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Adobe Premiere Pro

August 1st, 2014
Adobe : Premiere Home
RSSNEWS:
Capsule Media Safeguards Production and Post with AJA Technology
Across a range of content for broadcast, live-events, commercials and films, Miami-based Capsule Media has a reputation for high-quality production and post services. The efforts of the studio, which was founded in 2002, have paid off in spades, as network juggernauts across the U.S., Europe and Latin America – including PBS, Discovery Channel and Univision – regularly turn to Capsule Media for production needs. Company CEO and Executive Producer Pascal Jacquelin, who oversees each project, draws heavily on the reliability of AJA technology to ensure seamless workflows throughout the life cycle of each show.
published 6 hours ago   read more
cinec – International Trade Fair for Cine Equipment and Technology 21 - 23 September 2014
cinec 2014: Three Days Filled with Technology, Discussion and Creativity
After many years of following developments in digital technology a recent counter trend has become noticeable amongst the Cine Equipment and Technology professionals whereby lenses and optics have come into the spotlight. Whilst it is acknowledged that digital technology cuts production costs, it also brings its own challenges notably in the area of archiving. The trade fair cinec and the accompanying cineCongress will provide a forum for experts to explore and discuss new developments on a wide range of topics including those mentioned above as well as opportunities to socialise in lavish surroundings.
published 1 day ago   read more
Bexel Purchased Grass Valley LDX Cameras and Kayenne Switchers Used During 2014 FIFA World Cup in Brazil
Grass Valley, a Belden Brand, supplied 30 LDX Première advanced imaging cameras to Bexel, a leading provider of high-end audio and video equipment rentals, production gear and fiber services, for coverage of the recent 2014 FIFA World Cup.
published 2 days ago   read more
Christie’s Donation to the USC School of Cinematic Arts Launches Immersive Cinematic Experience
Christie®, a global leader in advanced cinema technologies and visual display solutions, continued its technology partnership recently with the University of Southern California’s School of Cinematic Arts (USC SCA) by launching a state-of-the-art cinema experience at USC’s showcase Theatre, the Eileen Norris Theatre. Christie, through a generous donation of equipment and installation services, will be the sole provider of all cinematic and audio equipment within the Eileen Norris Theatre, and will be working together with USC SCA in enhancing visual technologies, specifically cinematic ones.
published 3 days ago   read more
Video Devices PIX 260 Captures Footage Fit for a King as Part of The Royal Society Headquarters Refit
When The Royal Society in London was looking to refit the audio and visual facilities in two rooms at its headquarters at Carlton House Terrace in London, it turned to Video Devices, mission-critical video products by Sound Devices, and its PIX 260i for its video recording needs.
published 3 days ago   read more
Imagineer Systems to Showcase mocha Pro 4.0 at SIGGRAPH 2014
Visit Imagineer Systems at booth 817 for demos of the newly released mocha Pro 4 with advanced support for native stereo 3D workflows, Python scripting and more improved features
Imagineer Systems, creators of the Academy Award-winning mocha® Planar Tracking technology, will be exhibiting at this year’s annual SIGGRAPH conference, taking place from August 12th through 14th at the Vancouver Convention Centre in Canada. Attendees to the show can stop by the Imagineer Systems booth (817) to learn more about the launch of the mocha Pro v4, which features a brand new Stereoscopic 3D workflow, Python scripting support, customizable keyboard shortcuts, new exports and format handling, and more improvements for visual effects facilities. Members of the Imagineer Systems team will be presenting demos daily at the booth.
published 3 days ago   read more
CatDV Highlights Money-Spinning Asset Management Opportunities IBC 2014 (7.J15C)
CatDV 11 Enables Content Owners to Repurpose and Monetize Media Assets
Square Box Systems, leading developer of digital asset management systems, will focus on how its latest CatDV 11 software enables content owners to easily repurpose and monetize their media assets, whilst also significantly improving end-to-end workflow efficiency – from production and post production, through to delivery and distribution – in broadcast, cinema and IPTV applications during IBC 2014, 12-16 Sept, Amsterdam.
published 3 days ago   read more
Kyle Camarillo Wins MōVI™ at REDirect Skateboard Filmmaking Competition
When Kyle Camarillo was selected for the REDirect skateboard filmmaking competition sponsored by RED Digital Cinema and famed skate park, The Berrics, he chose to film his entry with Freefly Systems’ MōVI™ M10 camera stabilizer. “We’ve always skated alongside the skateboarder to capture footage, so keeping the camera steady is what we always strive for,” Camarillo says. “Using the MōVI perfected that as well as opened up new doors.”
published 4 days ago   read more
Leading Colorist chooses Mistika for Sony's TV series “Chosen”
Juan Ignacio Cabrera leads the way with Mistika
Inspiring Los Angeles-based Juan Ignacio Cabrera recently handled the post production for the second and third seasons of "Chosen," the most successful show on Sony's Crackle TV network. Leading colorist Juan Ignacio Cabrera graded the series on a Mistika 4K system from SGO.
published 1 week ago   read more
IBC2014: Dalet Showcases Innovation in MAM-Driven Workflows and File-Based Tools
With the Resources of Three Technology Platforms at its Disposal, Dalet Offers Advanced Workflow Options and Video Manipulation Solutions
At IBC2014, Dalet Digital Media Systems will affirm its leadership in media asset management with new products that combine comprehensive workflow tools with state-of-the art image processing, transcoding and distribution.
published 1 week ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
Cooking With Premiere Pro CC on PBS's America's Test Kitchen
Cooking With Premiere Pro CC on PBS's America's Test KitchenAs America's Test Kitchen enters its 15th season on PBS, they've made the switch to Premiere Pro Creative Cloud. Post-production Supervisor and director Herb Sevush has been with the show from the beginning, and confessed some trepidation moving away from FCP 7, but has found it to be a great fit for their data-intensive, increasingly 4K multicam production, and his work with remote editors. Here, Herb offers some insights into both the why and the how of their switch, with special attention to Premiere Pro CC's approach to multicam.
Editorial, Feature by Herb Sevush on 07/21/2014
Adobe Premiere Pro
Seasoned Film Editor Takes Adobe Premiere Pro CC For a Spin
Seasoned Film Editor Takes Adobe Premiere Pro CC For a SpinCustomizable interface, visual effects integration, and fast rendering time impressed long-time Avid editor and second generation filmmaker, Nicolas de Toth. Nicolas recently enjoyed the opportunity to edit a commercial for MagnaFlow and chose to work with Adobe Premiere Pro for the first time in his career.
Editorial, Feature, People / Interview by Adobe on 11/15/2013
Adobe Premiere Pro
Premiere Pro CC: 108 Multi-Cam Synched by Audio
Premiere Pro CC: 108 Multi-Cam Synched by AudioIn this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
RE:Match Non-matching Cameras in Premiere Pro
RE:Match Non-matching Cameras in Premiere ProIn this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images.
Tutorial, Video Tutorial by Andrew Devis on 04/13/2013
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 107 Rolling Shutter Repair
Premiere Pro CS6 Techniques: 107 Rolling Shutter RepairIn this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors) which look wobbly or jelly-like when panned quickly. The obvious solution is to avoid fast pans with this type of camera, if possible. However, sometimes you have no choice and then need to clean up the end result to stop your audience from feeling sea-sick! The Rolling Shutter Repair is a very powerful tool to deal with this issue and make sure your footage looks more like you originally intended it to look.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flow
Premiere Pro CS6 Techniques: 106 Multi-Camera Work-flowIn this tutorial, Andrew Devis goes through the new and improved multi-camera work-flow in Premiere Pro CS6, which includes the option to use as many cameras as your system can cope with! Andrew shows how to use three clips in this tutorial, how to set them up with a synchronizing point and then how to trim footage back into the multi-camera sequence if the synchronizing points weren't in a good place. He then shows how to change between cameras and how to modify the edits created.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 105 Warp Stabilizer
Premiere Pro CS6 Techniques: 105 Warp StabilizerIn this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro. This powerful effect can be used to stabilize hand help or shaky footage so that the end result will be smooth motion or even no motion for the clip it is applied to. While being very powerful, the warp stabilizer works best with a good CUDA graphics card so that clips can be played back with the effect applied without the need to render the clips to see updates to any changes made.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 104 Speech Analysis
Premiere Pro CS6 Techniques: 104 Speech AnalysisIn this tutorial, Andrew Devis shows how to use the Speech Analysis function inside of Premiere Pro. Andrew starts by showing how to find and download speech modules for languages other than English US and then goes on to analyze two clips, one with stylized English and one with normal English to show how well Premiere Pro copes. Andrew also shows how you would attach an Adobe Story Script for greater accuracy and also how to use some of the tools to change text once created and then how Premiere Pro is frame perfect for each spoken word in the Source monitor.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 103 Analyze Content: Find Faces
Premiere Pro CS6 Techniques: 103 Analyze Content: Find FacesIn this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people. Although a useful function, it does take a while to analyze the clips, so it isn't always a fast solution.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012
Adobe Premiere Pro
Premiere Pro CS6 Techniques: 102 Video Transitions
Premiere Pro CS6 Techniques: 102 Video TransitionsVideo Transitions vs Video Effects Transitions: In this tutorial, Andrew Devis explains the difference between 'video transitions' and the 'video transitions' category in 'video effects'. Andrew shows how the two work and some of the advantages of using the 'video effects' as opposed to the transitions to create more organic transitions.
Tutorial, Video Tutorial by Andrew Devis on 12/20/2012




RSSTHREADS:
Re: plural eyes question
by Jason Brown in the Adobe Premiere Pro Forum
Yes I did, would not work....
13 minutes ago   read more
Re: plural eyes question
by Phillip Todd in the Adobe Premiere Pro Forum
Should work fine. Did you try it? Phillip Todd Cinematographer www.phillip-todd.com...
46 minutes ago   read more
Re: Crash pasting text from AI CC into Premiere Pro CC titler
by Tim Kolb in the Adobe Premiere Pro Forum
Oddly, they're both vector text systems...just different systems. Illustrator vs Inscriber... I've never attempted to do the copy-paste thing myself. You know you can just load an Illustrator file into a Title Designer canvas? right-click, choose logo. It doesn't come in as editable text, it comes in as a graphic....
2 hours ago   read more
Re: CC and CC (2014)?
by Ann Bens in the Adobe Premiere Pro Forum
http://helpx.adobe.com/premiere-pro/using/whats-new.html ----------------------------------------------- Adobe Certified Expert Premiere Pro CC Adobe Community Professional...
3 hours ago   read more
Re: Buggy updates for PP and SG CC 2014
by Tim Kolb in the Adobe Premiere Pro Forum
This forum is best used to solve specific issues... Vague "software X crashes all the time" statements aren't very easy to help with as there is nothing to act on. Obviously if everyone was finding CC or CC 2014 to be unstable or defective, this forum would be overflowing with...
3 hours ago   read more
CC and CC (2014)?
by tad newberry in the Adobe Premiere Pro Forum
wut up wif dat? what is the difference between the two????? thanks for helping out a bonehead! __________________________ FCS3 / Adobe CC 3.33 GHz 6-Core Intel Xeon Mac Pro 24GB RAM ATI Radeon HD 5870 ...and a few TeraBytes o' storage (then it's on to PetaBytes, ExaBytes and MosquitoBytes!)...
4 hours ago   read more
Update woes: error notice
by tad newberry in the Adobe Premiere Pro Forum
i see others are having troubles as well. since the upgrade, if i open PP from the dock, it always stops and gives me this: [/ppro801/releases/2014.03/shared/adobe/MediaCore/ASL/Foundation/Src/DirectoryRegistry.cpp-283] so i try opening the project itself. sometimes i get the same error, other times it will open, and then i can work without...
4 hours ago   read more
Re: Noise Reduction for Premiere CC 2014
by Eric Michael Cap in the Adobe Premiere Pro Forum
Premiere doesn't have any build-in NR ala Neat but you can send a clip/seq to After Effects and use AE's Remove Grain FX...I've had great results with it....
4 hours ago   read more
Buggy updates for PP and SG CC 2014
by Lewis Stiefel in the Adobe Premiere Pro Forum
I don't know about everyone else out there, but I am really getting angry with Adobe updating their software…. specifically PP and Speedgrade CC 2014 and releasing unusable, bug ridden updates. I think I am going back to CS6 until they call the exterminator and get rid of all the...
5 hours ago   read more
Timecode from clip missing?
by Stacy Rothwell in the Adobe Premiere Pro Forum
Hi.... using a Sony A7s camera that has actual timecode. However, I'm not seeing the timecode (set to 1:00:00:00 Rec run) in the XAVC clip in Premiere Pro CC 2014. I've checked the settings in PPro and have it set to use timecode from the clip. Vegas sees the timecode...
5 hours ago   read more
Re: Playback response slow
by elise london in the Adobe Premiere Pro Forum
I just got off the phone with adobe and found the magic fix (for me at least!) Select entire sequence. Then: Clip > Audio Options > Render and Replace....
5 hours ago   read more
Re: RAM, Processor, or Video Card..?
by Dan Miraie in the Adobe Premiere Pro Forum
Ah, yeah that's what I was thinking.. these things go out of date so fast.. I'm going to hunt for a new rig then.. Thanks for the post!...
5 hours ago   read more
Re: RAM, Processor, or Video Card..?
by Dan Miraie in the Adobe Premiere Pro Forum
Cool, thanks for the info - that's all stuff I should've known by now! And I actually just did get a new mouse pad, and things are already looking up!...
5 hours ago   read more
Re: Plugins/Effects/Transitions
by Daniel Waldron in the Adobe Premiere Pro basics Forum
Check out FX Factory . They've got what appears to be hundreds of plugins and transition packs....
6 hours ago   read more
Re: editing a music video problem
by Daniel Waldron in the Adobe Premiere Pro basics Forum
That is a very broad question, and there is not really one specific right answer. If it were me, I would lay in the master audio track and then sync up the video clips of the singer singing the song. You'll be left with your dancing shots now, so start...
7 hours ago   read more
Re: Interlaced lines with Twixtor footage
by Ann Bens in the Adobe Premiere Pro Forum
Turn off Use Previews. They produce files with a codec of less quality. ----------------------------------------------- Adobe Certified Expert Premiere Pro CC Adobe Community Professional...
7 hours ago   read more
Re: Red Giant - Magic Bullet Looks 2.5 update problem
by Lewis Stiefel in the Adobe Premiere Pro Forum
I had the same problem. Check your render settings in the encoder. Apparently there is a problem with GPU acceleration on the latest CC update. Make sure you are set to software only. After countless hours of trying to figure out why I could not encode my edit a friend...
9 hours ago   read more
Re: Huge number of different encodings/renders from one file: Scripting ?
by Alex Udell in the Adobe Premiere Pro Forum
PHP :) Alex Udell Editing, Motion Graphics, and Visual FX...
10 hours ago   read more
Re: Huge number of different encodings/renders from one file: Scripting ?
by Walter Soyka in the Adobe Premiere Pro Forum
If ffmpeg would work for you, you might automate a translation from your Excel doc to a command line script. Walter Soyka Designer & Mad Scientist at Keen Live [link] Motion Graphics, Widescreen Events, Presentation Design, and Consulting @keenlive [twitter] | RenderBreak [blog] | Profile [LinkedIn]...
10 hours ago   read more
Re: Multiple tabs of same bin....why?
by Robert Withers in the Adobe Premiere Pro Forum
There is a preference setting to fix this. The default is something like "open project in new tab. You can shut this option off. Sorry I can't be more specific. Robert Withers Independent/personal/avant-garde cinema, New York City...
10 hours ago   read more
Interlaced lines with Twixtor footage
by Caleb Vugteveen in the Adobe Premiere Pro Forum
Hey everyone, I will try to keep it short and sweet. I feel like I did something completely wrong with setting up my sequence. I filmed a wedding and have both 1080 60i (Nikon) and 1080 24p (canon) footage. My sequence is set to 1080 60. For the clips I...
10 hours ago   read more
Re: Playback response slow
by elise london in the Adobe Premiere Pro Forum
Hi Jeff, I'm having the same problem as you with the lag playing the timeline. I was quite confused reading this thread, though ... the response that you got was quite technical. Which element in the system was causing you the problem? Thanks so much! :)...
11 hours ago   read more
Re: "Error Compiling Movie. Unknown Error"
by Robert Brown in the Adobe Premiere Pro Forum
Usually means there is some piece of media in your timeline premiere doesn't like. MXF files cause this a lot. Robert Brown Editor/VFX/Colorist - FCP, Smoke, Quantel Pablo, After Effects, 3DS MAX, Premiere Pro http://vimeo.com/user3987510/videos...
11 hours ago   read more
Re: RAM, Processor, or Video Card..?
by EricBowen in the Adobe Premiere Pro Forum
That system is not really worth upgrading at this point especially since even the lowest end Haswell system whether mac or PC is several times faster. I really suggest you take a look at new system options. Nothing added to that system is going to improve your workflow enough based...
12 hours ago   read more


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