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February 8th, 2012
Apple : Final Cut Home
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| | | | NEWS: | | | | |
| | | | Neat Video Announces Neat Video Pro Noise Filter for ASSIMILATE SCRATCH and SCRATCH Lab Announcement Delivers Dynamic New Tools To The Creative Arsenal of SCRATCH and Lab Artists The Neat Video team announced that they have delivered the Neat Video Pro video noise reduction filter as an OpenFX plug-in for ASSIMILATE’s SCRATCH® and SCRATCH Lab™ digital workflow tools. Previously only available for video editing and compositing applications, this new version of Neat Video brings its industry-leading grain and noise reduction technology to Digital Intermediate (DI), Finishing, Production Dailies and Visual Effects Dailies workflows. published 15 hours ago read more | | | | |
| | | | Filmmaker With Touch Of The Poet Wins AG-AF100 At Slamdance Film Festival Josh Gibson’s Top Entry Celebrates ‘Watermelon’ in Panasonic’s ‘Five Flavors of Filmmaking’ Competition Josh Gibson, Associate Director and Instructor, Program in the Arts of the Moving Image at Duke University (Durham, North Carolina), has just won the Grand Prize of an AF100 large imager HD cinema camera at Panasonic’s “Five Flavors of Filmmaking” contest held at Slamdance 2012 (Park City, UT). For the competition, five teams were each assigned a flavor and challenged to create a one-minute film using the AF100, the festival’s official camera. published 7 days ago read more | | | | |
| | | | GenArts Sapphire Edge™ Brings High-End Visual Effects to the Final Cut Pro X Creative Community Sapphire Edge for Final Cut Pro X Gives Editors A Competitive Edge; Produces More Engaging Video in Less Time Without Compromising Quality GenArts® Inc., the global leader in specialized visual effects software for the media and advertising industries, today announced the availability of Sapphire Edge for Final Cut Pro X professional video editing application from Apple. Sapphire Edge empowers Final Cut Pro X editors to efficiently apply cutting-edge visual effects in a streamlined editorial experience without compromising the quality of the final result. Sapphire Edge delivers the same professional visual effects as its high-end counterpart Sapphire, and is designed with the busy, modern editor in mind. By extending the modern workflow introduced in Final Cut Pro X, Sapphire Edge visual effects software enables broadcast, film, and online video editors to produce more engaging stories in fewer steps, saving valuable production time and money. published 1 week ago read more | | | | |
| | | | Apple Updates Final Cut Pro X Apple® today released Final Cut Pro® X v10.0.3, a significant update to its revolutionary professional video editing application, which introduces multicam editing that automatically syncs up to 64 angles of video and photos; advanced chroma keying for handling complex adjustments right in the app; and enhanced XML for a richer interchange with third party apps and plug-ins that support the fast growing Final Cut Pro X ecosystem. published 1 week ago read more | | | | |
| | | | Nattress Releases First FxFactory Based Filters for FCP and AE Nattress Levels and Curves Filter Pack lets users take control of footage in film-log space for superb image results Noise Industries' latest partnership with Nattress Productions brings a finer degree of image control to the editor through Levels and Curves, a filter pack that allows users to color grade in film-log space. The new curve-based color adjustment plug-in, available now on FxFactory 3, is compatible with Final Cut Pro® 6, 7 and X; Motion 3, 4 and 5; and Adobe® After Effects® CS3, CS4, CS5 and CS5.5. published 2 weeks ago read more | | | | |
| | | | Digital Film Tools Brings the Magic of Film to New Film Stocks Plug-in New Film Stocks photo and video/film plug-in simulates the look of analog film stocks Digital Film Tools, developer of visual effects software, today announced the release of Film Stocks with plug-in support for Adobe® Photoshop®, Adobe Photoshop Elements, Adobe Photoshop Lightroom®, Adobe After Effects® CS5 and up, Adobe Premiere® Pro CS5 and up, Apple® Aperture®, Apple Final Cut Pro® 6 and 7, and Avid® editing systems. published 2 weeks ago read more | | | | |
| | | | PluralEyes for FCP X Now Available New release lets Final Cut Pro X editors better manage dual-system audio and multi-camera productions; sophisticated automation technology accurately syncs video and audio Singular Software™, a developer of workflow automation applications for video production, is pleased to announce the availability of PluralEyes® for Apple® Final Cut Pro® X (FCP X). The multi-award winning PluralEyes technology works alongside FCP X to quickly and accurately sync video and audio clips for dual-system audio and multi-camera productions, saving hours of tedious manual syncing during post-production. published 2 weeks ago read more | | | | |
| | | | Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe New Professional Presets for Avid Media Composer 6, Symphony 6, Avid FX 6, and Boris RED 5 Eye Scream Factory, a provider of time-saving design templates, presets, and royalty-free content for digital media artists, today announced the availability of 74 DVE transition presets created by Kevin P. McAuliffe, Senior Editor at MIJO in Toronto, Canada, and an Avid Media Composer editor for 15 years. The presets include a wide variety of organic and fluid DVE transitions. published 2 weeks ago read more | | | | |
| | | | | TUTORIALS: | | | | |
| | | | Apple Motion Lite Bite for Apple Motion: The Tilt Shift Effect
The "Tilt Shift Effect" or "Toy Town Look" is fantastic fun to play with. Using Final Cut and Motion you can quickly create the effect and give an amazing intro to any promotion. The tutorial requires no additional Plug-ins. Tutorial, Video Tutorial by Martin Ainsworth on 01/20/2012 | | | | |
| | | | Apple Motion On the Fast Track with Apple's Motion 5 Chapter 2 Lesson 1: The Replicator - Part 1
In the next Chapter of our ongoing "On the Fast Track with Apple's Motion 5" tutorial series, we are going to look at what goes into creating a 3D extruded animation in Motion 5 using only built in tools to create it. Kevin P McAuliffe will look at using the Replicator for creating the extrusions, he will also look at everything that goes into working with Cameras and Lights, as well as Behaviors that control them. In Lesson 1, part 1, we take a look at the basics of the Replicator, and how this fantastic tool (unique to Apple's Motion) is going to be one you will go back to over and over again. Tutorial, Video Tutorial by Kevin P. McAuliffe on 12/06/2011 | | | | |
| | | | Apple Motion On the Fast Track with Apple's Motion 5 Chapter 1 Lesson 7: Sharing
In our wrap up of Chapter 1, we learn that "Exporting" is a way of the past in Motion 5. Now, it's all about Sharing. Users of FCP7 will be familiar with Sharing, a great way to not only export your work, but do it in the background, so you can keep working. In this tutorial, Kevin P McAuliffe shows you how to "Share" your final product not only with FCP 7 and FCP X, but also with other NLE's as well. Tutorial, Video Tutorial by Kevin P. McAuliffe on 11/28/2011 | | | | |
| | | | Apple Motion On the Fast Track with Apple's Motion: 5 Chapter 1 Lesson 3: The HUD, Generators and Masking
In the next part at our introductory look at Apple's Motion 5, we take a look at a great "not so hidden" feature in Motion 5, and that's the Heads Up Display (HUD). We'll also talk about how Generators are going to help us create our Lower Third; then look at all the Masking options, and how we can mask our Generator to create our Lower Third. Again, Motion 4 users will get a great deal out of this training series as well. Tutorial, Video Tutorial by Kevin P. McAuliffe on 09/27/2011 | | | | |
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