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June 1st, 2016
Final Cut : Color Home
RSSNEWS:
Litepanels' New Astra Soft Bi-Color Earns Rave Reviews From Industry Professionals
CINE GEAR 2016, BOOTH 64/65 BROADCAST ASIA, BOOTH 4D6-10
Litepanels®, an innovator in LED lighting solutions for the film, photographic and broadcast industries, a Vitec Videocom brand, and part of Vitec Group, plc, has received fantastic responses from industry professionals about the new Astra Soft Bi-Color LED panel. With a new diffused lens, the one-square-foot Astra Soft provides a soft light alternative to the original Astra 1x1 Bi-Color, mirroring the effect of a softbox in a compact, portable design. The reaction to these new lights has been overwhelmingly positive from key industry insiders.
published 14 hours ago   read more
Roundabout Entertainment Breathes New Life into "NYPD Blue"
Facility completes sparkling 2K restoration of eight seasons of the Emmy-winning series that defined police dramas in the 1990s.
In a project for 20th Century Fox spanning nine months, Roundabout Entertainment restored and remastered the first eight seasons of the classic procedural police drama NYPD Blue. More than 170 1-hour episodes were scanned and finished in 2K, restoring the show to pristine quality for a new domestic release.
published 14 hours ago   read more
Wildside Selects WCPMedia Services for Cloud-Based Asset Management and Virtual Streaming for “The Young Pope”
Internationally-produced television series uses platform to share dailies&edits with producers and trailers with target buyers.
The television series The Young Pope¸ a joint production by Sky, HBO and Canal Plus, produced by Wildside and co-produced by Haut et Court and MediaPRO, is currently using WCPMedia Services’ virtual screening room and collaboration platform to share media during production and post, and to deliver trailers to target buyers.
published 17 hours ago   read more
MAXON Cinema 4D helps Sarofsky animate Captain America: Civil War Main-on-end Titles
Leading 3D Solution Used by Design-Driven Production Company in Marvel’s Blockbuster Film
MAXON, the leading developer of professional 3D modeling, painting, animation and rendering solutions, is pleased to announce that design-driven production company Sarofsky relied on its celebrated Cinema 4D (C4D) software suite as a central content creation production tool in delivering the 3D elements in the main-on-end (MOE) title sequence in Marvel’s Captain America: Civil War.
published 17 hours ago   read more
New Trends and Technology at Cine Gear Expo 2016
Cine Gear Expo 2016 exhibits open Friday June 3 and 4, at Paramount Studios in Hollywood, California with major screenings, filmmaker panel discussions, groundbreaking techniques and new equipment premiers that are sure to influence the filmmaking industry.
published 3 days ago   read more
Micro Studio Camera 4K and Video Assist Used to Broadcast 2016 World Table Tennis Championship
Blackmagic Design announced today that Qoncept, Inc. (Qoncept) used Blackmagic Micro Studio Camera 4K and Video Assist for image processing while broadcasting the World Table Tennis Championship, which was recently broadcast to a live audience via TV-Tokyo Corporation.
published 4 days ago   read more
Bluefish444 and Visual Research Inc Integrate Technologies
Bluefish444 Broadcast Asia Stand 5A8-07 Visual Research Inc Broadcast Asia Stand 5K7-05
Bluefish444, manufacturer of the industry's highest-quality uncompressed 4K/2K/HD/SD SDI video cards, and Visual Research Inc.(VRi), a leading manufacturer of real-time 3D graphics, announced it has partnered with Visual Research Inc. to integrate three Bluefish444 video cards into the KarismaCG family of products.
published 5 days ago   read more
Brainstorm Presents "From Leonard to Ricardo" Virtual Presentation with Bluefish444 at Broadcast Asia
Brainstorm Multimedia, leading manufacturer of real-time 3D graphics and virtual studio solutions, will feature a virtual studio theatre at the upcoming Broadcast Asia 2016, booth 5F6-03, to showcase a revolutionary virtual presentation called "From Leonardo to Ricardo", which is an amazing visual history of virtual technology from its origins in the 15th century to the present day.
published 6 days ago   read more
Zylight Highlights Advanced Wireless Control, Flexible LED Lights at Cine Gear Expo 2016
Zylight, a leading manufacturer of innovative LED lightingsolutions, will demonstrate its new ZyLink Bridgeremote control technology, F8-200 LED Fresnel, IS3c LED soft light, and the Aladdin Bi-Flex lighting system at Cine Gear Expo 2016, which runs June 3-4 at the Studios at Paramount in Hollywood, Calif.
published 6 days ago   read more
Twist Director Matt Pittroff Gets "Ready to Roll" With Campaign for Firehouse Subs
Filmed in the famous “Windy City” of Chicago, Twist Director Matt Pittroff gets “Ready to Roll” in a commercial campaign for Firehouse Subs. Established in 1994 by two former firefighter brothers, Firehouse Subs is reputable for being the “Hero of all Subs.” The humorous campaign gives a comedic twist to hunger and heroism.
published 7 days ago   read more


RSSTUTORIALS:
Apple Color
Euphonix MC Color Control Panel
Euphonix MC Color Control PanelIn this article Walter Biscardi, Jr. tries out the new MC Color controller from Euphonix.
Review by Walter Biscardi on 02/23/2010
Apple Color
Tangent Wave Control Panel Review
Tangent Wave Control Panel ReviewIn this article, Walter Biscardi, Jr. takes an in depth look at the new Tangent Wave Control Panel.
Review by Walter Biscardi on 10/27/2009
Apple Color
Final Cut Pro: Tracking Vignettes
Final Cut Pro: Tracking VignettesIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.
Tutorial, Video Tutorial by Richard Harrington on 02/23/2009
Apple Color
Final Cut Pro: Saturation Curves in Color
Final Cut Pro: Saturation Curves in ColorIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
Tutorial, Video Tutorial by Richard Harrington on 02/16/2009
Apple Color
Custom Shapes in Color - Final Cut Help
Custom Shapes in Color - Final Cut HelpIn this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
Tutorial, Video Tutorial by Richard Harrington on 01/19/2009
Apple Color
One Team. Three Network Shows. Every Week.
One Team. Three Network Shows. Every Week.Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
Feature by Zed Saeed on 12/23/2008
Apple Color
Apple Color: Building Vignettes in the ColorFX Room
Apple Color: Building Vignettes in the ColorFX RoomApple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial by Walter Biscardi on 09/24/2007
Apple Color
Apple Color: Auto Balance Feature
Apple Color: Auto Balance FeatureIn this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 07/09/2007
Apple Color
Should you use Final Cut Pro or Color?
Should you use Final Cut Pro or Color?Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/25/2007
Apple Color
Apple Color: First Time You Launch
Apple Color: First Time You LaunchIn this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/19/2007




RSSTHREADS:
Re: Resolve to Avid
by Glenn Sakatch in the DaVinci Resolve Forum
Are you using your system drive for all your avid media? Not a great idea, but i'm assuming those other folders contain media that is being seen by Avid, in the projects they were originally used for? Do you have another hard drive you can put your media on? You...
5 hours ago   read more
Re: Resolve to Avid
by Kamil Wierzbicki in the DaVinci Resolve Forum
Here is the screenshot: screenshot2016-06-01at00.51.27.png I have created a project and saved it to where the media is living....
7 hours ago   read more
Re: Not hearing offline reference clip audio in color page
by Marc Wielage in the DaVinci Resolve Forum
I generally only use the Offline Reference feature for picture, not sound. If I needed to hear the sound, then what I would do is pull out the WAV file from within the Reference image as a separate file, then bring that into the timeline and drop it into an...
7 hours ago   read more
Re: Resolve to Avid
by Glenn Sakatch in the DaVinci Resolve Forum
you didn't answer questions 3, 7 or 8. If you are not getting a database, it is quite often due to a folder naming issue. Post a screen shot of your folder name/structure. Glenn...
9 hours ago   read more
Re: Not hearing offline reference clip audio in color page
by Glenn Sakatch in the DaVinci Resolve Forum
I've always had issues with the offline reference in Resolve. Import a clip as reference, assign it to a timeline...in older versions it would play in one tab, but not the other. Haven't tried it in 12 yet. Personally, I find it much easier to simply bring it in as...
9 hours ago   read more


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