AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 47: In this tutorial, Andrew Devis goes through some of the options for paint in After Effects and especially how to create, customize, save and delete brushes....
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 47: In this tutorial, Andrew Devis goes through some of the options for paint in After Effects and especially how to create, customize, save and delete brushes.
In this tutorial, Kevin P McAuliffe shows you how, using the great new "Create Shapes from Vector Layers" command in After Effects CS6, you can create 3D extruded client logos in minutes....
In this tutorial, Kevin P McAuliffe shows you how, using the great new "Create Shapes from Vector Layers" command in After Effects CS6, you can create 3D extruded client logos in minutes.
In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational proce...
In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational process.
In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows some great hidden gems to really organize your projects so all of your edit sessions go as smoothly as possible....
In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows some great hidden gems to really organize your projects so all of your edit sessions go as smoothly as possible.
In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don't know what you're looking for....
In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don't know what you're looking for.
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow....
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 40: In this tutorial, Andrew Devis begins to demonstrate some of the text animators available in the timeline, concentrating upon the 'transform' type of effects....
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 40: In this tutorial, Andrew Devis begins to demonstrate some of the text animators available in the timeline, concentrating upon the 'transform' type of effects.
In this second tutorial explaining text range selectors in After Effects, Andrew Devis shows how to add an additional range selector to our already animated text....
In this second tutorial explaining text range selectors in After Effects, Andrew Devis shows how to add an additional range selector to our already animated text.
Range selectors in After Effects enable many text animation functions that would be quite complex to achieve through the normal 'stop-watch' approach to animation....
Range selectors in After Effects enable many text animation functions that would be quite complex to achieve through the normal 'stop-watch' approach to animation.
This "Lite Bite Tutorial" will help you speed up and automate your work flow by using droplets created from actions in Photoshop. In a matter of minutes you will be up and running. The process is the same for both Mac & PC users....
This "Lite Bite Tutorial" will help you speed up and automate your work flow by using droplets created from actions in Photoshop. In a matter of minutes you will be up and running. The process is the same for both Mac & PC users.
Most people think that the only way to work with real extruded 3D elements or 3D models inside of After Effects, is by purchasing a 3rd-Party Plug-in. Well, that's just not the case....
Most people think that the only way to work with real extruded 3D elements or 3D models inside of After Effects, is by purchasing a 3rd-Party Plug-in. Well, that's just not the case.
In this tutorial, Kevin P McAuliffe shows you the great new "Import PSD files" feature inside of FCPX, and answers a viewers question about extending still images the length of your timelines....
In this tutorial, Kevin P McAuliffe shows you the great new "Import PSD files" feature inside of FCPX, and answers a viewers question about extending still images the length of your timelines.
Lesson 29: In this thirteenth tutorial looking at Shape Layers in After Effects, Andrew Devis looks at the problem of creating and animating a true spiral in After Effects and how it can be done by using paths copied from Illustrator....
Lesson 29: In this thirteenth tutorial looking at Shape Layers in After Effects, Andrew Devis looks at the problem of creating and animating a true spiral in After Effects and how it can be done by using paths copied from Illustrator.
In this final part of the "Simulating Liquids with AE Particles" tutorial, I demonstrate the Time Remapping function within After Effects to help further slow down the animation. This will allow for further cosmetic touches....
In this final part of the "Simulating Liquids with AE Particles" tutorial, I demonstrate the Time Remapping function within After Effects to help further slow down the animation. This will allow for further cosmetic touches.
In this two part tutorial, Andy Neil will show you when it's best to use a storyline, connected clip, or a compound clip in your project. He goes in depth with some tricks to get moving quickly in FCPX....
In this two part tutorial, Andy Neil will show you when it's best to use a storyline, connected clip, or a compound clip in your project. He goes in depth with some tricks to get moving quickly in FCPX.
In part two of this tutorial, Andy Neil continues to explain secondary storylines, connected clips, and compound clips and how they are best used in your project. Along with it are some tricks to keep organized and move quickly when you're editing....
In part two of this tutorial, Andy Neil continues to explain secondary storylines, connected clips, and compound clips and how they are best used in your project. Along with it are some tricks to keep organized and move quickly when you're editing.
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