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November 7th, 2009
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RSSNEWS:
Nobelprize.org Standardizes on Adobe Video Solutions
Nobelprize.org Chooses Adobe Creative Suite and Adobe Flash Technology for a Complete, End-to-End Workflo
At the 2009 IBC tradeshow, Adobe Systems Incorporated (Nasdaq:ADBE) today announced that Nobelprize.org, the official Web site of the Nobel Foundation with more than 38 million visits each year, has standardized on Adobe® Creative Suite® 4 Production Premium software for video production and the Adobe Flash® Platform to deliver online video content.
published 2 months ago   read more
Specs Howard School Inaugurates Motion Picture Film Workshops
New initiatives, with Grace & Wild at Studio Center is poised to train film professionals for Michigan movie workforce
As film making in Metro Detroit continues at a feverish pace, bringing to the area such luminaries as Clint Eastwood (Gran Torino), Michael Bay (Transformers) and Robert De Niro (Stone), incredible opportunities exist to work both in front of and behind the lens.
published 5 months ago   read more
Sunland International Introduces Comprehensive Blu-ray Disc Media Creation Workflow
New Blu-ray Disc™ Media Creation Workflow Includes Authoring with Adobe® Creative Suite® 4 Production Premium, and Burning and Archiving with Blu-ray Writer Powered by Panasonic
Sunland International (SLI) today introduced a comprehensive new Blu-ray Disc media creation workflow--running on Macintosh and Windows® platforms--at the NAB Show™ in Las Vegas, Nevada. This workflow encompasses authoring with Adobe Creative Suite 4 Production Premium software, and burning and archiving with a Digistor Self-Powered Blu-ray Writer, which is built around Blu-ray technology from Panasonic, an innovator and founder of the DVD and Blu-ray Disc formats.
published 7 months ago   read more
Matrox Announces Matrox RT.X2 and Adobe Premiere Pro CS4 Bundles
Matrox Video Products Group today announced that new value-priced bundles of the Matrox RT.X2 and RT.X2 LE realtime editing platforms and Adobe Premiere Pro CS4 are now available worldwide. The bundles include either the RT.X2 or RT.X2 LE realtime editing card with a professional breakout box, Adobe Premiere Pro CS4, Adobe Encore CS4, and Adobe OnLocation CS4.
published 9 months ago   read more
NVIDIA Supercharges Adobe Premiere Pro CS4 Software With Quadro CX Bundle
Professional video editors looking to purchase the ultimate Adobe® Premiere® Pro CS4 experience, need to look no further. Starting today, the creative professional can acquire a copy of Adobe Premiere Pro CS4 and add a NVIDIA® Quadro® CX at more than 40% off of the retail price, a savings of $800 USD.
published 10 months ago   read more
Adobe Creative Suite 4 Now Shipping
Milestone Release Radically Improves Creative Workflow Efficiency; Redefines Collaboration Between Designers and Developers
Adobe Systems Incorporated (Nasdaq:ADBE) today announced the immediate availability of the Adobe® Creative Suite® 4 product family, the highly-anticipated release of industry-leading design and development software for virtually every creative workflow.
published 1 year ago   read more
Adobe Releases Creative Suite 4 Production Premium
Cross-Platform Video Toolset Delivers New Technologies For Creating Searchable Video Content
Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Suite® 4 Production Premium, a complete solution for creative professionals who craft world-class video, audio, and interactive media — for delivery on-air, online, and on device.
published 1 year ago   read more
Adobe Premiere Pro CS3 Delivers Industry-Leading Support for Tapeless Workflows
Native Support for Sony XDCAM EX Camera Format Now Available in Adobe Premiere Pro CS3
Adobe Systems Incorporated (Nasdaq:ADBE) today announced native support for the Sony XDCAM EX camera format in Adobe® Premiere® Pro CS3 video editing and production software.
published 2 years ago   read more
New Adobe TV Programming Comes Online
Unique Creative Suite 3 Video Content Available Via Adobe Media Player and New Web Destination
Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® TV, a free online video resource for expert instruction and inspiration about Adobe products, including the company’s Creative Suite 3 family of world-class creative tools.
published 2 years ago   read more
News: Matrox Announces Matrox RT.X2 and Adobe Premiere Pro CS3 Bundle
Matrox® Video Products Group today announced that a new value-priced bundle of the Matrox RT.X2 realtime editing platform and Adobe Premiere® Pro CS3 is now available worldwide. The bundle includes the RT.X2 realtime editing card and professional breakout box, Adobe Premiere Pro CS3, Adobe Encore® CS3, Adobe OnLocation CS3, Adobe Device Central CS3, Adobe Bridge CS3, and professionally designed templates.
published 2 years ago   read more


RSSTUTORIALS:
HD High-End
Driving Toward Success
Driving Toward SuccessNo matter how unexpected and varied the routes, the roads to success are often marked by customer service, attention to detail, and the imagination to see that success is even possible.
Feature, People / Interview by Philip Garvin on 10/15/2009
HD High-End
HD Unleashed
HD UnleashedIn this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE.
Review by Charles Papert on 08/19/2009
Adobe Premiere Pro
Adobe Speech Search
Adobe Speech SearchIn this second installment in his series of articles on Adobes latest post-production powerhouse, CS4 Production Premium, veteran editor David Roth Weiss takes closer look at Adobe Speech Search, a new speech recognition and transcription feature in both Premiere Pro CS4 and Soundbooth CS4. Speech Search is one the most exciting and eagerly anticipated new features to hit the editing world in a long time. So, if youve been wondering about it, read on, as David tells us what Speech Search is all about, how it works, and if it truly makes the grade.
Review by Roth Weiss on 02/11/2009
Adobe Premiere Pro
Multi-Camera Synchronize
Multi-Camera SynchronizeIf you have dabbled with multi-camera syncing, you will know there are a couple of ways to do it. In this video tutorial, Creative Cow leader Jon Barrie demonstrates a few ways hes found to be easiest using Adobe Premiere Pro CS3.
Tutorial, Video Tutorial by Jon Barrie on 12/18/2007
Adobe Premiere Pro
Working with Custom Titles
Working with Custom TitlesIn this video tutorial, Creative Cow leader Jon Barrie demonstrates creating custom titles in Adobe Premiere Pro CS3.
Tutorial, Video Tutorial by Jon Barrie on 12/04/2007
Adobe Premiere Pro
Advanced Multi-Cam Workflow
Advanced Multi-Cam WorkflowIn this video tutorial, Creative Cow leader Jon Barrie demonstrates some advanced uses of the multi-cam workflow in Adobe Premiere Pro CS3.
Tutorial, Video Tutorial by Jon Barrie on 11/29/2007
HD High-End
HDCAM, XDCAM & DVCPRO HD: Some Questions Answered
HDCAM, XDCAM & DVCPRO HD: Some Questions AnsweredResponding to questions in the Creative Cow "HD High End" forum, Cow leader and contributing editor Tim Kolb lays out key differences between Sony's XDCAM and HDCAM, as well as cameras using Panasonic’s DVCPRO HD. This look at some of the industry's hottest forums will help anyone looking to explore the world of HD production.
Feature by Tim Kolb on 09/25/2007
HD High-End
Shane Ross Reports: IBC 2007
Shane Ross Reports: IBC 2007Creative Cow leader Shane Ross saved you a trip to Amsterdam -- further for some Cows than others, but pretty far for most. As always, you can count on Shane to tell you exactly what he thinks about what he saw: AJA, Sony XDCAM EX, Edit Share, and That Other Camera.
Feature by Shane Ross on 09/18/2007
Adobe Premiere Pro
Adobe Title Designer Projects for Premiere Pro
Adobe Title Designer Projects for Premiere ProCow Leader Tim Kolb shares some great Premiere Pro projects for Adobe Title Designer. Originally created for PPro v. 1.5, they work great with CS2 and CS3 as well. These are presented courtesy of www.stevengotz.com, the resource site of Cow leader Steven Gotz.
Tutorial by Tim Kolb on 09/12/2007
HDV Format
Demystifying HDV Workflows
Demystifying HDV WorkflowsCreative COW Leader Tim Kolb uses his HDV expertise to explore the technology behind HDV, and show how it applies inside Final Cut Pro and other NLEs, with a special focus on longer projects. As Tim notes, this is a modified version of a post he made in the HDV forum responding to a question about FCP, but anyone who wants to know about editing HDV needs to check this out.
Tutorial, Feature by Tim Kolb on 07/28/2007




RSSTHREADS:
Re: consumer-cheap, high quality field monitor
by Arnie Schlissel in the HD High-End Forum
In that size range you can certainly find a monitor that's 1280x720 for not too much $$. The problem is still going to be that there's no blue check button, and I wouldn't expect the most accurate color rendition, anyway. Arnie Post production is not an afterthought! http://www.arniepix.com/...
23 hours ago   read more
Re: Good System for High-End HD Video Editing/Animation/Effects?
by Joey Burnham in the HD High-End Forum
Do you have a RAID or are you playing back HD off of your computer? Off the computer is not gonna work at all. Joey...
23 hours ago   read more
Re: consumer-cheap, high quality field monitor
by Bob Cole in the HD High-End Forum
[Arnie Schlissel] "Finding a small consumer display under 13 inches with that resolution will be tough. OTOH, there are some reasonably priced 5-7 inch models from Marshal & Ikan that are adequate for focus & composition." Good points. re the size: Sorry - I omitted that I am looking for...
1 day ago   read more
Re: consumer-cheap, high quality field monitor
by Arnie Schlissel in the HD High-End Forum
[Bob Cole] " One of the main criteria is to be able to quickly perform a rough color-bar calibration." Well, that's a problem, right there. Consumer displays do not have a blue only button, so calibrating to color bars is not so simple. [Bob Cole] " I mainly am checking...
1 day ago   read more
consumer-cheap, high quality field monitor
by Bob Cole in the HD High-End Forum
I'm looking for a small consumer HDTV for field monitoring. I mainly am checking focus and composition in the field so "broadcast quality," while nice, seems like overkill. I thought this "demystifying" article might be of interest to this group. http://www.displaymate.com/LCD_Response_Time_ShootOut.htm I saw the same survey mentioned in a recent...
1 day ago   read more
Re: On Location and Sony EX camera
by Danny Hays in the Adobe OnLocation Forum
That's fine. You can still use OL to setup the camera via firewire, then capture to the card like normal. Danny...
2 days ago   read more
Re: HDV or HD kameras - buying
by Mads Nybo Jørgensen in the HD High-End Forum
Hey Rudo, Welcome to the Cow, we always like new members here. However, this is the wrong section for the comedy forum. Instead of asking for new HD cameras at 1/2 price, you might find more success at: http://forums.creativecow.net/freestuff Good Luck All the Best Mads London, UK Mac Million Ltd....
2 days ago   read more
Re: AVCHD Codec Quality
by Bob Birkett in the HD High-End Forum
Thanks Peter. It wasn't clear to me that the HMR10 is 4:2:0. When it is available, I will be interested to see how it compares to my Firestore DVCPRO HD recordings. Perhaps a more compact version KiPro will emerge....
2 days ago   read more
Here it is, the English version of our Royalty free for free download page
by Lutz Dieckmann in the HDV Format Forum
Hi, as wished by some members I have translated the download page for the Non-German members. Just go to http://hd-trainings.de and go to the download section. There you will find a link to the English version. If you have any questions, pleas feel free to ask. Best Lutz Dieckmann Thank...
3 days ago   read more
Re: AVCHD Codec Quality
by Peter DeCrescenzo in the HD High-End Forum
Hi Bob: AVCHD is a 4:2:0, 8-bit, MPEG-4, long-GOP codec. The Panasonic HMR10 records this to SDHC cards at a max. data rate of 24 megabits/sec. Apple's ProRes codec files are typically encoded @ 10-bit and contain much, much more video information (4:2:2 or 4:4:4) and at data rates up...
3 days ago   read more
Re: AVCHD Codec Quality
by Bob Birkett in the HD High-End Forum
The Ki Pro does look like a great product and offers a superior recording quality. If you break away from the tripod, however, it's too big to mount on the camera (HDX900 in my case). I guess you could carry it in a Portabrace bag. Will it run off a...
3 days ago   read more
Re: HDV capture problem HVR-270
by Larry Brewer in the HDV Format Forum
Jayanta, Is the problem common to HDV footage or DVCam footage or both? Not familiar with your NLEs. Need more detail about the problem in general. Does your PC even "see" the firewire connection and the HVR-s270 attached? The problem may just be an improperly installed firewire card or a...
3 days ago   read more
Re: AVCHD Codec Quality
by Jeff Mack in the HD High-End Forum
How do you think the KI Pro is less portable? HD DSI out? Set it on the table and add 300 feet of cable. How much more portable does it need to be? Add it to the exoskeleton and mount it under your camera. Pro Res HQ is the only...
3 days ago   read more
AVCHD Codec Quality
by Bob Birkett in the HD High-End Forum
Hello, I'm trying to compare some of the new options for recording HD from an HD-SDI output. With Panasonic's introduction of the AG-HMR10 compact recorder, I'm wondering about the quality of the AVCHD codec. Although it has been used mostly in smaller camcorders, how would the images compare to DVCPRO...
4 days ago   read more
Re: Consumer HDTV with HDSDI input?
by Brian Newell in the HD High-End Forum
Thanks Gary - No it only has composite output for analog or SDI/HDSDI for digital This is an HDW-1800 Im pretty much gonna say that if he wants to do this we can get an AJA converter box. Thanks for your response!...
4 days ago   read more


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