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Adobe OnLocation

February 8th, 2012
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RSSNEWS:
Top British Television Network ITV Adopts Adobe Story for Scriptwriting
Adobe Story Turns Script Content into Relevant Metadata, Streamlining Production
Adobe Systems Incorporated (Nasdaq:ADBE) today announced at the IBC 2011 Conference and Exhibition that leading U.K. broadcaster ITV has selected Adobe® Story®, an online and offline collaborative script development tool, to manage pre-production of over 500 episodes per year of ITV’s popular programs Coronation Street and Emmerdale.
published 5 months ago   read more
UK Broadcaster Adopts Adobe Premiere Pro CS5 Software
The BBC to Deploy Nonlinear Editor Across 2,000 Desktops to Speed Production and Advance Broadcast Workflows
Adobe Systems Incorporated (Nasdaq:ADBE) today announced, at the IBC 2010 Conference and Exhibition, that the British Broadcasting Corporation (BBC) is adopting the award-winning Adobe® Premiere® Pro CS5 software to support its Creative Desktop Initiative, through which the corporation is improving workflow efficiency, creating a tapeless environment and reducing costs.
published 1 year ago   read more
Adobe Premiere Pro CS5 Redefines Nonlinear Editing
Groundbreaking Release Dramatically Accelerates Professional Video Workflows
Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Premiere® Pro CS5, a new release of the industry-leading nonlinear editor, offering breakthrough performance and features that drive post-production workflows. A core component of Adobe Creative Suite® 5 Production Premium and Adobe Creative Suite 5 Master Collection (see separate releases), Adobe Premiere Pro CS5 is packed with highly anticipated features: the Adobe Mercury Playback Engine so users can open and edit complex projects faster; support for native tapeless workflows that eliminate transcoding and rewrapping; and easy project interchange with Apple and Avid systems for an open and collaborative workflow. Adobe Premiere Pro CS5 includes Adobe OnLocation™ CS5 and Adobe Encore® CS5 software to facilitate production from script to screen.
published 2 years ago   read more
Nobelprize.org Standardizes on Adobe Video Solutions
Nobelprize.org Chooses Adobe Creative Suite and Adobe Flash Technology for a Complete, End-to-End Workflo
At the 2009 IBC tradeshow, Adobe Systems Incorporated (Nasdaq:ADBE) today announced that Nobelprize.org, the official Web site of the Nobel Foundation with more than 38 million visits each year, has standardized on Adobe® Creative Suite® 4 Production Premium software for video production and the Adobe Flash® Platform to deliver online video content.
published 2 years ago   read more
Specs Howard School Inaugurates Motion Picture Film Workshops
New initiatives, with Grace & Wild at Studio Center is poised to train film professionals for Michigan movie workforce
As film making in Metro Detroit continues at a feverish pace, bringing to the area such luminaries as Clint Eastwood (Gran Torino), Michael Bay (Transformers) and Robert De Niro (Stone), incredible opportunities exist to work both in front of and behind the lens.
published 3 years ago   read more
Sunland International Introduces Comprehensive Blu-ray Disc Media Creation Workflow
New Blu-ray Disc™ Media Creation Workflow Includes Authoring with Adobe® Creative Suite® 4 Production Premium, and Burning and Archiving with Blu-ray Writer Powered by Panasonic
Sunland International (SLI) today introduced a comprehensive new Blu-ray Disc media creation workflow--running on Macintosh and Windows® platforms--at the NAB Show™ in Las Vegas, Nevada. This workflow encompasses authoring with Adobe Creative Suite 4 Production Premium software, and burning and archiving with a Digistor Self-Powered Blu-ray Writer, which is built around Blu-ray technology from Panasonic, an innovator and founder of the DVD and Blu-ray Disc formats.
published 3 years ago   read more
Matrox Announces Matrox RT.X2 and Adobe Premiere Pro CS4 Bundles
Matrox Video Products Group today announced that new value-priced bundles of the Matrox RT.X2 and RT.X2 LE realtime editing platforms and Adobe Premiere Pro CS4 are now available worldwide. The bundles include either the RT.X2 or RT.X2 LE realtime editing card with a professional breakout box, Adobe Premiere Pro CS4, Adobe Encore CS4, and Adobe OnLocation CS4.
published 3 years ago   read more
NVIDIA Supercharges Adobe Premiere Pro CS4 Software With Quadro CX Bundle
Professional video editors looking to purchase the ultimate Adobe® Premiere® Pro CS4 experience, need to look no further. Starting today, the creative professional can acquire a copy of Adobe Premiere Pro CS4 and add a NVIDIA® Quadro® CX at more than 40% off of the retail price, a savings of $800 USD.
published 3 years ago   read more
Adobe Creative Suite 4 Now Shipping
Milestone Release Radically Improves Creative Workflow Efficiency; Redefines Collaboration Between Designers and Developers
Adobe Systems Incorporated (Nasdaq:ADBE) today announced the immediate availability of the Adobe® Creative Suite® 4 product family, the highly-anticipated release of industry-leading design and development software for virtually every creative workflow.
published 3 years ago   read more
Adobe Releases Creative Suite 4 Production Premium
Cross-Platform Video Toolset Delivers New Technologies For Creating Searchable Video Content
Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Suite® 4 Production Premium, a complete solution for creative professionals who craft world-class video, audio, and interactive media — for delivery on-air, online, and on device.
published 3 years ago   read more


RSSTUTORIALS:
Adobe Premiere Pro
Advanced Titler & Feathering a Track Matte as a Mask using Adobe Premiere Pro CS5.5
Advanced Titler & Feathering a Track Matte as a Mask using Adobe Premiere Pro CS5.5This video tutorial presented by Jon Barrie details some of the uncommon knowledge about the Titler Tools and how to simulate a feathered mask using a Track Matter technique using Adobe Premiere Pro CS 5.5.1.
Tutorial, Video Tutorial by Jon Barrie on 09/30/2011
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Editing Multi-camera Productions
Premiere Pro Video Adrenaline: Editing Multi-camera ProductionsIn this installment of Video Adrenaline for Premiere Pro, Richard Harrington goes over the process of setting up a multi-clip for editing and walks you through the essential steps.
Tutorial, Video Tutorial by Richard Harrington on 09/02/2011
Adobe Premiere Pro
How Premiere Pro Will Change the Way You Work
How Premiere Pro Will Change the Way You WorkAs we enter an age where our raw footage is either so compressed that recompression for an online edit seems like a very silly option, or so beautifully flexible that we shouldn’t be binding it with the permanence many budgets and minds associate with a transcode to ProRes, the stage is being set for raw workflows based in metadata. This is where Adobe Premiere Pro CS5 shines.
Review by Matthew Lincoln on 08/29/2011
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Retiming Audio
Premiere Pro Video Adrenaline: Retiming AudioIn this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the companion application to Premiere Pro -- Adobe Audition, included in CS5.5.
Tutorial, Video Tutorial by Richard Harrington on 08/26/2011
Adobe Premiere Pro
Premiere Pro: Matching Cameras & Composit Elements in After Effects & Using That Information in PP
Premiere Pro: Matching Cameras & Composit Elements in After Effects & Using That Information in PPIn this colour correction tutorial, Andrew Devis shows how to use the tools in After Effects both to get excellent colour matching result in After Effects and also to provide information that can be copied into Premiere Pro to more quickly and intuitively achieve better colour matching in Premiere Pro than can easily be achieved with the present set of tool in Premiere Pro (recorded with CS5.5). Andrew shows how to use both the right tool and specific colour channel views to visually match the channels to achieve the best results quickly and effectively. Use this to match footage from different cameras as well as matching elements to be composited into your composition so that they look as if they really belong together.
Tutorial, Video Tutorial by Andrew Devis on 08/22/2011
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Customizing Keyboard Shortcuts
Premiere Pro Video Adrenaline: Customizing Keyboard ShortcutsIn this installment of Video Adrenaline for Premiere Pro, Richard Harrington talks about the powerful features of customizing your keyboard using Premiere Pro CS5.5.
Tutorial, Video Tutorial by Richard Harrington on 08/19/2011
Adobe Premiere Pro
Premiere Pro: Matching Cameras
Premiere Pro: Matching CamerasIn this tutorial, Andrew Devis shows one approach to matching footage from different cameras. Sometimes, as editors, we receive footage from our clients that is from different cameras which may not have been set up in the same way. This can lead to a jarring effect when viewing the footage back as you switch between cameras which can distract your audience - a very big foe-par! But, matching cameras can be a difficult and frustrating process. While the solution Andrew demonstrates isn't instantaneous and will require time to master, once mastered, it will enable you to quickly and effectively solve problems to (at the very least) ensure your audience isn't distracted when you switch cameras.
Tutorial, Video Tutorial by Andrew Devis on 08/15/2011
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Mastering the Media Browser
Premiere Pro Video Adrenaline: Mastering the Media BrowserIn this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the Media Browser in PP and talks about features that you might not know exist.
Tutorial, Video Tutorial by Richard Harrington on 08/12/2011
Adobe Premiere Pro
Finding Clip Instances Inside Sequences Workflow using Adobe Premiere Pro CS5.5
Finding Clip Instances Inside Sequences Workflow using Adobe Premiere Pro CS5.5This video tutorial presented by Jon Barrie demonstrates how to go about finding instances of clips (edited clips) in the timeline using Adobe Premiere Pro CS5.5. The process is not limited to CS5.5 and can be achieved using this process across all versions of Adobe Premiere Pro.
Tutorial, Video Tutorial by Jon Barrie on 08/11/2011
Adobe Premiere Pro
Premiere Pro Video Adrenaline: Roundtripping with Audition
Premiere Pro Video Adrenaline: Roundtripping with AuditionIn this installment of Video Adrenaline for Premiere Pro, Richard Harrington focuses on changes in Adobe CS55 and how it integrates with Audition. It's easy to move back and forth from a PP sequence to edit in Adobe Audition.
Tutorial, Video Tutorial by Richard Harrington on 08/05/2011




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