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September 2nd, 2014
Adobe : Ultra Home
RSSNEWS:
Editec Takes Delivery of Revolutionary New I-MOVIX X10 UHD 4K High Speed Camera
Editec Ltd, the UK and Eire exclusive distributor for I-MOVIX products have just taken delivery of the latest X10 UHD 4K high speed camera system from I-MOVIX in Belgium. This purchase continues the long term relationship between Editec and I-MOVIX and further demonstrates a continued determination to offer clients the very latest technology in the field of ultra slow-motion.
published 4 days ago   read more
IBC Preview: Polecam Systems Announce Commercial Success with HD Zoom Lens and Remote Heads Allowing Larger Cameras on Polecam
Polecam Systems will show their signature Polecam range of lightweight carbon fibre jibs and remote heads at IBC 2014, hugely popular and used increasingly in program making world wide, and will also be showing an ancilliary product that has been commercially successful in its own right, the Resolve Optics Z10 HDcf zoom lens.
published 6 days ago   read more
Ohio’s Deluca Video Productions Covers Live Events With Panasonic’s New AJ-PX270 P2 HD Handheld
DeLuca Photography and Video Productions (Akron, OH) is making Panasonic’s new AJ-PX270 P2 HD handheld its primary camera for live events. The full-service media production company, co-founded more than 13 years ago by brothers John and Matt DeLuca, routinely covers live assignments in the metro Cleveland, Akron, Canton and Medina, OH markets and beyond.
published 6 days ago   read more
ARRI Announces ProRes UHD Output for AMIRA
A new software upgrade for ARRI’s documentary-style AMIRA camera will allow it to record ProRes UHD files, answering the 4K requirements of some productions. The upgrade is expected to be available for purchase at the online ARRI License Shop by the end of 2014.
published 7 days ago   read more
New Jersey-Based Davideo Multimedia Fields Event/Corporate Projects With Panasonic’s New AJ-PX270 P2 HD Handheld
Dave Hall, principal of Davideo Multimedia (Berkeley Heights, NJ) recently invested in Panasonic’s new AJ-PX270 P2 HD camcorder for his roster of corporate/event assignments, including ongoing work shooting performance videos for the New Jersey Performing Arts Center.
published 1 week ago   read more
DISK Archive Corporation’s ALTO FM Hybrid Cloud Solution Breaks Cost Barrier for Long-form Storage
Disk Archive Corporation and Squared Paper Ltd. have announced ALTO FM, a new hybrid storage concept which overcomes the high costs that have made the cloud unusable as a storage platform for long-form broadcast content in native resolution.
published 1 week ago   read more
Fletcher Sports Shoots Continuous Ultra-Motion 4K for Baseball and NBA with I-MOVIX X10 UHD
Chicago-based sports production specialists Fletcher Sports has completed the first season of major league baseball and NBA coverage using the I-MOVIX X10 technology and plan to use its new fleet of X10 UHD systems over the next season to come.
published 1 week ago   read more
CyberLink Partners with John Schneider Studios to Support Renowned Actor’s Independent Filming’s Initiative
Bringing a Complete Editing Studio Equipped with CyberLink’s Director Suite to Support Unique Initiative of Actor and Producer John Schneider to Promote Independent Filmmaking
CyberLink Corp. (5203.TW), a world leader in multimedia software, today announces a partnership with John Schneider Studios, to promote and support independent filmmakers. To cement the partnership, CyberLink has donated a complete editing workstation, equipped with the company’s high-end Director Suite. This collection of software includes PowerDirector, winner of multiple industry awards for its power, speed and polyvalence.
published 2 weeks ago   read more
GB Labs HyperSpace brings SSD performance levels to HDD NAS storage systems
(7.J15b) GB Labs UK |With its new HyperSpace technology, GB Labs brings broadcasters and post facilities a next generation storage technology for IBC 2014.
published 2 weeks ago   read more
GB Labs launches new 4K DIT system
(7.J15b) GB Labs UK |GB Labs’ 4K Duo On-Set is a game changer for high end 4K location production. It delivers a lightning fast ingest station, an UltraHD storage platform and a secure high speed data LTO backup solution. For the first time, it opens up the potential for 4K project sharing and archiving in the field, with the option for editors, audio technicians and colorists to work simultaneously on the same project. With multiple clients connecting using 1Gb, 10Gb or 40Gb Ethernet, this will deliver significant time savings and help the director to shape the production as never before.
published 2 weeks ago   read more


RSSTUTORIALS:
Adobe After Effects
Zero VFX: Why Some Effects Are Better Unseen
Zero VFX: Why Some Effects Are Better UnseenKyle and Gerard Andal, lead compositors at Zero VFX, bring invisible post-production magic to several films - including 2014 Academy Award-winning "American Hustle," in which the team helped transform 2013 Boston to 1978 New York - and also several commercial shots with mocha Pro.
Editorial, Feature, People / Interview by Imagineer Systems on 08/28/2014
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe After Effects
LightGrid Script and Demo Tutorial Part TWO with New Feature
LightGrid Script and Demo Tutorial Part TWO with New FeatureLightGrid Script creator Brian Charles demonstrates his newly modified After Effects script for rigging lights in grids and circles. The modified script with the new feature, which adds the ability to enable individual light colors through a checkbox in the effect control panel, is available as a free download in the Project Files folder.
Tutorial, Video Tutorial by Brian Charles on 06/29/2014
Adobe After Effects
Green Screen Billboard Compositing
Green Screen Billboard CompositingThis After Effects tutorial demonstrates how to simulate augmented reality centered around a city billboard by compositing green screen footage and editing it into the scene.
Tutorial, Video Tutorial by Ari Grunzeweig on 06/22/2014
Adobe After Effects
After Effects Handwriting Tutorial
After Effects Handwriting TutorialThis tutorial will show you how to create an animation of a marker writing out a logo or a few words, followed by a slick reveal to an actual logo.
Tutorial, Video Tutorial by Ari Grunzeweig on 06/20/2014
Adobe After Effects
LightGrid Script and Demo Tutorial
LightGrid Script and Demo TutorialLightGrid Script creator Brian Charles demonstrates his After Effects script for rigging lights in grids and circles. The script is available as a free download in the Project Files folder.
Tutorial, Video Tutorial by Brian Charles on 05/29/2014
Adobe After Effects
mocha Tracks The Wolf of Wall Street
mocha Tracks The Wolf of Wall StreetWith multiple VFX Oscars (Hugo and Titanic, plus a nomination for Apollo 13) plus a couple of Emmys (Star Trek: The Next Generation and Star Trek: Deep Space Nine) under his belt, the most remarkable thing about Rob Legato's latest VFX extravaganza is that it doesn't appear to have any VFX at all! Martin Scorsese's The Wolf of Wall Street is a masterpiece of what has become known as invisible effects, and this article from our friends at Imagineer, highlighting Rob's work with mocha, is a real eye-opener.
Editorial, Feature by Imagineer Systems on 05/19/2014
Adobe After Effects
Klip Collective Pushes Film Into New Spaces At Sundance
Klip Collective Pushes Film Into New Spaces At SundanceProjection mapping installation relies on Adobe Creative Cloud tools to create stunning visuals for the Sundance Film Festival entry, "What's He Building in There."
Editorial, Feature, People / Interview by Adobe on 01/21/2014
Adobe After Effects
Joseph Kosinski’s Film “Oblivion” Showcases Elegant Effects
Joseph Kosinski’s Film “Oblivion” Showcases Elegant EffectsWorld‐class user interface designers, graphic artists, and animators create crisp, timeless visual elements for the sci-fi film starring Tom Cruise and Morgan Freeman, Oblivion. Kosinski turned to Bradley G. Munkowitz (GMUNK), whom he'd previously worked with on Tron Legacy. As lead interface graphic designer, GMUNK then pulled a team together that included Interface Graphic Designers Joseph Chan (Chanimal) and Jake Sargeant, and Interface Animators Alexander Perry (AP), Navarro Parker (Nav), and David Lewandowski (D-Lew). They were happy to reunite to share how much fun they had creating the 2D effects for the film using an Adobe workflow.
Editorial, Feature, People / Interview by Adobe on 11/23/2013
Adobe After Effects
VFX & Motion Graphics on Star Trek: Into Darkness
VFX & Motion Graphics on Star Trek: Into DarknessAndrew Kramer of Bad Robot and author/owner of the site Video Copilot was tapped to create more than 30 title sequences for the resurrection of the classic science fiction franchise with Star Trek: Into Darkness, while the OOOii team created stunning graphics and heads-up displays for the blockbuster film. OOOii CEO Kent Demaine, Lead Designer Jorge Almeida and Andrew Kramer shared their great experiences working on the latest seminal Star Trek film.
Editorial, Feature, People / Interview by Adobe on 11/20/2013




RSSTHREADS:
Re: Snapping
by David Honan in the Adobe After Effects Forum
Brilliant this saved me a tonne of pain :-)...
2 hours ago   read more
Re: After Effects CC 2014 and Red Footage
by Leon Sanginiti in the Adobe After Effects Forum
ANYONE??? Leon Sanginiti, Jr. Obie Ray Post and VFX...
5 hours ago   read more
Re: Cache question
by Walter Soyka in the Adobe After Effects Forum
[Mike MacKenzie] "I had always assumed it was self-purging, that is once it needed space it purged the oldest stuff." Yes, Ae automatically prunes its cache. For me, the question here is which is better for the cache, speed or space? In my experience, even though the larger amount of...
10 hours ago   read more


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