. So does Nuke. As Guillaume says; not such an insurmountable problem with Alexa footage, which is studio...
8 hours ago   read more
Re: Clip attributes for logC material: Video or data level?
by NubusAvid in the DaVinci Resolve Forum
To add weight to Guillaume’s comments, my testing shows that Resolve (11 lite) always applies a studio to full range level change to ProRes 444 QT files. Assimilate Scratch (play) does the same. So does Nuke. As Guillaume says; not such an insurmountable problem with Alexa footage, which is studio...
8 hours ago   read more


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