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September 19th, 2014
Final Cut : Color Home
RSSNEWS:
Reel FX Hits 4.5 Million Render Jobs Using PipelineFX’s Qube!
Leading Render Farm Management Software for VFX Currently at Work on New Guillermo Del Toro Production, “The Book of Life”
The tools that last are the ones that can roll with the punches. For Dallas, TX and Santa Monica’s Reel FX, one tool has helped them manage 4.5 million render jobs in the most efficient way possible. Now in its 11th year of use, PipelineFX’s Qube! plays the guardian role for a production queue riding high on the success of “Free Birds” and the impending release of the new Guillermo Del Toro-produced feature with 20th Century Fox, “The Book of Life.”
published 19 hours ago   read more
New software update for Pablo Rio and Pablo PA adds file format support and enhances workflows
Sixth software release this year keeps Quantel color and finishing systems the software of choice for 4K
At IBC 2014, Quantel demonstrated the latest new software update for its Pablo Rio color and finishing systems, bringing users a raft of new features and facilities that further reinforce Pablo Rio’s development as the post engine and finishing system of choice for 4K and beyond. This is the sixth new software release for Pablo Rio this calendar year, ensuring users get access to new formats and facilities as quickly as possible.
published 2 days ago   read more
Quantel launches software version of Qube editor
New choice saves money and adds flexibility for Enterprise sQ users
Quantel launched the software-only version of its Qube craft editor at IBC, giving Enterprise sQ customers the choice to purchase Qube as a software or turnkey system. The software Qube supports the AJA Kona 3G for full HD and SD input and output.
published 2 days ago   read more
R2C Group Adds Facilis TerraBlock 24D to Keep the Creative Rolling
Portland-based R2C Group is the nation’s leading transactional brand building, direct response agency. The company creates, produces, distributes and measures messages that inspire consumer reactions to brands and products for clients like TaxACT.com, Humana and Bissell. Unlike traditional advertising, where projects typically end at delivery, content for R2C Group customers is continually modified throughout each campaign based on real-time feedback. Each creative project must be accessible for several months at a time, which quickly fills up the facility’s storage servers.
published 2 days ago   read more
RE:Vision Effects Releases RE:Match for Sony Vegas Pro with Automatic Color Matching for Multiple Shot and Multicam Shoots.
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the release of RE:Match™ for Sony® Vegas ® Pro, taking intuitive color matching to a whole new level by addressing common color problems when using multiple shots and/or multiple cameras.
published 3 days ago   read more
MIRA MOBILE M-12HD and SportsNet LA Capture High-Quality Close-Ups, Panoramic Shots and Night-time Slo-Mo With FUJINON Optics
When MIRA Mobile’s new M-12HD rolls into Dodger Stadium on behalf of MIRA customer, SportsNet LA, it does so with shot-capturing skills that rival the speed and focus of any Cy Young Award winner. Four of the truck’s six FUJINON XA99x8.4 ultra-wide field lenses outfitted on Sony HDC2570 studio cameras are positioned at various points on the field – high left field, mid first base, tight center field, and right field. One XA99x mans the high third base position placed on an I-MOVIX ultra-slow-motion system, provided by Fletcher Chicago. M-12 is also equipped with four XA77x9.5 telephoto field lenses.
published 3 days ago   read more
Boris FX Adds ASSIMILATE SCRATCH Support to Boris Continuum Complete and Boris RED Product Lines
Boris FX, the leading developer of integrated VFX and workflow technology for video and film, announces added host support for ASSIMILATE SCRATCH® to its flagship product line, Boris Continuum Complete (BCC), and to Boris RED. The new products were unveiled during IBC 2014 (September 12-16, Amsterdam, NL).
published 3 days ago   read more
Atomos On Show at photokina 2014
Atomos Joins the World's Leading Imaging Fair for the First Time in Cologne
Today Atomos have announced that they will be joining the exhibitor list for the first time at photokina 2014. Atomos will present Shogun and hot from IBC the new Power Station as well as all the latest recorders and camera accessories in Hall 04.1, Stand B009 C008 along with Marcotec. Atomos products can also be found with Sony, Panasonic, Canon, Nikon, Datacolor and Leica at the show.
published 3 days ago   read more
Telestream Products Receive Official DPP Certification
Telestream Vantage and Switch products among the first to achieve DPP/AMWA certification
Telestream®, the leading provider of digital media tools and workflow solutions, received notice that its Vantage and Switch products were amongst the first to achieve DPP/AMWA certification as part of the DPP (Digital Production Partnership)’s new Compliance Program. Version 6.3 of the Vantage platform --which provides a broad range of enterprise-class transcoding and file-based workflow automation software products-- adds several new capabilities for assembling and encoding DPP AS-11 MXF files, while Switch, Telestream’s free multi-format media player, can now be used to visually QC DPP files on the desktop.
published 3 days ago   read more
Mistresses Has a Love Affair with DPA Microphones
Company’s d:dicate™ 4017 Shotgun and d:screet™ 4071 Miniatures prove to be the ultimate dialogue miking solutions for primetime soap
ABC’s Mistresses is a primetime soap opera starring Alyssa Milano that is based on the lives of four girlfriends living in Hollywood who are involved in an array of illicit and complex relationships, but it is the show’s miking solution that is far from complicated. A longtime DPA Microphones user, Sound Mixer Joe Michalski relies on the company’s d:dicate™ 4017 Shotgun Mic in conjunction with several d:screet™ 4071 Omnidirectional Miniature Mics to achieve a pristine sound that requires almost no editing in post.
published 4 days ago   read more


RSSTUTORIALS:
Apple Color
Euphonix MC Color Control Panel
Euphonix MC Color Control PanelIn this article Walter Biscardi, Jr. tries out the new MC Color controller from Euphonix.
Review by Walter Biscardi on 02/23/2010
Apple Color
Tangent Wave Control Panel Review
Tangent Wave Control Panel ReviewIn this article Walter Biscardi, Jr. takes an in depth look at the new Tangent Wave Control Panel.
Review by Walter Biscardi on 10/27/2009
Apple Color
Final Cut Pro: Tracking Vignettes
Final Cut Pro: Tracking VignettesIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.
Tutorial, Video Tutorial by Richard Harrington on 02/23/2009
Apple Color
Final Cut Pro: Saturation Curves in Color
Final Cut Pro: Saturation Curves in ColorIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
Tutorial, Video Tutorial by Richard Harrington on 02/16/2009
Apple Color
Custom Shapes in Color - Final Cut Help
Custom Shapes in Color - Final Cut HelpIn this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
Tutorial, Video Tutorial by Richard Harrington on 01/19/2009
Apple Color
One Team. Three Network Shows. Every Week.
One Team. Three Network Shows. Every Week.Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
Feature by Zed Saeed on 12/23/2008
Apple Color
Apple Color: Building Vignettes in the ColorFX Room
Apple Color: Building Vignettes in the ColorFX RoomApple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial by Walter Biscardi on 09/24/2007
Apple Color
Apple Color: Auto Balance Feature
Apple Color: Auto Balance FeatureIn this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 07/09/2007
Apple Color
Should you use Final Cut Pro or Color?
Should you use Final Cut Pro or Color?Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/25/2007
Apple Color
Apple Color: First Time You Launch
Apple Color: First Time You LaunchIn this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/19/2007




RSSTHREADS:
Re: Davinci Resolve Rec709 Color Space
by Toby Tomkins in the DaVinci Resolve Forum
In order to do that you will need to use a CMS (colour management system), profile the DaVinci GUI video display with a probe, create a calibration LUT, and then load the LUT in the resolve settings under GUI display lut....
44 minutes ago   read more
Davinci Resolve Rec709 Color Space
by James Harding in the DaVinci Resolve Forum
Hi guys, I have recently purchased a HP Dreamcolour Z24x for colour grading. I will eventually buy a Decklink to use with it but for now I am using it as the primary monitor from my graphics card. I am a little confused about the colour space I should be...
2 hours ago   read more
Re: Edit with DaVinci 11 & Multicam
by Isaac Bergada in the DaVinci Resolve Forum
Hi guys, excited to try the new version DaVinci Resolve 11.1 Beta ( with multicam support) : https://www.blackmagicdesign.com/support/download/15010/Mac%20OS%20X...
4 hours ago   read more
Re: mocha roto-masks to DaVinci Resolve
by Margus Voll in the DaVinci Resolve Forum
I agree with Juan that AE like paste option would be great. I'm sure it is doable if BM finds it useful. Also can you tell if only rgb masks are options or can there be more in one mate? -- Margus http://iconstudios.eu https://vimeo.com/iconstudioseu/videos DaVinci 10, OSX 10.8.5 MacPro 5.1...
8 hours ago   read more


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