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October 23, 2012
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A Creative COW Article
From the pages of Creative COW Magazine
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K-Tek a Sound Choice for Agalsoff on “Castle”
John Agalsoff, Jr. knows his stuff. He’s been in...
Stephen Lovett to Lead Light Iron OUTPOST Mobile Systems
Light Iron – a post production leader specializi...
Lightworks Brings Led Zeppelin’s “Celebration Day” to Life
With over 20 million people eager to get their han...
Red Bull Uses Vizrt for Live Graphics as Felix Baumgartner Breaks Sound Barrier
The edge of space was where Felix Baumgartner stoo...
more »
Parenthood in Post Production Part TWO: Modern Director Mom
In Kylee's exploration of having a family in the v...
Parenthood in Post Production Part ONE: Being an Editor Dad
Balancing parenthood and post-production is a chal...
Hollywood 3D Masters Talk Stereoscopy
A group of production and post production experts ...
3DTV To Go: The Evolution of 3D and Multi-Screen Viewing
3D in movies is here to stay. While a bit behind s...
more »
Parenthood in Production and Post: A Modern Director Mom
In my exploration of parenthood and family in the ...
Oh... That’s a compiler bug
The worst possible answer to a customer problem is...
Intricate Details — Two Recent Shots from NYC
I recently led a workshop on tasteful HDR up in Ne...
Better Monitoring for DSLR Video
AdoramaTV presents DSLR | Video Skills with Richar...
more »
Learn Media Composer Lesson 18: Migrating FCP7 Project to MC
In this tutorial, Kevin P McAuliffe shows you, wit...
Learn Media Composer Lesson 17: Adjusting Clips Part TWO
In this lesson, Kevin P McAuliffe looks at both Ba...
Learn Media Composer Lesson 16: Adjusting Clips Part ONE
Now that you've edited clips into your timeline, i...
Adobe's After Effects CS6 - Difference Mattes
In this lesson, Kevin P McAuliffe shows you a grea...
more »
Learn Media Composer Lesson 18: Migrating FCP7 Project to MC
In this tutorial, Kevin P McAuliffe shows you, wit...
Learn Media Composer Lesson 17: Adjusting Clips Part TWO
In this lesson, Kevin P McAuliffe looks at both Ba...
Learn Media Composer Lesson 16: Adjusting Clips Part ONE
Now that you've edited clips into your timeline, i...
Adobe's After Effects CS6 - Difference Mattes
In this lesson, Kevin P McAuliffe shows you a grea...
more »
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FCPX is so completely weird, it makes Motion look sane. And no one will hire you by the hour for either of them.
FCPX and time code
Article:
Parenthood in Post Production Part ONE: Being an Editor Dad
What causes out of sync? using dslr and h4n zoom
What's the best graphics card for Mac Pro?
Suddenly Unlinked Soft-Imported Media
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Learn Media Composer Lesson 18: Migrating FCP7 Project to MC
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