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April 30, 2012
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A Creative COW Article
From the pages of Creative COW Magazine
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"Red Tails" Delivers Monumental Maneuvers with LightWave
Radical 3D pre-visualization artists tap the power...
Ex-Weta Digital Vet David Bennett Joins Faceware Technologies
Faceware Technologies, Inc., a leading provider of...
Sound Devices 552 Captures Dynamic Audio for Nat Geo "War Elephants" Filmed in Gorongosa National Pa...
Production Mixer Proves Reliable in Africa’s Ext...
Oscar®-Nominee Dante Spinotti Named 2012 Kodak Cinematographer-in-Residence at UCLA/TFT
April 30 Screening of Spinotti's The Last of the M...
more »
NAB 2012: HP
At NAB 2012, HP unveiled its all-in-one HP Z1 work...
NAB 2012: Chryon
Chyron dived into social media and second screen s...
NAB 2012: GenArts
At NAB 2012, GenArts showcased its newest products...
Blackmagic Design's Grant Petty: We Want to Blow Your Mind
Blackmagic Design Founder and CEO Grant Petty has ...
more »
Confessions of an NAB Virgin
Hi. This is not an NAB recap. This isn't a collect...
Forget the Future, Plan for Now
I made a comment at this past week’s Atlanta Cut...
Thoughts on Effective Documentary Distribution
In a recent interview with Post Magazine, filmmake...
The Edit Bay: An Unexpected Journey
Here's a quick video I did featuring some of the c...
more »
AE Basics 44: Shaping Text And Advanced Options
AE Basics - A Creative COW series for new users of...
Learn Media Composer Lesson 4: Bins PART ONE
In part one of this two part look at Bins, Kevin P...
Learn Media Composer Lesson 3: Audio Settings
In this lesson, Kevin P McAuliffe begins at the to...
Create a Rotating Counter TWO: Adding & Adjusting a Bounce
In the second part of this 2 part tutorial, Andrew...
more »
AE Basics 44: Shaping Text And Advanced Options
AE Basics - A Creative COW series for new users of...
Learn Media Composer Lesson 4: Bins PART ONE
In part one of this two part look at Bins, Kevin P...
Learn Media Composer Lesson 3: Audio Settings
In this lesson, Kevin P McAuliffe begins at the to...
Create a Rotating Counter TWO: Adding & Adjusting a Bounce
In the second part of this 2 part tutorial, Andrew...
more »
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Best Way to Composite 3ds Max in After FX?
Apple engineers versus an editor's ability to set persistent in to out points in their footage.
Why is PPro not suited for feature films?
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DaVinci Resolve Basics & Configuration
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Forget the Future, Plan for Now
fcpx or not?
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