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June 18th, 2013
Adobe : Premiere Home
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| | | |  NEWS: | | | | |
| | | | Major Update to Adobe Creative Cloud Now Available
Includes Next Generation of “CC” Desktop Applications and Delivers New Community and Publishing Capabilities
Adobe (Nasdaq:ADBE) today announced that a major update to Adobe® Creative Cloud™, the company’s flagship offering for creatives, is now available. Unveiled at Adobe MAX, The Creativity Conference, in early May and packed with new features, this Creative Cloud release reimagines the creative process through a stunning set of “CC” desktop applications and sophisticated cross-device collaboration and publishing capabilities. Creative files can be stored and shared, via Creative Cloud, on Mac OS, Windows, iOS and Android; and Behance, the world’s leading online creative community, is now integrated with Creative Cloud, so customers can showcase work, get feedback on projects and gain global exposure.
published 1 day ago read more | | | | |
| | | | Netflix To Premiere DreamWorks Animation's Branded Slate Of New Original TV Series
Largest deal for original content in Netflix history will give members in the U.S., Canada, Latin America and Europe exclusive access to new original television series based on the studio's beloved franchises and characters
Netflix Inc. and DreamWorks Animation (Nasdaq: DWA) today announced a multi-year deal making the world's largest Internet TV network the premiere home of new original series from the award-winning creators of global box-office hits including the Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon franchises.
published 1 day ago read more | | | | |
| | | | George Lucas Wins First Emmy® for "Star Wars: The Clone Wars" at the 40th Anniversary Daytime Emmy® Awards
Sponsored by Red Touch Media
Red Touch Media announced George Lucas' first-ever Emmy® award win for "Star Wars: The Clone Wars" in the Outstanding Special Class-Animation category. The legendary creator of the" Star Wars" series was presented the award this evening by Carrie Fisher, star of his iconic films. Red Touch Media previously announced its unique partnership with The National Academy of Television Arts & Sciences (NATAS) as the premiere digital content management provider for this year's Daytime Emmy® Awards and sponsor of the "Red Touch Red Carpet."
published 2 days ago read more | | | | |
| | | | Kneece Relies on OConnor for Hallmark’s The Confession
Hallmark Channel movies are shot in practical locations and on short shooting schedules. Shot in and around Winston-Salem, North Carolina, the majority of Beverly Lewis’ The Confession takes place in an unoccupied five-story mansion. To capture this location in all its glory, cinematographer Dan Kneece relied on Arri’s Alexa, an array of different lenses and the OConnor 2575. OConnor, is part of Vitec Videocom, a Vitec Group company.
published 4 days ago read more | | | | |
| | | | Sizzling Summertime Editing Tools From Adobe And Editshare At June Editors’ Lounge
The Editors’ Lounge returns on Friday, June 28th with their last installment of the season before the lounge takes its annual summer hiatus. The event will showcase the latest updates from Adobe® and EditShare® and will be held at AlphaDogs Post Production 1612 W. Olive Ave. Burbank, CA 91506 beginning at 6:30 pm. RSVP is required to attend.
published 5 days ago read more | | | | |
| | | | Roger Cleans House With "Devious Maids" Promo For New Lifetime TV Original Series
Following ratings-driving promos for “Dance Moms” and “Preachers' Daughters,” Roger continues to deliver high-end creative for Lifetime TV. The LA-based mixed-media production studio recently reunited with the network to produce a live-action promo for the new scripted comedy-drama series “Devious Maids” from executive producer Eva Longoria and Marc Cherry, the creator of "Desperate Housewives."
published 5 days ago read more | | | | |
| | | | Adorama Pro Presents: Pro Day Featuring the Sony PMW-F5 and Sony PVMX300 4K Monitor
Adorama Pro video experts give FREE hands-on training on Wednesday June 26 in NYC; attendees step through the Sony 4K process from acquisition to post using the Sony PMW-F5 and various non-linear editors
Adorama, the leading supplier of pro video, photographic and consumer electronics products, will host a Sony Pro Day featuring the new Sony PMW-F5 CineAlta 4K Digital Cinema Camcorder. This free event will be held on Wednesday, June 26th from 2pm – 6pm at the Adorama store, located at 42 West 18th Street in New York City. The Adorama Pro training event, which will cover 4K workflows from production to post, will feature the Sony PMW-F5 camera, Sony’s brand new 4K monitor, the PVMX300, a Sony Pro Audio station, and industry-standard non-linear editors: Final Cut Pro® X, Avid, Adobe® Premiere and Sony® Vegas Pro.
published 6 days ago read more | | | | |
| | | | Engine Room and Hollywood Center Studios Forge Production Alliance
Hollywood Center Studios, the iconic studio in the heart of Hollywood, has forged a new alliance with shooting and visual effects company Engine Room, headquartered on the HCS Lot. The strategic relationship provides Engine Room live-action clients with exclusive rates for stage and production office rentals, as well as grip and lighting services provided by HCS.
published 1 week ago read more | | | | |
| | | | | TUTORIALS: | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
 In this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO!
Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips!
Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013 | | | | |
| | | | Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
 In this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.
A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too.
This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results.
There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 107 Rolling Shutter Repair
 In this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible. However, sometimes you have no choice and then need to clean up the end result to stop your audience from feeling sea-sick! The Rolling Shutter Repair is a very powerful tool to deal with this issue and make sure your footage looks more like you originally intended it to look.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flow
 In this tutorial, Andrew Devis goes through the new and improved multi-camera work-flow in Premiere Pro CS6, which includes the option to use as many cameras as your system can cope with! Andrew shows how to use three clips in this tutorial, how to set them up with a synchronizing point and then how to trim footage back into the multi-camera sequence if the synchronizing points weren't in a good place. He then shows how to change between cameras and how to modify the edits created.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 105 Warp Stabilizer
 In this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro. This powerful effect can be used to stabilize hand help or shaky footage so that the end result will be smooth motion or even no motion for the clip it is applied to. While being very powerful, the warp stabilizer works best with a good CUDA graphics card so that clips can be played back with the effect applied without the need to render the clips to see updates to any changes made.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 104 Speech Analysis
 In this tutorial, Andrew Devis shows how to use the Speech Analysis function inside of Premiere Pro. Andrew starts by showing how to find and download speech modules for languages other than English US and then goes on to analyze two clips, one with stylized English and one with normal English to show how well Premiere Pro copes. Andrew also shows how you would attach an Adobe Story Script for greater accuracy and also how to use some of the tools to change text once created and then how Premiere Pro is frame perfect for each spoken word in the Source monitor.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 103 Analyze Content: Find Faces
 In this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 102 Video Transitions
 Video Transitions vs Video Effects Transitions: In this tutorial, Andrew Devis explains the difference between 'video transitions' and the 'video transitions' category in 'video effects'. Andrew shows how the two work and some of the advantages of using the 'video effects' as opposed to the transitions to create more organic transitions.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 101 Exposure & Lighting Effects
 In this tutorial, Andrew Devis goes through an under-used effect in Premiere Pro which can be a real shot-saver by giving you the option to completely re-light a scene with multiple lights if needed. In this tutorial, Andrew shows how to use the effect to create a volumetric lighting effect for one shot and then to save a shot which suffers from being taken in a very bright environment and lastly a shot what has issues with being too dark in places. As well as being able to re-light a shot this effect also offers an exposure control which although somewhat linked to an ambient light is still a very useful feature to have in Premiere Pro.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro CS6 Techniques: 100 Creative Black & White
 Although there are some obvious ways to create black and white footage in Premiere Pro, the usual approaches can often leave a lot to be desired in terms of creativity and artistic influence. So, in this tutorial, Andrew Devis shows how to use an little known effect to make stunning and creative black and white productions in Premiere Pro which can add a great deal to the artistic credibility of your work.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012 | | | | |
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| | | | THREADS: | | | | |
| | | |  | Re: Aja has new plugins for Creative Cloud
by Peter Garaway in the Adobe Premiere Pro Forum
Hi Manuel, Here are some rough instructions on Standard Setup vs. Voice Over setup. We only recommend that users use ASIO or Core Audio for Voice Over ONLY! Users should switch into the Standard setup for any work being done other than voice over. This will ensure that the input...
9 hours ago read more |
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| | | |  | Re: Premiere CS6 vs Premiere CC questions
by walter biscardi in the Adobe Premiere Pro Forum
CC is faster under the hood. CC removes many of the "stumbling blocks" to improve efficiency in editing. There are some nice new features as well. Adobe worked hardest at making the editing more efficient with less clicks and drags required to edit. Also the keyboard editing style is very...
9 hours ago read more |
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| | | | | Re: Where is Adobe Media Encoder CC & Encore CC?
by walter biscardi in the Adobe Premiere Pro Forum
AME comes with Premiere Pro. Encore I believe is at the end of it's development. Not a whole lot going on beyond what they already have in the app in terms of DVD and BluRay production. Walter Biscardi, Jr. Editor, Colorist, Director, Writer, Consultant, Author, Chef. HD Post and Production...
9 hours ago read more |
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| | | | | Re: P2 card to Premiere
by dave rawson in the Adobe Premiere Pro Forum
I get that you can preview the clips in media browswer...however I'm not able to bring in one clip with audio attached. The only way I've been able to include audio is if I drag the entire contents folder in to my project folder. You're not talking about just importing...
9 hours ago read more |
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| | | |  | Re: Where is Adobe Media Encoder CC & Encore CC?
by Kris Merkel in the Adobe Premiere Pro Forum
Not sure about encore but AME downloads as a package with one of the other apps. It should be sitting in your applications folder. "Think of everything in terms of building capacity." Kris Merkel twitter: @kris_merkel Product Manager, Flanders Scientific Inc. www.shopfsi.com Co-Founder, Atlanta Cutters Post Production User Group www.atlantacutters.com...
10 hours ago read more |
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| | | |  | wont playback timeline
by Stephen Franciosa in the Adobe Premiere Pro Forum
i keep having trouble with adobe premiere not playing back my timeline in realtime. it stays stuck on the current frame. i can hear it. i can scroll through it.. i just cant play it. sometimes if i quit and restart it refreshes and works. currently i cant get it...
10 hours ago read more |
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| | | | | Re: Premiere CS6 vs Premiere CC questions
by Kris Merkel in the Adobe Premiere Pro Forum
See Adobe's Faq here http://helpx.adobe.com/premiere-pro/using/whats-new.html "Think of everything in terms of building capacity." Kris Merkel twitter: @kris_merkel Product Manager, Flanders Scientific Inc. www.shopfsi.com Co-Founder, Atlanta Cutters Post Production User Group www.atlantacutters.com 2.2Ghz MBP core i7 16Gb RAM CS6/FCP7 AJA T-Tap AJA IO XT FSI LM-2461W/CM-170W...
10 hours ago read more |
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| | | |  | Bad quality on Youtube!!!!!!!!!!!!!!!!!!!!!!!!!!
by Johnson Silverstone in the Adobe Premiere Pro Forum
I want to know why the quality is terrible on Youtube when the video has many quick movements. See example of this video BO2 in 360p when there is fast motion good quality, but when the motion increases, the quality decreases. http://www.youtube.com/watch?v=E2or8wbJuC8 There is a way to reduce this problem?...
11 hours ago read more |
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| | | | | Premiere CS6 vs Premiere CC questions
by Anhtu Vu in the Adobe Premiere Pro Forum
Is Premiere pro CC a different (more features) version than Premiere Pro CS6 ??? I subscribed to Creative Cloud 8 months ago and when i open the Adobe Creative Cloud app i see all versions with CS6 and also the same version with CC so i assume they are different...
11 hours ago read more |
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| | | |  | .jpg and .tif photos rejected by PP6
by Ronaldo German in the Adobe Premiere Pro Forum
I don`t no why, but when I try to import to a (DV) project (or include in the timeline) .jpg (286kb )and .tif (1mb) still photos, Premiere Pro CS6 don`t allow with a message: the video bit depth of this file is unsupported. What should I do? Thanks...
12 hours ago read more |
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| | | | | Re: iMac Suite set up for review
by walter biscardi in the Adobe Premiere Pro Forum
[Sascha Engel] " I have some really urgent questions considering the new system, I order for my shop and I would really love to ask you 3-4 questions considering the set up. Is it possible I can write you in a private message? I'd really appreciate your input a lot."...
12 hours ago read more |
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| | | | | Re: Premiere CC - FCP 7 Switcher Questions
by walter biscardi in the Adobe Premiere Pro Forum
[Bret Williams] "Why would anyone want their titles in a bin? Honest question. This used to be the first thing I turned off in Avid land." For organizational purposes. Premiere Pro puts all the titles into your Project Browser so either they're all sitting out in the Browser or you...
12 hours ago read more |
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