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Adobe Premiere Pro

August 22nd, 2014
Adobe : Premiere Home
RSSNEWS:
Blue Hat Design Installs FUJINON HD LENSES at 12Stone Church in Atlanta
12Stone Church Now Bases Video Production at its Four Atlanta Campuses on FUJINON Lenses
As one of the fastest growing churches in America, 12Stone Church recently opened a new Atlanta metro campus called Sugarloaf, which is equipped with a state-of-the-art HD video and audio production facility complete with Grass Valley LDX80 Premiere cameras and FUJINON HD lenses from the Optical Devices Division of FUJIFILM North America Corporation.
published 6 hours ago   read more
Hooligan Connects with karlssonwilker to Create Radiant Music Video for “Mexico” by GusGus
Hooligan, a creative post-production boutique that specializes in artistic offline editing and visual effects, recently collaborated with New York-based design studio karlssonwilker to create the anamorphic music video for “Mexico,” the title track from GusGus’s ninth studio album via Kompakt Records.
published 11 hours ago   read more
MSE Focuses on MINIVATOR II at IBC 2014
Matthews Studio Equipment announces that their new MINIVATOR II will premiere at IBC 2014, Hall 11, Row G, #71. The MINIVATOR II is the long-awaited stronger and taller version of the industry standard MINIVATOR stand, first introduced over 10 years ago.
published 16 hours ago   read more
“The Reel Thing” Film Restoration and Preservation Symposium, Slated for August 21 – 23 in Hollywood
Technical Conference to Include Premiere Screenings of Newly Restored Films, Including "The Day the Earth Stood Stil"l and "A Fistful of Dollars."
The Reel Thing, the 33rd technical symposium on film restoration and preservation will be held August 21 - 23 at the Linwood Dunn Theater at the Academy of Motion Picture Arts and Sciences’ Pickford Center for Motion Picture Study in Hollywood.
published 1 day ago   read more
Academy Award®-Nominated Director John Stevenson To Direct Animated Comedy Adventure Inspired By “Noah’s Ark” For Unified Pictures
Unified Pictures announced today that Academy Award®-nominated director John Stevenson (“Kung Fu Panda”) will direct the company’s first CG-animated feature inspired by “Noah’s Ark,” which is slated for completion in 2016.
published 2 days ago   read more
"Sharknado 2" with Film Editor Vashi Nedomansky and Matt Allard on the Go Creative Show
Editor Vashi Nedomansky returns to Go Creative Show to share stories from his recent mega-hit Sharknado 2. They discuss his editing strategies, the special effects workflow, the intense 6-week edit schedule and all the ridiculous campy insanity that made Sharknado 2 an instant classic. Vashi also talks about his recent documentary on PTSD, his upcoming film Headlock and his hugely successful blog at VashiVisuals.com In the past few years, Vashi has become one of the go-to post production super stars in our industry and we hear that Ben Consoli is happy to have him back on the show.
published 3 days ago   read more
“ANZAC Girls”: Rising Sun Pictures Goes to War
"ANZAC Girls," a 6-part mini-series produced by Screentime, a Banijay Group company, for ABC-TV, was a rare television project for Adelaide visual effects studio Rising Sun Pictures (RSP), better known for its work on Hollywood blockbusters such as "X-Men: Days of Future Past," "Gravity," and "The Great Gatsby." The first episode premiered on Australian TV on Sunday, 10 August with exceptional ratings around Australia and much critical acclaim.
published 4 days ago   read more
Jeremy Monsayac’s “All the Difference” to Premier at Action On Film Fest
"All the Difference," a romantic comedy from writer/actor Jeremy Monsayac and director Trudy Sargent, will make its world premiere August 26th as part of the Action On Film International Film Festival in Monrovia, Calif.
published 1 week ago   read more
NVIDIA’s New Professional GPU Lineup Places Quadro at Center of Visual Computing Workflows
SIGGRAPH - NVIDIA today unveiled its next generation of NVIDIA Quadro GPUs -- providing new tools and technologies to meet the visual computing needs of the world's leading designers, artists and scientists.
published 1 week ago   read more
IBC2014 Premiere for High Frame Rate 8K Television from NHK
Latest advances in 8K (Super Hi-Vision), including 120 frames a second, to be unveiled at IBC2014.
published 1 week ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013
Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
Premiere Pro CC: 108 Multi-Cam Synched by AudioIn this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
RE:Match Non-matching Cameras in Premiere ProIn this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 107 Rolling Shutter Repair
Premiere Pro CS6 Techniques: 107 Rolling Shutter RepairIn this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible. However, sometimes you have no choice and then need to clean up the end result to stop your audience from feeling sea-sick! The Rolling Shutter Repair is a very powerful tool to deal with this issue and make sure your footage looks more like you originally intended it to look.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flow
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flowIn this tutorial, Andrew Devis goes through the new and improved multi-camera work-flow in Premiere Pro CS6, which includes the option to use as many cameras as your system can cope with! Andrew shows how to use three clips in this tutorial, how to set them up with a synchronizing point and then how to trim footage back into the multi-camera sequence if the synchronizing points weren't in a good place. He then shows how to change between cameras and how to modify the edits created.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 105 Warp Stabilizer
Premiere Pro CS6 Techniques: 105 Warp StabilizerIn this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro. This powerful effect can be used to stabilize hand help or shaky footage so that the end result will be smooth motion or even no motion for the clip it is applied to. While being very powerful, the warp stabilizer works best with a good CUDA graphics card so that clips can be played back with the effect applied without the need to render the clips to see updates to any changes made.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 104 Speech Analysis
Premiere Pro CS6 Techniques: 104 Speech AnalysisIn this tutorial, Andrew Devis shows how to use the Speech Analysis function inside of Premiere Pro. Andrew starts by showing how to find and download speech modules for languages other than English US and then goes on to analyze two clips, one with stylized English and one with normal English to show how well Premiere Pro copes. Andrew also shows how you would attach an Adobe Story Script for greater accuracy and also how to use some of the tools to change text once created and then how Premiere Pro is frame perfect for each spoken word in the Source monitor.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 103 Analyze Content: Find Faces
Premiere Pro CS6 Techniques: 103 Analyze Content: Find FacesIn this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 102 Video Transitions
Premiere Pro CS6 Techniques: 102 Video TransitionsVideo Transitions vs Video Effects Transitions: In this tutorial, Andrew Devis explains the difference between 'video transitions' and the 'video transitions' category in 'video effects'. Andrew shows how the two work and some of the advantages of using the 'video effects' as opposed to the transitions to create more organic transitions.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012




RSSTHREADS:
What Mac Pro Configuration for 5K R3D in an HD Timeline?
by Joel Ray in the Adobe Premiere Pro Forum
I'm in the market for a Mac Pro to run Premiere Pro. I need to be economical with the purchase, as I don't often work from home, but I can't find much info on which upgrades will really improve performance with Premiere. I've worked on a previous generation iMac that...
2 hours ago   read more
Premiere CC adds clips during xml from fcp7..?
by danny phillips in the Adobe Premiere Pro Forum
Hi Everyone, When I xml a project across from fcp7 I get random copies of clips i.e. 3 copies of "4-5-2-2_MCU Tony" when I should have just the one. Any idea why this happens? Also, there are a large number of shots not in their bins. If I xml a...
2 hours ago   read more
Re: Premiere Pro Timecode/Sync issues with C300 Footage
by danny phillips in the Adobe Premiere Pro Forum
Hey Ken, No, this will be my first project with native c300. I've done a few very simple tests that went without issue (of course) and was looking to ingest with Prelude... Don't know if maybe that's a more robust way to build the database or not (actually just looking...
5 hours ago   read more
Re: Premiere Pro Timecode/Sync issues with C300 Footage
by Ken Addeh in the Adobe Premiere Pro Forum
Hey Danny, we (the production studio i work for) end up transcoding on select projects that have displayed some buggy sync, but only after the problem arises. (I know, It's a gamble!) I've found that it's sporadic. In the last 2/3 shoots there's been some slight issue, but for years...
5 hours ago   read more
Re: Premiere Pro Timecode/Sync issues with C300 Footage
by danny phillips in the Adobe Premiere Pro Forum
Hi Ken, Sorry I don't have any advice directly but I'm very interested in any replies as I have a rather large c300 project starting in a few days (10 x 30 min. episodic). I was hoping to NOT transcode and cut native as it would kill time budget to...
6 hours ago   read more
Re: No timecode on clips
by Peter Garaway in the Adobe Premiere Pro Forum
Hi Scott, I would be interested in getting a small sample file if you have one. We should be picking it up. You can upload to your CC account or another hosting site. Thanks, Peter Garaway Adobe Premiere Pro...
7 hours ago   read more
Re: media browser and mercury transmit timeline playback
by Peter Garaway in the Adobe Premiere Pro Forum
[Aindreas Gallagher] "Also scrolling up long folder lists can be a pain as it has a habit of jumping back to its original position before you can actually select a folder further up? Anyone else get this?" This behavior has been reported before and we're investigating way to perform better...
7 hours ago   read more
Re: Premiere CC 2014 crashes every 30 minutes or so on new Mac Pro
by Andy Edwards in the Adobe Premiere Pro Forum
Had similar issues with one of our new Mac Pro's. How is the heat of the tube? Does it heat up pretty hot and can you actually hear the fans blowing hot air out of the top? Our would crash with multi cam ProRes projects, and 4K projects. The tube...
8 hours ago   read more
Re: Cross Dissolve in Premier Pro CC 2014
by Mike Cohen in the Adobe Premiere Pro Forum
this extra precision (what happens to a particular track rather than loosey goosey days of CS6) seems to be an attempt to make Premiere act like Avid. In watching people use Avid, you cannot apply an effect or many other functions unless the V1 indicator is moved to the target...
8 hours ago   read more
Re: No timecode on clips
by Al LeVine in the Adobe Premiere Pro Forum
You shouldn't be running CC 2014 on 10.7.5... minimum system requirement is Mac OS X v10.8. I've heard of a ton of problems with people trying to run 2014 on 10.7... This might not solve your issue but will definitely save you from a headache down the line......
9 hours ago   read more
Re: Premiere CC 2014 crashes every 30 minutes or so on new Mac Pro
by Al LeVine in the Adobe Premiere Pro Forum
Could be a lot of things... this happened to me on an earlier release of Premiere when I had a piece of corrupt media. The second I started to play the corrupt media I would beach ball and crash. Is this just on one project? All projects? What happens when...
9 hours ago   read more
4K workflow suggestions, PC vs Mac and more
by Eric Scott in the Adobe Premiere Pro Forum
I've been a professional photographer for most of my working career, and want to start getting into video production. I recently purchased a GH4 so that I can experiment with capturing 4K video and downsample to 1080p. Being a newbie in the video world, I have a few questions. I...
9 hours ago   read more
Premiere CC 2014 crashes every 30 minutes or so on new Mac Pro
by Don Hertz in the Adobe Premiere Pro Forum
I'm getting all kinds of strange things happening with PPro CC 2014 on a brand new Mac Pro. Beach balls that require a force quit, auto-saves that lock up, auto saves not working, audio not playing and then suddenly playing again, etc. So far I've: Cleared the media cache Reset...
9 hours ago   read more
No timecode on clips
by Scott Rucci in the Adobe Premiere Pro Forum
Hi. Wondering if anyone has experienced this. Using cc 2014 on Mac Pro 10.7.5. I bring in mts files from a Sony FS700, recorded to an sd card and the media start for every clip is all zeros. I am simultaneously recording this footage to a Convergent Design Odyssey 7q...
10 hours ago   read more
Adding video to a sequence stutters, jumps back and forth and look weird! How to fix?
by Jeremy McCloud in the Adobe Premiere Pro Forum
Hello everyone, I was looking for a place I can get some help and came across this forum. I'm new so I'm hoping someone can help me. I'm a freelancer and got a project to record a voiceover and sync it with an instructional video. I got the voiceover recorded...
11 hours ago   read more
News: Hooligan Connects with karlssonwilker to Create Radiant Music Video for “Mexico” by GusGus
by Cow News Droid in the Adobe Premiere Pro Forum
...
11 hours ago   read more
Re: media browser and mercury transmit timeline playback
by Paul Neumann in the Adobe Premiere Pro Forum
So I know how much you dismiss Bridge, but open up that same drive/location in Bridge and see if you get the same behavior. Maybe there's some caching nonsense happening that Bridge can clear up for you....
11 hours ago   read more
Re: Cross Dissolve in Premier Pro CC 2014
by Jim Collins in the Adobe Premiere Pro Forum
I'm assuming the transition is only being applied to the track with the "V1" marked on the left hand side of the timeline. PP CC 2014 seems to require that you be very specific about what you do and how you do it. Previous versions of PP were looser as...
11 hours ago   read more
Re: media browser and mercury transmit timeline playback
by Aindreas Gallagher in the Adobe Premiere Pro Forum
[Paul Neumann] "right click on any drive or folder and you can Add To Favorites and a Favorites listing will appear in your sidebar." YAY. thank you. [Paul Neumann] "between list view and icon view? " it's the main directory twirl down explorer list on the left side column? It's...
12 hours ago   read more
Re: Premiere Pro - Mixed Media
by Jeff Pulera in the Adobe Premiere Pro Forum
Hi Tom, Would help if we knew what type of media, sequence setting used, and computer hardware being used. For instance, some GoPro clips can bog down any computer - those are better to convert first using the Studio software. Thanks Jeff Pulera Safe Harbor Computers...
12 hours ago   read more


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