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Apple Shake

February 8th, 2012
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RSSNEWS:
“CSI: Crime Scene Investigation” TV Series Names Hollywood’s Dilated Pixels As Sole VFX Vendor For Season 12
Concurrently, Dilated Pixels Names Emmy Award Winner Rik Shorten As New VFX Supervisor
The hit CBS TV series “CSI: Crime Scene Investigation” will utilize the expertise of the Hollywood-based VFX company Dilated Pixels as its sole VFX vendor for Season 12. The announcement was made today by Dilated Pixels’ founding members, TJ Sakasegawa, Jeff Balis, Rhoades Rader and PJ Foley.
published 1 week ago   read more
RE:Vision Effects releases RE:Map v2 for Nuke, Composite and Fusion
RE:Vision Effects, Inc. acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Map, the ultimate kit of mapping and distortion tools, as an OFX plug-in set for use within The Foundry's Nuke, Eyeon's Fusion, and Autodesk's Composite.
published 1 month ago   read more
RE:Vision Effects releases Twixtor 5 for Avid® Systems
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of their Twixtor 5 plug-in for Avid® Media Composer®, Symphony® and NewsCutter®, including 64-bit support for Media Composer 6, Symphony 6 and NewsCutter 10.
published 3 months ago   read more
Video professionals can now calculate timed elements effortlessly with SceneTimer 1.5 for the Apple® iPad®
Video Adventures is proud to announce that SceneTimer is now fully optimized for the Apple® iPad®. SceneTimer was designed to offer producers, directors and videographers the ability to keep track of scene times in relation to the whole video production. The application is available now for the iPad in the iTunes App Store.
published 4 months ago   read more
MISS REPRESENTATION aims to end sexism in the media and empower women
The documentary will screen at 7:00pm at the Fremont Theatre, 1025 Monterey St. San Luis Obispo.
This fall, the SLOIFF is teaming up once again with the Women’s Legacy Fund to present a unique evening of film and conversation on Wednesday, October 5th, 2011, at 7:00pm at the Fremont Theatre in downtown San Luis Obispo.
published 5 months ago   read more
RE:Vision Effects releases Twixtor™ for Vegas™ Pro
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of their Twixtor™ plug-in for Vegas™ Pro by Sony Creative Software.
published 7 months ago   read more
RE:Vision Effects demos faster plug-ins, showcases guest speakers and attends user groups at NAB 2011
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, will present newly optimized versions of their popular product line at NAB 2011, booth SL3327M.
published 10 months ago   read more
RE:Vision Effects hires Anthony Magliocco of Entertainment and Media Technology Marketing to lead business development
RE:Vision Effects has engaged Entertainment and Media Technology Marketing (EMTM) to help expand its licensing, OEM and custom development business. "As the demand for content grows we want our company to positioned to continue to lead in the new media segments," said Mr. Peter Litwinowicz co-founder of RE:Vision Effects. "We are excited that Anthony Magliocco of EMTM will help us meet this challenge."
published 10 months ago   read more
NEP Broadcasting Taps Anton/Bauer To Power Outsourced Teleproduciton Services Around The World
NEP Stocks More Than 600 Anton/Bauer Products, Credits the Company’s Unmatched Service with the Success of its Projects
NEP Broadcasting has been at the forefront of outsourced teleproduction services for the past 20 years. Serving the world’s premiere broadcast networks and production companies, NEP provides state-of-the-art facilities, engineering expertise and technical management to support telecasts of major sporting events and entertainment programs around the globe.
published 10 months ago   read more
Glassworks invests in a Baselight HD colour grading system from FilmLight to help expand its customer base
Wanting to offer a more sophisticated service to existing clients, as well as opening itself up to a broader market, Glassworks Amsterdam, the country's leading visual effects post house, has invested in a Baselight HD colour grading system from FilmLight.
published 11 months ago   read more


RSSTUTORIALS:
Apple Shake
Apple Shake Video Tutorial: An Introduction to Node-based Compositing
Apple Shake Video Tutorial: An Introduction to Node-based CompositingSteve Wright is a visual effects veteran with 70 broadcast television commercials and over 60 feature films credits. Hes also written and taught extensively on many aspects of effects creation. Here, using Apple Shake as an example, Steve introduces the ideas and methods of node-based compositing.
Tutorial, Video Tutorial, Feature by Steve Wright on 09/04/2007
Apple Shake
Keying 101: Spill Suppression
Keying 101: Spill SuppressionThis tutorial from Creative Cow Leader Andrew Shanks demonstrates various common approaches to getting rid of colour spill after keying.
Tutorial, Video Tutorial by Andrew Shanks on 02/27/2007
Apple Shake
Keying 101: Light Wrap and Edge Blending
Keying 101: Light Wrap and Edge BlendingThis tutorial from Creative Cow Leader Andrew Shanks shows common techniques to better blend your keyed foreground element with the background plate.
Tutorial, Video Tutorial by Andrew Shanks on 02/22/2007
Apple Shake
Keying 101: Edge, Core and Garbage Mattes
Keying 101: Edge, Core and Garbage MattesGoing beyond the one click keying technique most beginners use, this tutorial from Creative Cow Leader Andrew Shanks shows a common technique and includes tips for other ways to tackle pulling a key.
Tutorial, Video Tutorial by Andrew Shanks on 02/16/2007
Apple Shake
Smoothing DV Jaggies
Smoothing DV JaggiesIn this video tutorial, Creative Cow Leader Andrew Shanks demonstrates cleaning up DV/HDV chroma compression artifacts in Shake to allow for better keying.
Tutorial, Video Tutorial by Andrew Shanks on 02/13/2007
Apple Shake
Morphing in Shake
Morphing in ShakeIIn this third video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates a brief overview of the Morpher Node in Shake.
Tutorial, Video Tutorial by Michael Mench on 07/17/2006
Apple Shake
Slow Motion
Slow MotionIn this second video in the series, Shake is Money, Creative Cow Contributor Michael Mench demonstrates Slow Motion in Apple Shake.
Tutorial, Video Tutorial by Michael Mench on 07/10/2006
Apple Shake
Smooth Cam Node
Smooth Cam NodeIn this Apple Shake video tutorial, Creative Cow Contributor Michael Mench begins a series called Shake is Money in which he will discuss how Final Cut Pro editors can quickly learn how to integrate Shake into their workflow for added flexibilty in the studio. In this first video in the series, Michael demonstrates the Smooth Cam Node in Shake.
Tutorial, Video Tutorial by Michael Mench on 07/03/2006
Apple Shake
How to become a Feature Film Compositor by John Lafauce Jr.
How to become a Feature Film Compositor by John Lafauce Jr.Have you ever wanted to contribute to building a twenty thousand man army in "Troy", make a mouse fly a plane in "Stuart Little 2", or launch a doomed luxury liner in "Titanic?" You can achieve visual feats you never dreamed possible and accomplish them all through the magic of compositing. Read this article written by John Lafauce Jr., and see... How to become a feature film compositor. A note just to clarify: this article is about high-end 2d/3d compositing for long form media such as films, where the goal is to make the work seamless, integrated and "invisible". Not to be confused with compositing for motion graphics, where the objective is to make the object or design stand out and be "visible" to the viewer.
Tutorial, Feature by John Lafauce Jr. on 02/25/2005




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