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April 19th, 2014
Adobe : Ultra Home
RSSNEWS:
Cinedeck Saves Anger Management Series $2.25 Million In Post Production Costs
Cinedeck LLC, pioneering developer of capture systems for digital cinema, broadcast and post production, today revealed that its Cinedeck RX record, ingest and transcode platform has saved US comedy-series "Anger Management" (Debmar-Mercury Productions, FX Network) $2.25 million in post production costs, while supporting the delivery of double the number of episodes typically produced over the same production period.
published 3 days ago   read more
Camera Corps Q3 Takes Centre stage at 2014 NAB Show
Camera Corps reports a swarm of interest in its new Q3 compact robotic head among television production creatives attending the 2014 National Association of Broadcasters' Show in Las Vegas, April 7-10. Five years on from the launch of the multiple-award-winning Q-Ball, Q3 is completely redesigned to offer more features, greater sensitivity and higher image quality.
published 3 days ago   read more
VITEC Unveils New End-to-End 4K IPTV Solution for Enterprise TV and Sports Venues
4k Ultra HD Streaming presented as part of Sony 4K Vision Presenter Technology Demonstration at NAB
VITEC, a worldwide leader in advanced video streaming solutions, today announced it has partnered with Sony to show a live demonstration of their new End-to-End 4K IPTV solution for real-time, multicast distribution of Ultra HD video.
published 5 days ago   read more
Echostreams Teams Up with LSI and Microsoft to Demonstrate High-Availability Virtualized Shared Storage for Media Professionals at NAB 2014 in Las Vegas at LVCC Booth No.SL10810
Company showcases a complete family of Microsoft Server 2012 R2 certified cluster-in-a-box redundant platforms designed for OEMs, ranging from entry-level UP Intel E3 Haswell to top-of-the-line DP E5 Ivy Bridge, enhanced with LSI Syncro™® CS 9271-8i active/active redundant RAID adapters.
Echostreams Innovative Solutions, LLC. today announced the availability of an entire family of redundant server platforms, DuraStreams™, that are designed specifically for various Small-Medium-Business (SMB) verticals, with the support of the latest LSI Syncro® CS HA DAS technology. These platforms are certified under Microsoft Windows Server 2012 R2 for continuous availability, ideal for OEMs, System Integrators and Value-Added-Resellers building “Business in a Box” and “Branch in a Box” all-in-one Windows Server Hyper-V appliances. Knowing there are different needs coming from different SMB verticals that cannot be satisfied with “one-size-fits-all” approach, Echostreams has developed not one, but five different cluster-in-a-box redundant platforms supporting E3, E5-1400, E5-1600, and E5-2600 platforms. Environments suitable for these cluster-in-a-box redundant platforms include Retail, Medical/Dental Offices, Hotels & Restaurants, Education, Media & Broadcasting, and many others.
published 5 days ago   read more
ACME Portable: First Ever Portable Workstation with 4K Resolution
ACME Portable, the manufacturer of high-performance portable computers, is showcasing at NAB Show 2014, Booth# SL8827 the first ever portable workstation with Ultra HD 4K display. This portable workstation, called the MegaPAC L2, is ideal for many professional works that involve 4K display, including but not limited to 3D rendering, post-production processes, and professional photography.
published 5 days ago   read more
Sound Devices Expands Line of Video Recorders With Introduction Of PIX 270i and PIX 250i AT NAB 2014
New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions
Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.
published 1 week ago   read more
Ready-to-use 4K Broadcast Graphics Solution from Ventuz and Blackmagic at NAB
Ventuz and Blackmagic Partner Up at NAB 2014 To Showcase A Cost-Efficient, Off-The-Shelf 4K Broadcast Graphics Workflow In Booth #SL11127. Software/hardware Integration Enables Live, On-Air Broadcast Graphics Without Pre-Rendering.
Ventuz Technology, developer of resolution-independent, real-time graphics software and Blackmagic Design, manufacturer of creative video technology join forces to provide an affordable, off-the-shelf solution that can be used today for 4K Ultra HD broadcasts.
published 1 week ago   read more
Colorfront Debuts New Color Engine At NAB 2014
Colorfront, the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion picture, high-end episodic HDTV and commercials production, today announced Colorfront Engine, a state-of-the art, managed color pipeline, which enables creative on-set look creation and ensures the vital color integrity of digital materials from camera-to-post. Colorfront Engine incorporates major color science breakthroughs, and makes its debut at NAB 2014, Las Vegas.
published 1 week ago   read more
Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and PIX 250i at NAB 2014
New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions
Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.
published 1 week ago   read more
RTW Introduces TM3-Primus Touchmonitor
Ultra-Compact Meter Enables Extensive Loudness and Audio Metering Capabilities for a Variety of Applications and Budgets
RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to introduce at the 2014 NAB Show (Booth C1246), the new TM3-Primus, a highly compact and innovative addition to the company’s TouchMonitor range of audio meters. This latest model from the award-winning TouchMonitor series provides a full set of easy-to-read instruments for level and loudness metering in commercial and non-commercial production and broadcasting environments.
published 1 week ago   read more


RSSTUTORIALS:
Adobe After Effects
mocha Tracks The Wolf of Wall Street
mocha Tracks The Wolf of Wall StreetOscar-winning VFX Supervisor Rob Legato and Brainstorm Digital use mocha visual effects tools on Martin Scorsese's Wolf of Wall Street.
Editorial, Feature by Imagineer Systems on 04/16/2014
Adobe After Effects
Klip Collective Pushes Film Into New Spaces At Sundance
Klip Collective Pushes Film Into New Spaces At SundanceProjection mapping installation relies on Adobe Creative Cloud tools to create stunning visuals for the Sundance Film Festival entry, "What's He Building in There."
Editorial, Feature, People / Interview by Adobe on 01/21/2014
Adobe After Effects
Joseph Kosinski’s Film “Oblivion” Showcases Elegant Effects
Joseph Kosinski’s Film “Oblivion” Showcases Elegant EffectsWorld‐class user interface designers, graphic artists, and animators create crisp, timeless visual elements for the sci-fi film starring Tom Cruise and Morgan Freeman, Oblivion. Kosinski turned to Bradley G. Munkowitz (GMUNK), whom he'd previously worked with on Tron Legacy. As lead interface graphic designer, GMUNK then pulled a team together that included Interface Graphic Designers Joseph Chan (Chanimal) and Jake Sargeant, and Interface Animators Alexander Perry (AP), Navarro Parker (Nav), and David Lewandowski (D-Lew). They were happy to reunite to share how much fun they had creating the 2D effects for the film using an Adobe workflow.
Editorial, Feature, People / Interview by Adobe on 11/23/2013
Adobe After Effects
Star Trek Into Darkness: Main Titles, Graphics & Displays
Star Trek Into Darkness: Main Titles, Graphics & DisplaysAndrew Kramer of Bad Robot and author/owner of the site Video Copilot was tapped to create more than 30 title sequences for the resurrection of the classic science fiction franchise with Star Trek: Into Darkness, while the OOOii team created stunning graphics and heads-up displays for the blockbuster film. OOOii CEO Kent Demaine, Lead Designer Jorge Almeida and Andrew Kramer shared their great experiences working on the latest seminal Star Trek film.
Editorial, Feature, People / Interview by Adobe on 11/20/2013
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013
Adobe After Effects
Delivering Content for TV's Top Shows
Delivering Content for TV's Top ShowsDelivering content for some of television's top shows, including House of Lies, Grey's Anatomy, and, of course The Walking Dead, Stargate Studios continues to break the mold of how feature films, television series, electronic games, and commercials are generated. In this article, read how Adobe Creative Cloud and automation create a competitive edge for the iconic production studio, Stargate Studios.
Editorial, Feature, People / Interview by Adobe on 11/08/2013
Adobe After Effects
Adobe Ups Creative Cloud and Adobe Anywhere
Adobe Ups Creative Cloud and Adobe AnywhereAdobe has updated its Creative Cloud with 150 new features, including numerous video tools for Premiere Pro, After Effects, SpeedGrade and other components. In addition, the company has also planned significant updates to Adobe Anywhere Video, the "modern collaborative workflow platform" that allows Adobe pro-video solutions benefit from centralized media and assets across standard networks.
Editorial, Feature, People / Interview by Debra Kaufman on 09/10/2013
Adobe After Effects
Fans OCCUPY Conan With Self-Produced Parodies
Fans OCCUPY Conan With Self-Produced ParodiesLead editor Dan Dome and editors Robert Ashe, Jr., Chris Heller and David Grecu all put together OCCUPY Conan, a fan-sourced episode of the popular late night show. It's harder than it sounds, and that's why the Conan Editing Team is now up for an Emmy for Outstanding Multicam Editing for a Comedy Series.
Editorial, Feature, People / Interview by Debra Kaufman on 09/09/2013
Adobe After Effects
Advanced AECC Techniques: Hollywood VFX - Michael Bay Look
Advanced AECC Techniques: Hollywood VFX - Michael Bay LookIn this lesson, Kevin P McAuliffe breaks down how to create the cool lens filter effect that Michael Bay uses in almost all of his movies. Although in most cases this effect is created "in-camera", there are reasons you would want to do the effect in post. Once you see how to create this effect, it will become a "go-to" effect you can keep in your back pocket for those clients whose footage needs that extra boost!
Tutorial, Video Tutorial by Kevin P McAuliffe on 09/06/2013
Adobe After Effects
Advanced AECC Techniques: Hollywood Visual Effects - AvP TWO
Advanced AECC Techniques: Hollywood Visual Effects - AvP TWOIn this lesson, Kevin P McAuliffe builds on lesson one by not only showing you how to break down a title treatment and animate it on the screen, but also how to use the Adobe Bridge to your advantage to take animations that might take you minutes or hours to create, and be able to drop them on in seconds.
Tutorial, Video Tutorial by Kevin P McAuliffe on 08/21/2013




RSSTHREADS:
Re: Question about technique
by Joseph W. Bourke in the Adobe After Effects Forum
It's very possible that this is sort of an offshoot of rotoscoping, in that the video or visual reference was put together in an extended comp, and then the comp was used as a guideline for the animated paint. This would make it much easier to achieve than say, from...
2 hours ago   read more
With Apple dropping support for Animation/PNG codecs and ProRes4444 basically not functioning on the PC, what is the future of exporting Alpha channels?
by Scotty Swemba in the Adobe After Effects Forum
Just upgraded to Mavericks and can't play any of my Quicktime PNGs with Alphas before converting to a non-Alpha channel supporting codec. Very frustrated as I can't preview Animation or PNG exports without bringing them back into AE. Any solutions? Is there a planned future from Apple for a universal...
2 hours ago   read more
Re: After Effects CS6 Shows Nothing but Blackness!!
by Josh Pulido in the Adobe After Effects Forum
Alright it worked thank you:)...
4 hours ago   read more
Re: After Effects CS6 Shows Nothing but Blackness!!
by chris brett in the Adobe After Effects Forum
Hi Josh ---------------- this has happened to me also --- the black is no problem the comp is still there ---- just clear all the cache areas and reboot the machine -- should load normally and off you go... --- seems to me that memory areas are not automatically cleared...
6 hours ago   read more
Re: AE will not make a null when I convert audio to keyframes...
by Roman Tronenko in the Adobe After Effects Forum
Thanks, that's amazing! I wonder if the guy who asked the question ever saw the answer :)...
8 hours ago   read more


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