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February 8th, 2012
Adobe : After Effects Home
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| | | | NEWS: | | | | |
| | | | Neat Video Announces Neat Video Pro Noise Filter for ASSIMILATE SCRATCH and SCRATCH Lab Announcement Delivers Dynamic New Tools To The Creative Arsenal of SCRATCH and Lab Artists The Neat Video team announced that they have delivered the Neat Video Pro video noise reduction filter as an OpenFX plug-in for ASSIMILATE’s SCRATCH® and SCRATCH Lab™ digital workflow tools. Previously only available for video editing and compositing applications, this new version of Neat Video brings its industry-leading grain and noise reduction technology to Digital Intermediate (DI), Finishing, Production Dailies and Visual Effects Dailies workflows. published 15 hours ago read more | | | | |
| | | | Nattress Releases First FxFactory Based Filters for FCP and AE Nattress Levels and Curves Filter Pack lets users take control of footage in film-log space for superb image results Noise Industries' latest partnership with Nattress Productions brings a finer degree of image control to the editor through Levels and Curves, a filter pack that allows users to color grade in film-log space. The new curve-based color adjustment plug-in, available now on FxFactory 3, is compatible with Final Cut Pro® 6, 7 and X; Motion 3, 4 and 5; and Adobe® After Effects® CS3, CS4, CS5 and CS5.5. published 2 weeks ago read more | | | | |
| | | | Digital Film Tools Brings the Magic of Film to New Film Stocks Plug-in New Film Stocks photo and video/film plug-in simulates the look of analog film stocks Digital Film Tools, developer of visual effects software, today announced the release of Film Stocks with plug-in support for Adobe® Photoshop®, Adobe Photoshop Elements, Adobe Photoshop Lightroom®, Adobe After Effects® CS5 and up, Adobe Premiere® Pro CS5 and up, Apple® Aperture®, Apple Final Cut Pro® 6 and 7, and Avid® editing systems. published 2 weeks ago read more | | | | |
| | | | Eye Scream Factory Releases 74 DVE Transitions by Kevin P. McAuliffe New Professional Presets for Avid Media Composer 6, Symphony 6, Avid FX 6, and Boris RED 5 Eye Scream Factory, a provider of time-saving design templates, presets, and royalty-free content for digital media artists, today announced the availability of 74 DVE transition presets created by Kevin P. McAuliffe, Senior Editor at MIJO in Toronto, Canada, and an Avid Media Composer editor for 15 years. The presets include a wide variety of organic and fluid DVE transitions. published 2 weeks ago read more | | | | |
| | | | MAXON CINEMA 4D Helps Digital Artist Barton Damer Win Big for Malaria No More Foundation Damer’s Winning Design – Malaria Kills – Raises Funds and Awareness for Malaria No More Foundation MAXON, a leading developer of professional 3D modeling, painting, animation and rendering solutions, congratulates digital artist and motion designer Barton Damer on winning first honors place in the Veer Creative Catalyst: Design for Change Competition, an international contest inviting artists to design a compelling socially-themed piece for a charity or cause of their choice. published 2 weeks ago read more | | | | |
| | | | Yanobox Moods - Next Generation Color Correction for FCP X New color correction plug-in for Final Cut Pro X, Motion and After Effects offers a unique heads up display Noise Industries development partner, Yanobox, is pleased to introduce Moods, a unique color grading plug-in with support for Final Cut Pro® X; Motion 3, 4 and 5; and Adobe® After Effects® CS3, CS4, CS5 and CS5.5. published 3 weeks ago read more | | | | |
| | | | Noise Industries Releases FxFactory 3 Visual Effects For FCP, Motion and AE FxFactory 3 brings seven brand new visual effects products plus free updates to existing plug-ins Noise Industries, developer of visual effects tools for the postproduction and broadcast markets, announced the release of FxFactory® 3. FxFactory is a visual effects platform for Apple® Final Cut Pro®, Motion and Adobe® After Effects®, powering hundreds of hardware accelerated, visual effects plug-ins developed by Noise Industries and partners. The new FxFactory 3 release supports Final Cut Pro 6, 7, and X; Motion 3, 4 and 5; Final Cut Express 4; and Adobe After Effects CS3, CS4, CS5 and CS5.5. published 3 weeks ago read more | | | | |
| | | | Blackmagic Design Announces New Intensity Shuttle with Thunderbolt™ Technology Capture and playback amazing quality HDMI and analog 10-bit video in SD and HD Blackmagic Design today announced Intensity Shuttle, a revolutionary new video capture and playback solution that uses Intel’s groundbreaking Thunderbolt™ technology. Intensity Shuttle makes the highest quality 10-bit SD and HD video affordable for everyone, in a truly portable solution that’s priced at only $239. published 4 weeks ago read more | | | | |
| | | | RE:Vision Effects releases RE:Map v2 for Nuke, Composite and Fusion RE:Vision Effects, Inc. acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Map, the ultimate kit of mapping and distortion tools, as an OFX plug-in set for use within The Foundry's Nuke, Eyeon's Fusion, and Autodesk's Composite. published 1 month ago read more | | | | |
| | | | Pond5 Holiday Giveaway: 50 Free Stock Media Gifts Through December 31st, Media Makers Can Instantly Download Free Stock Video, Sound Effects, Production Music and After Effects Templates.
Pond5, the world’s stock media marketplace, announced today that their annual Holiday Giveaway is occurring now through the end of the year. In the spirit of the season Pond5 is offering media producers 50 free stock video, audio and AE files available for instant download directly from the website. published 2 months ago read more | | | | |
| | | | | TUTORIALS: | | | | |
| | | | Adobe After Effects Virtual 3D Sets with After Effects
Rob Mize demonstrates techniques for creating a virtual set in 3D space. He shows how you can build sophisticated, detailed environments, where your actors appear to interact with their 3 dimensional surroundings. Build the set of your dreams using nothing more than After Effects, a few textures and your creativity. Tutorial, Video Tutorial by Rob Mize on 01/24/2012 | | | | |
| | | | Adobe After Effects Lite Bite for After Effects: The Tilt Shift Effect
In this tutorial, Martin Ainsworth will demonstrate the "Tilt Shift" effect also known as "Toy Town Look" using Abobe After Effect. This simple yet very power technique can add an extra dimension to an opening introduction. Tutorial, Video Tutorial by Martin Ainsworth on 01/23/2012 | | | | |
| | | | Adobe After Effects Lite Bite for After Effects: How do I create a simple Light Wrap?
"Lite Bites" are short no-frills tutorials giving quick answers for busy people. In this first AE Lite Bite tutorial, Andrew Devis shows how to make a quick 'light wrap' effect for a keyed item so that the edge or alpha channel of the keyed item includes some of the pixels from the background element so that it starts to look as if the two items really belong together. Tutorial, Video Tutorial by Andrew Devis on 01/03/2012 | | | | |
| | | | Adobe After Effects Using the Scribble & Stroke Effects
The "Scribble" and the "Stroke" effects are often overlooked due to the fact that it isn't immediately obvious how they work as they won't work unless applied in a very particular way. In this in-depth tutorial, Andrew Devis explains how to apply these effects and then goes through the many options in each effect which can make them very powerful and able to produce a surprisingly large variety of results. Tutorial, Video Tutorial by Andrew Devis on 12/22/2011 | | | | |
| | | | Adobe After Effects Character Design and Animation in AE: Part One
Rob Mize demonstrates the process of designing, creating and animating a character entirely in After Effects. Part 1 focuses on the design and creation of the character using nothing more than AE shapes. Tutorial, Video Tutorial by Rob Mize on 12/02/2011 | | | | |
| | | | Adobe After Effects Adobe Creative Cloud Offers Applications, Services, Community
With Creative Cloud, Adobe is switching from a model of software as a product to Software as a Service (SaS). By early 2012, Adobe Creative Cloud is expected to include such applications as After Effects, Premiere and Photoshop. Creative Cloud includes a hub for viewing, sharing and syncing of files, and a subscription with 20GB of cloud storage. Feature, People / Interview by Debra Kaufman on 11/15/2011 | | | | |
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| | | | THREADS: | | | | |
| | | |  | Export XML from Premiere to FCP7 by Aaron Barton in the Adobe Premiere Pro Forum Hey guys, I'm trying to get a workflow that will allow me to send edits to and from Premiere and FCP7 using ProRes files. When I sent and XML from FCP to Premiere, it looks like everything worked fine. Some of the Speed changes were slightly off, but nothing serious.... 58 minutes ago read more |
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| | | |  | Re: Beginner's AE-expression problem by Ilkka Pitkänen in the Adobe After Effects Expressions Forum Maybe if I'll make it simpler, someone could help me with the problem: So if I have four layers, in the end I need to the Slider effect to have different value every frame with values 2,3,4,5 sequentially (2,3,4,5,2,3,4,5,2,3,4,5,2,3,4,5....). Of course I can just a lot of copy/paste keyframes, but... 2 hours ago read more |
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| | | |  | AE 5.5 information panels stop appearing by Jim Wilcox in the Adobe After Effects Forum I've encountered a strange behavior with 5.5(up to date according to Adobe) running on MacPro 10.6.6. After having the program launched for a period of time (over 30 minutes) all info panels that might pop up indicating an error in an expression, missing footage, a missing font or effect, even... 2 hours ago read more |
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| | | |  | Boris RED 5 and Digieffects by Marcus Warren in the Boris FX Forum I just confirmed that Digieffects no longer officially supports Boris RED 5, although certain plugs-ins may work in 5. As you may be aware Boris RED 4 was officially supported. Can anyone confirm that the latest version of Delirium works with Boris RED 5?... 3 hours ago read more |
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| | | |  | Re: Backwards Compatability Is Here! by Todd Kopriva in the Adobe After Effects Forum I agree. --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated Technical Support for professional video software After Effects Help & Support Premiere Pro Help & Support ---------------------------------------------------------------------------------------------------------... 3 hours ago read more |
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| | | |  | Re: Way to view all expressions in AE project? by Todd Kopriva in the Adobe After Effects Expressions Forum Even better! --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated Technical Support for professional video software After Effects Help & Support Premiere Pro Help & Support ---------------------------------------------------------------------------------------------------------... 3 hours ago read more |
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| | | |  | Re: Any rumors about 6.0? by Todd Kopriva in the Adobe Premiere Pro Forum Sorry. I didn't mean to come off that way. I just see a lot of people spinning into misinformation when talking about rumors. --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated Technical Support for professional video software After Effects Help & Support Premiere Pro Help & Support ---------------------------------------------------------------------------------------------------------... 3 hours ago read more |
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| | | |  | dpx file sequence doesn't update by daniel tegeland in the Adobe Premiere Pro Forum Hi! I am working on a intro and are constantly switch between ae and premiere. I have this enormously frustration problem. When ever I overwrite my dpx sequence from ae it doesn't update in premiere. I simply can't get it to read the newly rendered files. I have tried to... 3 hours ago read more |
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| | | |  | Editing technique by Russ Carlin in the RE:Vision Effects Forum Hi all, not sure i'm in the right place here! Just a question, is the effect in this video achieved by shooting the video in sync to the music being played at a slower pace, then speeding the video up so it's sync with the actual real bpm of the... 3 hours ago read more |
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| | | |  | Re: Time Remapping Stabilized clip? by Michael Szalapski in the Adobe After Effects basics Forum Try remapping a precomp of your stabilized footage. Alternatively, why not render your stabilized footage into a lossless codec and reimport it? - The Great Szalam (The 'Great' stands for 'Not So Great, in fact, Extremely Humble') No trees were harmed in the creation of this message, but several thousand... 4 hours ago read more |
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| | | |  | Re: Mirror Not mirroring small comp by Michael Szalapski in the Adobe After Effects Forum Why not precomp your image into a 100x200 precomp? Then apply the mirror effect to the precomp. - The Great Szalam (The 'Great' stands for 'Not So Great, in fact, Extremely Humble') No trees were harmed in the creation of this message, but several thousand electrons were mildly inconvenienced.... 4 hours ago read more |
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| | | |  | Re: Mystery of the Disappearing Layer by Michael Szalapski in the Adobe After Effects Forum You're not rendering with OpenGL on, are you? - The Great Szalam (The 'Great' stands for 'Not So Great, in fact, Extremely Humble') No trees were harmed in the creation of this message, but several thousand electrons were mildly inconvenienced.... 4 hours ago read more |
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| | | |  | Re: Backwards Compatability Is Here! by Michael Szalapski in the Adobe After Effects Forum The more I think about it, the more I think that nobody has even scratched the surface of what you could do with his script. - The Great Szalam (The 'Great' stands for 'Not So Great, in fact, Extremely Humble') No trees were harmed in the creation of this message,... 4 hours ago read more |
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| | | |  | Re: animated dots texture (array) by Steve GERGES in the Adobe After Effects Forum this sounds not to bad... i'll give it a try ..... the thing is i'm working with plexus ALOT for this animation and didn't even thought about it..... i think it's the thing about not seeing the forest because all of the trees ;) thanks. Steve - Art Director -... 4 hours ago read more |
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| | | |  | Re: animated dots texture (array) by Tudor "Ted" Jelescu in the Adobe After Effects Forum This looks like it could be done using Plexus. If you leave the particles at dots only and do not activate the lines, and then apply a Spherical Field distortion (from the Plexus Tool Kit), then you need to position a camera on top, looking straight on at your particles.... 4 hours ago read more |
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| | | |  | animated dots texture (array) by Steve GERGES in the Adobe After Effects Forum hi i need to animate something looking similar to the attached image as a background for an animation, but i can't figure out how to do it and would love to have some inputs about it.... actually i was trying to use particular's grid emitter and a spherical field...so far... 4 hours ago read more |
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| | | |  | Mirror Not mirroring small comp by Moog Gravett in the Adobe After Effects Forum Hi folks, I'm just trying to work out if I can get a mirror working under the following circumstances. For example: ** Main comp 1280 x 720 PreComp to be mirrored 100 x 100 ** When I apply the mirror I do not see the expected result or a duplicated... 6 hours ago read more |
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| | | |  | Re: technicolor! by Chris Wright in the Adobe After Effects Forum This hadn't been updated in a while, so here's what I use daily. It's a project I wrote from working closely in other programs to port over to AE. Technicolor 3 strip process blue,red,green and black protection and in 32bpc too! AE CS3 AEP http://www.mediafire.com/?3y54fd2yedty463... 6 hours ago read more |
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| | | |  | Re: stroke around masked layer? by Andy Engelkemier in the Adobe After Effects Forum Oh my goodness, how long have Those been there without me knowing? So glad I asked that question now. For the same thing, if I had to mask something and needed a shadow or something like that I was precomposing that layer first, then adding an effect. Thank you! edit:... 6 hours ago read more |
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| | | |  | Re: Exporting 1080p 25fps to NTSC by Chris Wright in the Adobe After Effects Forum is slowing down 4% to 23.976 and adding pulldown 3:2 cadence 29.97 ntsc an acceptable alternative? it would keep the film look while not adding too much judder or worrying about optical artifacts. here's some oldies but goodies posts on helping you decide which way you want to go, retiming... 7 hours ago read more |
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| | | |  | Re: #AfterEffects Exporting Targa with Alpha by Angie Taylor in the Adobe After Effects basics Forum When you render, go to the Output module settings and make sure that the Channels menu is set to RGB+Alpha and Millions of Colors +; Here's some info to help you; http://www.video2brain.com/en/videos-1450.htm#/?video_id=1542 http://www.video2brain.com/en/videos-1450.htm cheers, Angie Angie Taylor animation & illustration for television, film, web and devices http://www.angietaylor.co.uk Twitter: theangietaylor Linkedin:... 8 hours ago read more |
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| | | |  | Re: Resources for #AfterEffects, backgrounds, effects etc by Angie Taylor in the Adobe After Effects Forum If you use Sapphire plugins there's also FX Central which has tons of free stuff! http://www.genarts.com/fx-central/look-collections cheers, Angie Angie Taylor animation & illustration for television, film, web and devices http://www.angietaylor.co.uk Twitter: theangietaylor Linkedin: theangietaylor http://www.facebook.com/pages/Angie-Taylor/118378194869002... 8 hours ago read more |
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| | | |  | Re: Any rumors about 6.0? by Ryan Patch in the Adobe Premiere Pro Forum Woah, Todd. Your users *like* the product. They like to talk about it. We like to talk about what the program we sit in front of for 8 hours a day might look like in 6 months. Sort of like I like to think about what "The Dark Knight Rises"... 11 hours ago read more |
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| | | |  | Re: suicide hang by Todd Kopriva in the Adobe After Effects basics Forum Hang the person by a rope tied to their belt. Have that rope come up through the back of their shirt. Use a different rope to make the noose; have only enough tension in that one to look good. --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated Technical Support for professional video... 12 hours ago read more |
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