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August 27th, 2014
Final Cut : Color Home
RSSNEWS:
Team Detroit Selects RingSide Creative, Flavor, Dictionary Films and Cutters to Showcase Ford 2015 Super Duty in Bold New Style
The end-to-end commercial design and production teams comprised of affiliated companies RingSide Creative and Cutters Studios divisions Flavor, Cutters and Dictionary Films are very proud to detail their contributions to a new national spot for Ford Motor Company from Team Detroit. Entitled "Front and Back," the :30 spot extends the long-running Ford Trucks "Rant" campaign with a bold, powerful homage to heroism and reliability, using a hybrid design and animation style and original live-action footage shot on-location in Los Angeles. The spot debuted nationally earlier this month and will continue to air in targeted placements online, during high-profile broadcasts and on cable.
published 9 hours ago   read more
Encore Taps Jennifer Tellefsen for VP, VFX Role
Post production and visual effects company Encore has appointed Jennifer Tellefsen (JT) as Vice President of Business Development, VFX for Encore offices worldwide. Having served as VP of Business Development, Post at the Hollywood location since 2009, JT helped Encore complete its transition to file-based workflows and will now focus on piloting the company's thriving visual effects department under SVP, VFX, Tom Kendall.
published 10 hours ago   read more
SMPTE® Announces 2014 Honorees and Award Winners
Annual SMPTE Honors & Awards Ceremony Highlights Vision, Ingenuity, Perseverance, and Dedication to Motion Picture and Television Industries
The Society of Motion Picture and Television Engineers® (SMPTE®), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today revealed the outstanding industry members who will be recognized Thursday, Oct. 23, at the SMPTE 2014 Honors & Awards Ceremony.
published 12 hours ago   read more
ARRI Announces ProRes UHD Output for AMIRA
A new software upgrade for ARRI’s documentary-style AMIRA camera will allow it to record ProRes UHD files, answering the 4K requirements of some productions. The upgrade is expected to be available for purchase at the online ARRI License Shop by the end of 2014.
published 14 hours ago   read more
RTVS Slovakia Chooses NOA for Major Cross-Media Archive Initiative
RTVS, Slovakia’s national broadcaster, has embarked on a project to upgrade its archive system and create a national TV archive that includes its legacy SD material. The project will use NOA systems to build a complete MAM facility to manage all ingest workflows and transcoding, with logical content description, and full integration of radio and TV content.
published 17 hours ago   read more
iAnimate.net Attracts Senior Creature Animator James Bennett to Teach New Advanced Creature Animation Workshop
Learn Top-Level Creature Animation From an Industry Veteran Whose Credits Include Many of Hollywood’s Most Successful Films—From “Avatar” and “Godzilla” to “King Kong” and “IronMan 2”
iAnimate.net continues to attract top instructors to its industry-leading animation courses—the newest being James Bennett, a senior creature animator and lead previz artist whose list of credits includes “Godzilla,” “The Hobbit,” “Avatar,” “King Kong,” “The Adventures of TinTin,” “Happy Feet,” “How to Train Your Dragon 2,” “Madagascar 3,” “Iron Man 2,” and many more.
published 17 hours ago   read more
LYNX Technik Launches Testor™ |lite 3G, Hand-Held Test Signal Generator
IBC 2014 - 8.C70, LYNX Technik AG, provider of modular interfaces and signal processing solutions will launch its new Testor™ | lite 3G, a cost-effective, compact, hand held touch-screen multi-format test signal generator to the European market at IBC 2014, stand 8.C70.
published 1 day ago   read more
DPA Microphones Expands Sales Force
U.S. Office Welcomes Three New Area Sales Managers; 
Promotes New General Manager
DPA Inc., the U.S. branch of DPA Microphones, is pleased to announce the appointment of Christopher Spahr, Pedro Rocha and Leonardo Romero as Area Sales Managers for the Eastern U.S., Western U.S. and Southern U.S./Latin America, respectively. The company has also promoted Shan Siebert to General Manager of the Longmont, Colorado-based office. After a year of unprecedented growth for the U.S. operations, these latest assignments signify the company’s continued commitment to its customers in the region.
published 2 days ago   read more
FOR-A To Intro Versatile XT2000 Video Switcher At IBC 2014
Unit Well Suited For Many Production Environments, Including OB Truck, Live Event, TV Studio, House Of Worship And Educational Settings
At the upcoming IBC Show, taking place September 12-16 in Amsterdam, FOR-A Company Limited will unveil its HVS-XT2000 video production switcher, the newest addition to the XT switcher family. A flexible unit allowing up to 40 SDI inputs and 22 outputs, the easy-to-use XT2000 includes powerful features unavailable in other switchers in its class. FOR-A will showcase the XT2000 in its IBC booth, Hall 2, Stand A51.
published 2 days ago   read more
Camerimage Film Festival To Pay Tribute To Late Academy Award® Winner John Alcott
Camerimage, the International Film Festival of the Art of Cinematography, announced today that the late Oscar® winning cinematographer John Alcott will be commemorated at this year’s Festival as part of the special “Remembering the Masters” series.
published 5 days ago   read more


RSSTUTORIALS:
Apple Color
Euphonix MC Color Control Panel
Euphonix MC Color Control PanelIn this article Walter Biscardi, Jr. tries out the new MC Color controller from Euphonix.
Review by Walter Biscardi on 02/23/2010
Apple Color
Tangent Wave Control Panel Review
Tangent Wave Control Panel ReviewIn this article Walter Biscardi, Jr. takes an in depth look at the new Tangent Wave Control Panel.
Review by Walter Biscardi on 10/27/2009
Apple Color
Final Cut Pro: Tracking Vignettes
Final Cut Pro: Tracking VignettesIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman teaches how to use tracking to have vignettes follow a person around the screen to simulate a spotlight effect.
Tutorial, Video Tutorial by Richard Harrington on 02/23/2009
Apple Color
Final Cut Pro: Saturation Curves in Color
Final Cut Pro: Saturation Curves in ColorIn this Apple Color tutorial, Richard Harrington along with color expert Robbie Carman create the Pleasantville effect in Apple Color. Using the secondary curves, specifically the saturation curve, to isolate just the yellow in a taxi cab everything else in the video clip can then be desaturated to create this popular effect.
Tutorial, Video Tutorial by Richard Harrington on 02/16/2009
Apple Color
Custom Shapes in Color - Final Cut Help
Custom Shapes in Color - Final Cut HelpIn this Apple Color tutorial Richard Harrington and guest Robbie Carman will use user defined shapes to form vinettes to perform a secondary color correction. Learn about where primary and secondary color correction really occurs in Apple Color and other tips and tricks.
Tutorial, Video Tutorial by Richard Harrington on 01/19/2009
Apple Color
One Team. Three Network Shows. Every Week.
One Team. Three Network Shows. Every Week.Creative Cow Contributing Editor Zed Saeed has helped create pioneering Final Cut Pro workflows for major feature films and episodic TV production. This year, he and the team at DigitalFilm Tree faced their biggest challenge yet: posting 3 major shows, for 3 different networks, every week -- with the same small team that used to do just one. How do they do it? World-class workflow management.
Feature by Zed Saeed on 12/23/2008
Apple Color
Apple Color: Building Vignettes in the ColorFX Room
Apple Color: Building Vignettes in the ColorFX RoomApple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial by Walter Biscardi on 09/24/2007
Apple Color
Apple Color: Auto Balance Feature
Apple Color: Auto Balance FeatureIn this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 07/09/2007
Apple Color
Should you use Final Cut Pro or Color?
Should you use Final Cut Pro or Color?Should you use Final Cut Pro or Color? In this short video tutorial, Walter Biscardi demonstrates some of the differences and why you might use one program over the other. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/25/2007
Apple Color
Apple Color: First Time You Launch
Apple Color: First Time You LaunchIn this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.
Tutorial, Video Tutorial by Walter Biscardi on 06/19/2007




RSSTHREADS:
Re: Ikonoskop CinemaDNG and DAVINCI RESOLVE 11
by Wladimir Bonsegnori in the DaVinci Resolve Forum
It seems that I have found the solution: http://www.digitalbolex.com/forum/shooting-on-the-d16/awesome-d16-footage-and-natural-skin-tones-coming-soon/ Using BMDFilm gamma and color space, together with choosing Davinci Yrgb instead of ACES gives the best results I have ever seen with this camera. Much much better than before. Wow! Since the Digital Bolex D16 has a very similar sensor...
2 hours ago   read more
Re: Problems rendering large Quicktime files to Ethernet SANs
by Pieter Viljoen in the DaVinci Resolve Forum
I work on an Editshare and haven't seen this, but normally I'm rendering out up for a few hundred GB of individual clips, whether it is DPX, QT or MXF. I would contact Garret at Editshare and ask about that....
3 hours ago   read more
Re: Trailing stars
by Michael Campione in the Apple Motion Forum
Mark I really appreciate you getting me this far. So here's where I am. I did use the star shape. Replicator: set to Geometry Shape source well is empty Points set to 15 (stars) They're piled on top of each other. Motion path: Path Shape is set to open spline...
6 hours ago   read more
Re: Ikonoskop CinemaDNG and DAVINCI RESOLVE 11
by Peter Chamberlain in the DaVinci Resolve Forum
Thanks, this helps a lot.. will follow up but for now it looks like v10 is the workaround....
7 hours ago   read more
Re: Trailing stars
by Mark Spencer in the Apple Motion Forum
There are existing star shapes in the Library you can use. You replicate them to Geometry and put the motion path in the well. Doing just the semi-circle is relatively easy. If you want to fly them in from the foreground, twisting through 3D space, that takes some more effort...
7 hours ago   read more
Re: Trailing stars
by Michael Campione in the Apple Motion Forum
Ah! I think I figured it out. Didn't see the little replicator button way down in the bottom corner....
7 hours ago   read more
Re: Playhead - for the rest of us.
by Jamie Franklin in the DaVinci Resolve Forum
No unfortunately. I believe since 8 the playhead has become over engineered. It isn't much of a bother after an hour or so working in the timeline. After 8-10hours it becomes more of a major nuisance than a casual annoyance. Maybe it's just me....
8 hours ago   read more
Re: Trailing stars
by Michael Campione in the Apple Motion Forum
Thanks Mark Sad to say I haven't spent much time with the replicators. Doing simple stuff but need to jump to the next level. It makes sense what your saying especially since I'm trying to do it by building each star and each with its own B-Spline. I don't see...
8 hours ago   read more
News: Legendary World War Ii Photojournalist and Award-Winning Hollywood Photographer Phil Stern Donates 95 of His Iconic Prints to The Veterans Home Of California -- West Los Angeles in Celebration Of His 95th Birthday
by Cow News Droid in the HD High-End Forum
...
9 hours ago   read more
Re: GPU Acceleration in old Mac Pro vs new iMac
by Pieter Viljoen in the DaVinci Resolve Forum
Laco, ProRes is what the DI/telecine house we are working on this is requesting. We also don't want to be working with a few hundred hours of DNx115 or ProRes LT on our shared storage as we have many other projects and generally work from DNxHD36 or Proxy....
10 hours ago   read more
Re: Trailing stars
by Mark Spencer in the Apple Motion Forum
I'd use a replicator and animate the stars along a motion path in 3D. -- Mark Spencer Freelance Producer/Editor/Motion Graphics Artist Apple-certified Master Trainer Author, Motion 4 from Peachpit Press http://www.applemotion.net...
10 hours ago   read more
Trailing stars
by Michael Campione in the Apple Motion Forum
Hi All, Is there a way to duplicate the Paramont stars movement in Motion 5? Or if you could steer me to a good tutorial. Having a heck of a time with it. I've seen a couple of tutorials in after effects so there must be something in Motion. Thanks...
10 hours ago   read more
Re: Color balance filter
by Mark Spencer in the Apple Motion Forum
I suggested it for color correction, I don't recall suggesting it for white balancing although it is your best option inside of Motion. You'll need to turn on the RGB values to show at the top of the Canvas to determine if you are balanced or not. -- Mark Spencer...
11 hours ago   read more
Re: Color balance filter
by Bruce Breidbart in the Apple Motion Forum
Mark, thanks for the quick reply. BUT, when I did a search, it was YOU that suggested using this filter. I know you are a very busy guy but, I'm in Motion 5 trying to use a new filter. Thanks for your help. BB...
11 hours ago   read more


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