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September 23rd, 2014
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RSSNEWS:
Everytime, the Collaboration App for Creatives
WHAT IS EVERYTIME?
published 4 days ago   read more
Reel FX Hits 4.5 Million Render Jobs Using PipelineFX’s Qube!
Leading Render Farm Management Software for VFX Currently at Work on New Guillermo Del Toro Production, “The Book of Life”
The tools that last are the ones that can roll with the punches. For Dallas, TX and Santa Monica’s Reel FX, one tool has helped them manage 4.5 million render jobs in the most efficient way possible. Now in its 11th year of use, PipelineFX’s Qube! plays the guardian role for a production queue riding high on the success of “Free Birds” and the impending release of the new Guillermo Del Toro-produced feature with 20th Century Fox, “The Book of Life.”
published 5 days ago   read more
cinec 2014 - International Trade Fair for Cine Equipment and Technology, which will take place in Munich, Germany, from 21 - 23 September 2014
When images on the big screen take one’s breath away, it is often partly due to the technology which is behind the screen, and often “Made in Germany”. Every two years filmmakers and technicians meet in Munich for one of the most important Trade Fairs of the industry, cinec which honors the most outstanding innovations in the area of film production.
published 5 days ago   read more
New software update for Pablo Rio and Pablo PA adds file format support and enhances workflows
Sixth software release this year keeps Quantel color and finishing systems the software of choice for 4K
At IBC 2014, Quantel demonstrated the latest new software update for its Pablo Rio color and finishing systems, bringing users a raft of new features and facilities that further reinforce Pablo Rio’s development as the post engine and finishing system of choice for 4K and beyond. This is the sixth new software release for Pablo Rio this calendar year, ensuring users get access to new formats and facilities as quickly as possible.
published 6 days ago   read more
RE:Vision Effects Releases RE:Match for Sony Vegas Pro with Automatic Color Matching for Multiple Shot and Multicam Shoots.
RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the release of RE:Match™ for Sony® Vegas ® Pro, taking intuitive color matching to a whole new level by addressing common color problems when using multiple shots and/or multiple cameras.
published 1 week ago   read more
Boris FX Adds ASSIMILATE SCRATCH Support to Boris Continuum Complete and Boris RED Product Lines
Boris FX, the leading developer of integrated VFX and workflow technology for video and film, announces added host support for ASSIMILATE SCRATCH® to its flagship product line, Boris Continuum Complete (BCC), and to Boris RED. The new products were unveiled during IBC 2014 (September 12-16, Amsterdam, NL).
published 1 week ago   read more
Audiofile Releases Loop Editor 2
Picks up where Apple Loop Utility left off
Audiofile, a leading music technology company, today announced the availability of Loop Editor 2 on the Mac App Store. Loop Editor 2 is the perfect replacement for the now discontinued Apple Loops Utility and raises the bar with support for all loop types, beat detection, ACID files, and more.
published 1 week ago   read more
COLORFRONT TRANSKODER 2014 Goes 8K
Showcase for industry-first, real-time 60FPS 8K & S3D 4K system
Colorfront, the Academy and Emmy Award-winning developer of high-performance, dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today broke performance barriers with the announcement of Colorfront Transkoder 2014, the automated, standalone system for high-quality digital file conversion, now featuring ground-breaking real-time 8K and 3D4K capabilities.
published 1 week ago   read more
FilmLight boosts on-set and near-set production; adds host of functionality to Baselight flagship colour grading system
New HDR capabilities, direct DCP deliverables, ProRes, productivity gains and more
FilmLight will be exhibiting a broad range of new functionality for the first time at IBC2014 (Amsterdam, 12–16 September), designed to seamlessly integrate with today’s evolving workflows. Daylight, the new near-set colour grading tool, will be featured on the FilmLight stand (7.F31) alongside the latest product in the Baselight Editions range, Baselight for NUKE, and the latest release of Baselight – 4.4m1.
published 1 week ago   read more
Varicam Goes on Show at IBC 2014
Production models of the much anticipated 4K Varicam and Varicam HS from Panasonic were unveiled at IBC 2014.
published 2 weeks ago   read more


RSSTUTORIALS:
Apple Motion
Learn Apple's Motion: Lesson 25 VFX - The Michael Bay Look
Learn Apple's Motion: Lesson 25 VFX - The Michael Bay LookIn this lesson, Kevin P McAuliffe makes sure that all the Motion 4 & 5 users aren't left out when taking a look at mimicking the Michael Bay Film Look! Using only the tools inside of Motion 4 & 5, Kevin shows how combining your footage with some solids and transfer modes, will create a stylized and memorable effect that can be used over and over again!
Tutorial, Video Tutorial by Kevin P McAuliffe on 09/09/2013
Apple Motion
Learn Apple's Motion: Lesson 24 Preferences Part TWO
Learn Apple's Motion: Lesson 24 Preferences Part TWOIn part two of his look at Preferences, Kevin P McAuliffe breaks down some of the most important preferences like Autosave Vaults and even sub-frame keyframing to make sure that you have a good foundation to work at your most optimal pace.
Tutorial, Video Tutorial by Kevin P McAuliffe on 09/07/2013
Apple Motion
Learn Apple's Motion: Lesson 23 Keyboard Shortcuts
Learn Apple's Motion: Lesson 23 Keyboard ShortcutsIn this lesson, Kevin P McAuliffe talks about your Keyboard Settings and takes a first part look at Preferences. It's important to understand both, and why it might not always be a good idea to go in and make extensive changes to either, especially if you're a freelancer.
Tutorial, Video Tutorial by Kevin P McAuliffe on 09/07/2013
Apple Motion
Learn Apple's Motion: Lesson 22 Image Masking Part 2
Learn Apple's Motion: Lesson 22 Image Masking Part 2In this lesson, Kevin P McAuliffe builds on what was covered in the previous lesson by talking about not only adding effects to your matte keys, but also how to think outside the box and "attach" footage to your mattes, and manipulate them, however your client needs you to.
Tutorial, Video Tutorial by Kevin P McAuliffe on 08/19/2013
Apple Motion
Learn Apple's Motion: Lesson 21 Image Masking Part 1
Learn Apple's Motion: Lesson 21 Image Masking Part 1In this lesson, Kevin P McAuliffe discusses the basics of Image Masking inside of Motion 5. Image Masking is how you will utilize Matte Keys inside of Motion 5, and this lesson will not only show you how to quickly and easily matte key video footage, but will also show you how to start building complex composites lightning quick!
Tutorial, Video Tutorial by Kevin P McAuliffe on 08/19/2013
Apple Motion
Motion INs and OUTs - Advanced Keyframing Techniques
Motion INs and OUTs - Advanced Keyframing TechniquesIn this tutorial, Andy shows some clever ways to duplicate and adjust the timing of keyframed animations as well as highlight common pitfalls. He also show a number of techniques to make keyframing in Motion a little easier. A sample project is provided for download to follow along with the tutorial.
Tutorial, Video Tutorial by Andy Neil on 08/08/2013
Apple Motion
Learn Apple's Motion: Lesson 20 Motion Loves FCPX: Titles
Learn Apple's Motion: Lesson 20 Motion Loves FCPX: TitlesIn this lesson, Kevin P McAuliffe shows you how easy it is to start integrating Motion 5 with FCPX, and he starts by showing you how to create a simple lower third. The lower third is simple to create, but the technique behind the editing of the text, and color changing of the lower third, shows you the true power of Motion 5, and why, if you're an FCPX editor, you NEED Motion 5 as your graphics application of choice.
Tutorial, Video Tutorial by Kevin P McAuliffe on 07/30/2013
Apple Motion
Learn Apple's Motion: Lesson 19: Text Part 6
Learn Apple's Motion: Lesson 19: Text Part 6In this lesson, Kevin P McAuliffe wraps up his look at text by talking about the text type-on feature inside of Motion 5. What might seem like a simple concept can have a few simple effects added to it, to make it a very stylized end product.
Tutorial, Video Tutorial by Kevin P McAuliffe on 07/30/2013
Apple Motion
Motion INs and OUTs - Looping Graphics
Motion INs and OUTs - Looping GraphicsIn this tutorial, Andy shows how to create a seamless looping background for your editing needs and how to publish it to FCP X for ease of use.
Tutorial, Video Tutorial by Andy Neil on 07/16/2013
Apple Motion
Learn Apple's Motion: Lesson 18: Text Part 5: Path Text
Learn Apple's Motion: Lesson 18: Text Part 5: Path TextIn this lesson, Kevin P McAuliffe talks about a topic he is asked about all the time, and that is how to animate text along a path. Not only does he show you the different path types you can use, he also shows you a quick way to use Path Text in an animated show bumper.
Tutorial, Video Tutorial by Kevin P McAuliffe on 07/13/2013




THREADS:
Re: Any way to salvage FCP 7 project using MPEG-2?
by Shane Ross in the Apple Final Cut Pro Forum
Well, you can convert the files and then try to relink to the converted ones. But unless the timecode is exactly the same, that'll be spotty. But it's worth a shot. FCP only works with MOV files...and only those with a codec you see listed in the EASY SETUPS. You...
5 hours ago   read more
Any way to salvage FCP 7 project using MPEG-2?
by Graham Frassinelli in the Apple Final Cut Pro Forum
I have been using Final Cut Pro 7 for projects for quite a few years now, and, even after using it for this long I was not aware that it couldn't handle MPEG-2 files and derivatives (I guess it just never came up...). Recently I started working on a project...
6 hours ago   read more
Re: How to create a duplicate project file in FCP 6 and convert to FCP 7
by Daniel Sametz in the Apple Final Cut Pro basics Forum
Sorry for the delay. So If move your project file it does´t matter as long as what you open is your duplicate and not the original. Keep a copy of what you are moving in it´s original place but make sure you change the project settings to your new place....
7 hours ago   read more
Re: Need a solution for batch syncing audio & video by timecode
by Matt Edwards in the Apple Final Cut Pro Forum
Actually if my AE came to me and asked how he/she could be more efficient? I'd hug him/her for not trying to milk the clock and make our project more efficient. Your response comes across as classic "Hollywood". I can only imagine how you would have responded if someone asked...
9 hours ago   read more
Re: audio scrub in trim mode?
by Curt Needs in the Apple Final Cut Pro basics Forum
Not sure if this is what you mean, but I often am cutting interviews and need to merge the same word together or put two totally different thoughts together and make it sound like a single thought/sentence. The main way I do this is scrubbing frame by frame in the...
9 hours ago   read more
Re: converting a GB track to iMovie
by John Rofrano in the Apple Garage Band Forum
[Babane Spot] "Choose to compress the file and select the Mp3 Encoder to generate an MP3." ...and if you want higher quality use AIFF . The reason I say this is that the audio is going to be re-encoded when you export your video from iMovie so you might want...
10 hours ago   read more


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