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Adobe Premiere Pro

September 21st, 2014
Adobe : Premiere Home
RSSNEWS:
Zac Cavaliero's Animated Short Wins Reel 13 National Competition - Earning It A Broadcast Debut on Thirteen-WNET
As A Growing Number of Feature Films Continue to Tap His Talent As A Previz Artist, Shot Designer, FX Artist and Modeler, The Young Filmmaker Continues To Evolve As A Multi-Disciplined Talent
Zac Cavaliero's short film, 'The Frank Job,’ showcasing the cinematographer's skills as a character animator was Reel 13's voters' choice this week, earning it a slot on national broadcast television on Thirteen-WNET's Saturday evening line up. The film's storyline is a new twist on the classic tale of 'Frankenstein,' with the lead character, an inept yet determined mad scientist, artfully crafted by Cavaliero into an animated character with features befitting his eccentric personality.
published 2 days ago   read more
RE:Vision Effects Releases RE:Match for Sony Vegas Pro with Automatic Color Matching for Multiple Shot and Multicam Shoots.
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the release of RE:Match™ for Sony® Vegas ® Pro, taking intuitive color matching to a whole new level by addressing common color problems when using multiple shots and/or multiple cameras.
published 5 days ago   read more
Boris FX Adds ASSIMILATE SCRATCH Support to Boris Continuum Complete and Boris RED Product Lines
Boris FX, the leading developer of integrated VFX and workflow technology for video and film, announces added host support for ASSIMILATE SCRATCH® to its flagship product line, Boris Continuum Complete (BCC), and to Boris RED. The new products were unveiled during IBC 2014 (September 12-16, Amsterdam, NL).
published 5 days ago   read more
AJA Announces KONA 4 Support for Adobe Creative Cloud
AJA KONA 4 with new Windows Support Delivers Video and Audio I/O In HD, 2K, 4K and Beyond
At IBC 2014, AJA Video Systems announced that its KONA 4 professional desktop video and audio I/O card now supports the latest versions of Adobe's flagship video applications in Adobe® Creative Cloud®. Device driver and plug-in software is available as a free download from AJA's website, allowing users of Adobe video applications, including Adobe Premiere® Pro CC, Adobe After Effects® CC and Adobe SpeedGrade® CC, to take advantage of KONA 4's unparalleled features for managing 4K, UltraHD, 2K and HD pipelines. Adobe Creative Cloud includes the most up-to-date versions of favorite Adobe desktop apps such as Adobe Premiere Pro, Photoshop®, After Effects, Illustrator® and more.
published 1 week ago   read more
Dalet Spotlights Partner Workflows at IBC2014
Dalet Digital Media Systems, a leading provider of software-based solutions for media organizations, is showcasing, along with its new three-platform lineup – Dalet Galaxy, Dalet AmberFin and Dalet Brio – key partner integrations and workflows from Adobe, Filemobile, Cinnafilm and Opta.
published 1 week ago   read more
AJA Announces New OEM Relationship with PlayBox Technology
AJA Corvid 88, Corvid 22 and Corvid Will Support Video Out in PlayBox’s AirBox Universal Playout and Streaming Automation Server
Stand 7.F11 - AJA Video Systems today announced that its Corvid 88, Corvid 22 and Corvid video and audio I/O cards for developers will be supported in PlayBox Technology’s AirBox playout server.
published 1 week ago   read more
AJA Raw CION Camera Format Supported in Adobe Premiere Pro CC
Stand 7.F11- AJA Video Systems today announced its AJA Raw CION camera format will soon be supported in Adobe® Premiere® Pro CC. Adobe previewed several new developments and updates to Adobe Premiere Pro CC at the IBC 2014 conference in Amsterdam.
published 1 week ago   read more
Blackmagic Design Announces New DeckLink 4K Extreme 12G Capture Card
New DeckLink 4K Extreme 12G PCI Express Capture Card Includes 12G-SDI for Capture and Playback in SD, HD, Ultra HD and DCI 4K Formats!
Blackmagic Design today announced DeckLink 4K Extreme 12G, a new Dual Link 12G-SDI capture and playback card that includes an extremely fast 8 lane PCI Express Generation 2 connection to the computer allowing extremely high performance such as dual stream video capture and playback at resolutions up to 2160p60. Dual stream capture and playback at these resolutions allows dual stream 3D as well as simultaneous fill and key capture and playback even when operating at Ultra HD at 60 frames per second.
published 1 week ago   read more
Blackmagic Design Announces PL Lens Mount Models of Blackmagic Production Camera 4K and Blackmagic Cinema Camera
Blackmagic Design today announced the immediate availability of two new cinema cameras, the Blackmagic Production Camera 4K PL and Blackmagic Cinema Camera PL. Both cameras now include PL mount models for using professional cinema lenses or even vintage cinema lenses and are now available from $2,295.
published 1 week ago   read more
Studio Network Solutions (SNS) Introduces Enhanced Integration With Adobe Creative Cloud
SNS EVO ShareBrowser Client Update Provides Metadata Export and Cloud Integration for Latest Release of Adobe Creative Cloud
Conference Hall 7, Stand 7.J05 - Studio Network Solutions (SNS), manufacturer of shared storage solutions for film, video, VFX, graphic animation and audio workgroups, today announced new integrations for Adobe® Creative Cloud® users with EVO ShareBrowser. New features provided increased portability of custom metadata tags in ShareBrowser and a dedicated workspace for Adobe Creative Cloud user storage.
published 1 week ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013
Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
Premiere Pro CC: 108 Multi-Cam Synched by AudioIn this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
RE:Match Non-matching Cameras in Premiere ProIn this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 107 Rolling Shutter Repair
Premiere Pro CS6 Techniques: 107 Rolling Shutter RepairIn this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible. However, sometimes you have no choice and then need to clean up the end result to stop your audience from feeling sea-sick! The Rolling Shutter Repair is a very powerful tool to deal with this issue and make sure your footage looks more like you originally intended it to look.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flow
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flowIn this tutorial, Andrew Devis goes through the new and improved multi-camera work-flow in Premiere Pro CS6, which includes the option to use as many cameras as your system can cope with! Andrew shows how to use three clips in this tutorial, how to set them up with a synchronizing point and then how to trim footage back into the multi-camera sequence if the synchronizing points weren't in a good place. He then shows how to change between cameras and how to modify the edits created.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 105 Warp Stabilizer
Premiere Pro CS6 Techniques: 105 Warp StabilizerIn this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro. This powerful effect can be used to stabilize hand help or shaky footage so that the end result will be smooth motion or even no motion for the clip it is applied to. While being very powerful, the warp stabilizer works best with a good CUDA graphics card so that clips can be played back with the effect applied without the need to render the clips to see updates to any changes made.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 104 Speech Analysis
Premiere Pro CS6 Techniques: 104 Speech AnalysisIn this tutorial, Andrew Devis shows how to use the Speech Analysis function inside of Premiere Pro. Andrew starts by showing how to find and download speech modules for languages other than English US and then goes on to analyze two clips, one with stylized English and one with normal English to show how well Premiere Pro copes. Andrew also shows how you would attach an Adobe Story Script for greater accuracy and also how to use some of the tools to change text once created and then how Premiere Pro is frame perfect for each spoken word in the Source monitor.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 103 Analyze Content: Find Faces
Premiere Pro CS6 Techniques: 103 Analyze Content: Find FacesIn this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 102 Video Transitions
Premiere Pro CS6 Techniques: 102 Video TransitionsVideo Transitions vs Video Effects Transitions: In this tutorial, Andrew Devis explains the difference between 'video transitions' and the 'video transitions' category in 'video effects'. Andrew shows how the two work and some of the advantages of using the 'video effects' as opposed to the transitions to create more organic transitions.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012




RSSTHREADS:
Re: Flatten Multicam to send to Audition for Mix
by Alex Udell in the Adobe Premiere Pro Forum
" so all of my timeline prep was for nothing, as I have to do it again." hoping for an auto-save for you here? Alex Udell Editing, Motion Graphics, and Visual FX...
2 hours ago   read more
Re: Huge Project File Size with XAVC?
by Walter Soyka in the Adobe Premiere Pro Forum
[Adam Derstine] "Wow, nailed it! I had warp stabilizer on a two minute walk and talk, didn't really even need. Project file back down to 1.5 MB. Wow. THANKS!!!" You're welcome -- glad you got it sorted. [Adam Derstine] "Upon further reflection, this is a tricky question - what to...
4 hours ago   read more
Flatten Multicam to send to Audition for Mix
by Dustin Bowser in the Adobe Premiere Pro Forum
I'm a bit confused, and perhaps I'm doing something wrong. I have an edit made of many different multicam clips with synced audio, among other music and sound FX. I cleaned everything up and put it all on proper tracks for a mix. I sent the sequence to Audition, and...
8 hours ago   read more
Missing Waveforms in the timeline
by Dustin Bowser in the Adobe Premiere Pro Forum
I have a timeline that has a combination of music, audio, normal clips, and multicam clips with synced audio. I've noticed this on a few occasions on some recent projects, but sometimes the Multicam Clips will decide to not display their Waveforms. There doesn't seem to be any rhyme or...
9 hours ago   read more
Re: Premiere CC multicam not working and I followed Larry Jordan's tutorial perfectly
by Jordan Woodworth in the Adobe Premiere Pro Forum
Still having this problem. And it's completely random. I thought I had the fix but then it turns out that it was just a one time stroke of luck. I deleted the non-working multicam sequence from my timeline and then grabbed it from the project folder and dropped it back...
10 hours ago   read more
Re: Premiere CC 2014 keeps stalling during encode
by Jordan Woodworth in the Adobe Premiere Pro Forum
Well in the end the fix was encoding on a Mac. Same exact project file, same conformed files and preview files and all. Was a 4 year old Powerbook. Took awhile to encode but WORKED....
11 hours ago   read more


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