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February 8th, 2012
Adobe : Premiere Home
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| | | |  NEWS: | | | | |
| | | | Professional Wireless Systems' Frequency Coordination Scores A Touchdown At Super Bowl XLVI
Expertise, RF Management and Gear Help Ensure Interference-Free Coverage During the Big Game
When the pre-game festivities kicked off at Lucas Oil Stadium for Super Bowl XLVI, Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, were on hand to ensure interference-free RF management and the handling of the equipment--including the company's new Domed Helical Antenna--for all of the game's entertainment segments and the referees' microphones.
published 14 hours ago read more | | | | |
| | | | Neat Video Announces Neat Video Pro Noise Filter for ASSIMILATE SCRATCH and SCRATCH Lab
Announcement Delivers Dynamic New Tools To The Creative Arsenal of SCRATCH and Lab Artists
The Neat Video team announced that they have delivered the Neat Video Pro video noise reduction filter as an OpenFX plug-in for ASSIMILATE’s SCRATCH® and SCRATCH Lab™ digital workflow tools. Previously only available for video editing and compositing applications, this new version of Neat Video brings its industry-leading grain and noise reduction technology to Digital Intermediate (DI), Finishing, Production Dailies and Visual Effects Dailies workflows.
published 15 hours ago read more | | | | |
| | | | KATV Transition to HD News Includes JVC ProHD Cameras for Studio, ENG Use
JVC Professional Products Company, a division of JVC Americas Corp., today announced that KATV, the ABC affiliate in Little Rock-Pine Bluff, Ark. (DMA #56), is delivering local HD news to its viewers using more than 20 JVC ProHD cameras. The station has purchased 15 GY-HM790Us, five GY-HD250Us, and two GY-HM750U cameras for studio and ENG use.
published 18 hours ago read more | | | | |
| | | | Digital Film Tools Brings the Magic of Film to New Film Stocks Plug-in
New Film Stocks photo and video/film plug-in simulates the look of analog film stocks
Digital Film Tools, developer of visual effects software, today announced the release of Film Stocks with plug-in support for Adobe® Photoshop®, Adobe Photoshop Elements, Adobe Photoshop Lightroom®, Adobe After Effects® CS5 and up, Adobe Premiere® Pro CS5 and up, Apple® Aperture®, Apple Final Cut Pro® 6 and 7, and Avid® editing systems.
published 2 weeks ago read more | | | | |
| | | | Cinedeck RX Delivers Tapeless Record, Monitoring And Playback Workflow To Broadcasters And Mobile OB
New rack-mountable Cinedeck RX delivers multi-camera capture and post-production innovations for cinema and TV entertainment, sports, news and events
Cinedeck LLC, pioneering developer of mobile capture systems for motion picture and broadcast production, has shipped Cinedeck RX, the latest addition to the Cinedeck product family. Cinedeck RX is a new, rack-mountable, solid-state recording, monitoring and playback system, that delivers tapeless workflow to studios, post-production facilities and broadcasters covering the wide range of cinema production, sporting, music, theatrical and entertainment events in both 2D and 3D stereoscopic formats.
published 3 weeks ago read more | | | | |
| | | | JVC Introduces Prohd Compact Studio System For GY-HM150 Handheld Camcorder
JVC Professional Products Company, a division of JVC Americas Corp., today announced its ProHD Compact Studio solution, which configures the GY-HM150 ProHD handheld camcorder for a studio environment using two new accessories, the HZ-HM150VZR ProHD remote lens control and the DT-X71 ProHD monitor. The company also announced a limited-time rebate program that provides up to $600 in savings for customers who purchase the camcorder and ProHD Compact Studio components.
published 3 weeks ago read more | | | | |
| | | | 2012 Film Independent Spirit Awards Filmmaker Grant Winners Announced
Spirit Award Winners To Be Revealed on Saturday, February 25 Premiere broadcast on IFC at 10:00 p.m. ET/PT
Film Independent, the non-profit arts organization that produces the Spirit Awards and the Los Angeles Film Festival, announced the winners of its four Spirit Awards filmmaker grants today at its annual Spirit Awards Nominee Brunch held at BOA Steakhouse inWest Hollywood. Mark Duplass and Sarah Paulson hosted the casual event and handed out the honors.
published 3 weeks ago read more | | | | |
| | | | | TUTORIALS: | | | | |
| | | | Adobe Premiere Pro
How Premiere Pro Will Change the Way You Work
 As we enter an age where our raw footage is either so compressed that recompression for an online edit seems like a very silly option, or so beautifully flexible that we shouldn’t be binding it with the permanence many budgets and minds associate with a transcode to ProRes, the stage is being set for raw workflows based in metadata. This is where Adobe Premiere Pro CS5 shines.
Review by Matthew Lincoln on 08/29/2011 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro: Matching Cameras & Composit Elements in After Effects & Using That Information in PP
 In this colour correction tutorial, Andrew Devis shows how to use the tools in After Effects both to get excellent colour matching result in After Effects and also to provide information that can be copied into Premiere Pro to more quickly and intuitively achieve better colour matching in Premiere Pro than can easily be achieved with the present set of tool in Premiere Pro (recorded with CS5.5).
Andrew shows how to use both the right tool and specific colour channel views to visually match the channels to achieve the best results quickly and effectively. Use this to match footage from different cameras as well as matching elements to be composited into your composition so that they look as if they really belong together.
Tutorial, Video Tutorial by Andrew Devis on 08/22/2011 | | | | |
| | | | Adobe Premiere Pro
Premiere Pro: Matching Cameras
 In this tutorial, Andrew Devis shows one approach to matching footage from different cameras. Sometimes, as editors, we receive footage from our clients that is from different cameras which may not have been set up in the same way. This can lead to a jarring effect when viewing the footage back as you switch between cameras which can distract your audience - a very big foe-par! But, matching cameras can be a difficult and frustrating process.
While the solution Andrew demonstrates isn't instantaneous and will require time to master, once mastered, it will enable you to quickly and effectively solve problems to (at the very least) ensure your audience isn't distracted when you switch cameras.
Tutorial, Video Tutorial by Andrew Devis on 08/15/2011 | | | | |
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| | | | THREADS: | | | | |
| | | |  | Field dominance
by Carola Klein in the Adobe Premiere Pro basics Forum
I'm using PPro 1.5 still, and when the the matrox RTX100 card failed, I bought a canopus ADVC, re-installed Adobe minus matrox,and re-imported my project. But the effects (mainly mixes) in what I'd edited so far are jittery when played in real time. A colleague has found that my clips...
36 minutes ago read more |
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| | | | | Export XML from Premiere to FCP7
by Aaron Barton in the Adobe Premiere Pro Forum
Hey guys, I'm trying to get a workflow that will allow me to send edits to and from Premiere and FCP7 using ProRes files. When I sent and XML from FCP to Premiere, it looks like everything worked fine. Some of the Speed changes were slightly off, but nothing serious....
45 minutes ago read more |
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| | | |  | Re: Any rumors about 6.0?
by Todd Kopriva in the Adobe Premiere Pro Forum
Sorry. I didn't mean to come off that way. I just see a lot of people spinning into misinformation when talking about rumors. --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated Technical Support for professional video software After Effects Help & Support Premiere Pro Help & Support ---------------------------------------------------------------------------------------------------------...
3 hours ago read more |
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| | | | | dpx file sequence doesn't update
by daniel tegeland in the Adobe Premiere Pro Forum
Hi! I am working on a intro and are constantly switch between ae and premiere. I have this enormously frustration problem. When ever I overwrite my dpx sequence from ae it doesn't update in premiere. I simply can't get it to read the newly rendered files. I have tried to...
3 hours ago read more |
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| | | | | Re: Any rumors about 6.0?
by Ryan Patch in the Adobe Premiere Pro Forum
Woah, Todd. Your users *like* the product. They like to talk about it. We like to talk about what the program we sit in front of for 8 hours a day might look like in 6 months. Sort of like I like to think about what "The Dark Knight Rises"...
11 hours ago read more |
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This video tutorial presented by Jon Barrie details some of the uncommon knowledge about the Titler Tools and how to simulate a feathered mask using a Track Matter technique using Adobe Premiere Pro CS 5.5.1.
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington goes over the process of setting up a multi-clip for editing and walks you through the essential steps.
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the companion application to Premiere Pro -- Adobe Audition, included in CS5.5.
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington talks about the powerful features of customizing your keyboard using Premiere Pro CS5.5.
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the Media Browser in PP and talks about features that you might not know exist.
This video tutorial presented by Jon Barrie demonstrates how to go about finding instances of clips (edited clips) in the timeline using Adobe Premiere Pro CS5.5. The process is not limited to CS5.5 and can be achieved using this process across all versions of Adobe Premiere Pro.
In this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.
