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May 21st, 2013 Adobe Home NEWS: Bella Corporation Ships KillerKeys Express Killerkeys Express And The Companion iPad App Now Available Bella Corporation today announced that KillerKeys Express for Windows and the companion KillerKeys Express iPad App are now available. published 3 hours ago   read more RE:Vision Effects releases RE:Match for Nuke and Fusion, with automatic color matching for multicam and stereo shoots. Stereo features can be matched taking occlusions into account. RE:Vision Effects, acclaimed effects plug-in industry leader and makers of Academy Award winning software, announces the initial release of RE:Match for The Foundry's Nuke™ and eyeon Fusion ®. RE:Match takes intuitive color and texture matching to a whole new level by addressing common problems on multicam and stereo shoots. RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings. RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view. published 5 hours ago   read more Matrox and 1 Beyond Unveil StreamMachine DC at Streaming Media East World’s first battery-powered multichannel live production streaming system gives internet broadcasters true portability At Streaming Media East in booth 320, Matrox and 1 Beyond today demonstrated the industry’s first battery-powered multichannel live production streaming system, the 1 Beyond StreamMachine DC. Featuring the Matrox VS4™ quad HD capture and ISO recording card and Telestream® Wirecast® software, the unit is completely DC-powered including full control by an Apple® iPad®, an Android® tablet or a DC powered touch screen. published 6 hours ago   read more Small Tree Shared Storage Plays Vital Role in Boutique Post-Production Company’s Rapid Growth Company’s Flexible Storage Solution Handles Workflow Requirements Originally founded in 2012 to handle post-production on two feature film projects, Prodigi House in Jakarta soon acquired additional clients – including Samsung and Honda – seeking support with TV commercials. With additional projects and tighter deadlines, the company installed a Titanium16 shared storage system from Small Tree, the leader in simple, affordable and powerful Ethernet-based shared storage solutions for professionals engaging in the creation, management and delivery of electronic media and entertainment content. published 1 day ago   read more Sound Devices Offers Enhanced Recording And File Transfer Options For PIX 260I Users Latest Firmware Update, Version 1.02, Now Available for Free Download In an effort to continue to streamline workflows for production and post-production environments with its rack-mounted PIX 260i Production Video Recorder, Sound Devices, experts in portable audio and video products for field production, now offers expanded audio and video recording and file transfer capabilities with its newest firmware update, Version 1.02. Available as a free download to all PIX 260i users, this latest version will be highlighted at Cine Gear 2013 (Booth 94). published 6 days ago   read more Flarelight Effects for Final Cut Pro, Premiere Pro and After Effects Noise Industries adds PHYX Flarelight to its plugin platform FxFactory. Designed for use in Final Cut Pro® 7 and X, Motion and Adobe® After Effects® and Premiere Pro®, PHYX Flarelight is a collection of visual effects and generators that allows editors to add realistic lens flares, industrial-strength glows and anamorphic streaks to footage Noise Industries, developer of visual effects tools for the post-production and broadcast markets, adds PHYX Flarelight to its plugin platform FxFactory. Designed for use in Final Cut Pro® 7 and X, Motion and Adobe® After Effects® and Premiere Pro®, PHYX Flarelight is a collection of visual effects and generators that allows editors to add realistic lens flares, industrial-strength glows and anamorphic streaks to footage. published 6 days ago   read more Technicolor Announces Color Assist 1.5, Adds Support for Adobe After Effects New Version Adds Powerful Tools for Fast, Professional Results, Plus a New Fully Functional Trial Version Technicolor, a worldwide technology leader in the media and entertainment sector, today announced the latest version of Technicolor Color Assist, its video color correction and grading software package. Key improvements of version 1.5 include compatibility with Adobe® After Effects® and support for AVCHD video and still images, meeting the needs of an ever-expanding universe of creative artists. published 6 days ago   read more MotionVFX announced the availability of Stockeon - a Royalty Free Stock Footage, Motion and After Effects Templates, 3D and Music marketplace. If you are an artist producing either stock video, templates or music, now you can contribute to the world of digital design, editing and filmmaking - all creative minds are invited to sell their stock footage, templates and music at Stockeon. Contributors have total control of their files. They set the price and manage them at will - everything under a non-exclusive licensing program. Unleash your creativity and sell your work at http://www.stockeon.com/ published 6 days ago   read more Imagineer Systems and CoreMelt Announce Immediate Availability of SliceX powered by mocha New Final Cut Pro X Masking Plug-In Integrates mocha Planar Tracking Technology for Fast, Accurate Masking with Fewer Keyframes Imagineer Systems, creators of the Academy Award winning mocha Planar Tracking technology, and CoreMelt today announced the immediate availability of a new Final Cut Pro X masking plug-in, SliceX powered by mocha. This new version of SliceX, previewed at NAB 2013 last month, comes as a result of a strategic partnership between Imagineer Systems and CoreMelt, resulting in the integration of Imagineer’s award winning Planar Tracker into CoreMelt’s shape masking tool. published 1 week ago   read more CCI to Install Escenic Content Engine Companywide at McClatchy As part of a corporate strategy to streamline its multichannel publishing workflow, The McClatchy Company, the third-largest newspaper publisher in the United States with leading digital operations in each of its markets, will move the websites of all of its daily newspapers to a common Escenic Content Engine platform. The project, which is being carried out by CCI, will result in one of the largest Escenic Content Engine installations in the world. published 1 week ago   read more MORE TUTORIALS: Adobe After Effects Creative Fireworks in Adobe After Effects Rob Mize shares his techniques for using After Effects to create a variety of fireworks displays. All you need is CC Particle World, a few expressions and a reason to celebrate and you can light up your world with dazzling pyrotechnic effects. Tutorial, Video Tutorial by Rob Mize on 05/17/2013 Adobe Premiere Pro basics Premiere Pro Techniques: 110 Preset & Custom Lumetri Looks In this tutorial, Andrew Devis goes through a new option that will be coming with the next release of Adobe Premiere Pro called Lumetri Looks - which gives you the option to apply .Look files created in Adobe SpeedGrade directly to your footage in Premiere Pro. While this option at first glance seems to only offer the ability to apply presets already created, there is also a way in which you can create your own grades in SpeedGrade, save them as .Look files and then apply those custom grades to your footage or to an adjustment layer in Premiere Pro CS_Next. In this tutorial, Andrew shows the new option and how it may be used with SpeedGrade CS_Next to create, save and apply your own custom looks. Tutorial, Video Tutorial by Andrew Devis on 05/14/2013 Adobe Premiere Pro basics Premiere Pro Techniques: 109 Timeline Panel Change in CC In this short tutorial for Premiere Pro's new CC version, Andrew Devis goes over some of the changes and improvements to the timeline panel for the next version of Premiere Pro so that you can get up and running with it quickly and smoothly. Tutorial, Video Tutorial by Andrew Devis on 05/13/2013 Adobe After Effects GenArts Sapphire 7: Must-Have VFX Plug-ins for AE & Avid Frequent COW Contributing Editor Kevin P. McAuliffe reviews the latest version of GenArts Sapphire plug-in effects filters for both Adobe After Effects and Avid AVX versions, with ratings for current and new Sapphire users. Kevin also observes Sapphire's ability to plug into other NLEs and finishing systems, and takes a closer look at its licensing options, including purchasing, monthly rental and site licenses. You'll definitely want to see the latest and greatest of what this must-have software package has to offer. Review, Feature by Kevin P McAuliffe on 05/09/2013 Adobe Premiere Pro Premiere Pro CC: 108 Multi-Cam Synched by Audio In this tutorial, Andrew Devis looks at the next version of Premiere Pro and shows how it can now automatically synchronise footage in a bin by various options including timecode and AUDIO! Andrew uses multiple clips and allows Premiere Pro to synchronise these clips using audio and shows us in real time how long this process takes based on a 48 min talk and 11 clips! Andrew also goes on to show some of the changes that have taken place in the headers for video and audio tracks as well as a change in how to make multi-cam edits in the up-coming next version of Premiere Pro - valuable information for anyone working with multiple cameras. Tutorial, Video Tutorial by Andrew Devis on 04/13/2013 Adobe After Effects AE - RE:MATCH Non-matching Cameras in After Effects In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in After Effects. A typical approach to dealing with say a white balance issue would be to apply Color Finesse 3 and work with that which can be a slightly convoluted process, while RE:Match deals with the whole thing in a couple of clicks! This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in Premiere Pro as there is a slightly different way the two applications deal with reference images. Tutorial, Video Tutorial by Andrew Devis on 04/13/2013 Adobe Premiere Pro RE:Match Non-matching Cameras in Premiere Pro In this tutorial Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro. A typical approach to dealing with say a white balance issue would be to apply the fast color corrector and use the white balance picker, but this can be very hit and miss, while RE:Match deals with the whole image using another image or clip as the reference to match too. This very powerful effect can save a great deal of time for an everyday problem and so earn its cost back very quickly as well as giving excellent and fast results. There is another tutorial showing how this effect works in After Effects as there is a slightly different way the two applications deal with reference images. Tutorial, Video Tutorial by Andrew Devis on 04/13/2013 Adobe After Effects basics AE Basics Extras: Butterfly Wing Text Animation Part TWO In the second part of this two part AE Basics Extra tutorial, Andrew Devis continues to build the butterfly in After Effects and then shows how to keep it 3D as it is formed. Items covered in this tutorial include custom views, 3D and collapse transforms to keep items working in 3D once pre-composed, duplication and flipping layers, vertical type, text formatting, and complex animations with motion sketch. These tutorials will be valuable for anyone learning and developing text animation skills in After Effects. Tutorial, Video Tutorial by Andrew Devis on 03/28/2013 Adobe After Effects basics AE Basics Extras: Butterfly Wing Text Animation In the first part of this two part AE Basics Extra tutorial, Andrew Devis starts to show how to create a butterfly wing with text. The purpose of these tutorials is to give additional hints and tips for text animation in After Effects. Items covered in this tutorial include, using the pen tool, paths, copying mask paths to shape layers, text along a path and path option, 3D layers, animation of a wing, loopOut expression and viewing your composition in a different viewer. In the second part of this tutorial Andrew will go on to complete the animated butterfly in 3D and show how to have it fly around your screen. Tutorial, Video Tutorial by Andrew Devis on 03/28/2013 Adobe After Effects basics AE Basics Extras: Caterpillar Text Animation In this AE Basics Extra tutorial, Andrew Devis shows some more text animation techniques by animating 'Caterpillar' text in After Effects. Andrew shows how to shape your text so that it curves from large to small to create a 'tail' for the text and then he shows how to set up and animate the path that the text will use. Andrew then goes on to lock the text to the animated path and continues by adding additional animators to give body movement to the animated text. This is a helpful tutorial for anyone wanting to learn to use a wider range of options for text animation in After Effects. Andrew will be following up with a similar but different tutorial looking at creating a flying butterfly text! Tutorial, Video Tutorial by Andrew Devis on 03/20/2013 MORE THREADS: expression to link one axis not working by Mac Lanphere in the Adobe After Effects Expressions Forum hello I'm trying to use Dan Ebberts expression (albeit for a 3 dimensional array instead of 2) to link to just the y position of an element in my comp here's the code I'm trying, with no luck: y = (-1)*(thisComp.layer("JRM").transform.position[1]); [value[0], y[1], value[2]] can someone spot an error? thanks... 28 minutes ago   read more Re: Tracking: null object jumping around by Ron Dangus in the Adobe After Effects basics Forum John, thanks for your reply. I found my mistake: I motion stabilized using Mercalli as a plug-in, forgetting that the tracking was done on the original footage. That's the reason the null object was jumping around while my footage wasn't. I precomposed the footage, tracked and masked onto the original... 2 hours ago   read more Premiere Pro CS6 black timeline / lag by Martin Eriksen in the Adobe Premiere Pro Forum Hei CC's! I have a problem now while editing a short film in Premiere Pro CS6. At one point today, the timeline went full idiot. It becomes black if I try to resize it, and when I zoom it does not update properly. See picture - i've tried restarting, resetting... 2 hours ago   read more Re: Exporting out of Premiere by Joseph W. Bourke in the Adobe Premiere Pro Forum What I generally do is to render off the Premiere project at it's native resolution - 1280 x 720 in your case - then jump to Adobe Media Encoder and output my delivery codecs/frame sizes. There are more choices in AME, plus you end up with a "future proof" master... 2 hours ago   read more Re: Hellp Fading Horizon In Backdrop CS6 Ray Traced by carlos dee in the Adobe After Effects Forum No i have not figured it out let me know if u find anything =) Mac Pro 12Core 2.4 12GB Ram 2TB SSD Mac OSX 10.6.8 Quadro 4000 & ATI 5770... 3 hours ago   read more Exporting out of Premiere by David Prokopchuk in the Adobe Premiere Pro Forum Hello, I shot some footage using a Canon 60D and a GoPro. Edited it all in the native h.264 format in Premiere CS6. When I go to output, I don't have the option to change the frame size. It is stuck on 720. I'm guessing I need to download a... 3 hours ago   read more Re: Hellp Fading Horizon In Backdrop CS6 Ray Traced by Cameron Harrison in the Adobe After Effects Forum Did you ever figure this out? I'm facing the same conundrum.... 3 hours ago   read more Re: Laying off multiple channels of audio by Andy Edwards in the Adobe Premiere Pro Forum Jump over to the Sony HD Deck forum and ask there. I think you have to choose AES audio vs HDSDI, but I don't use that deck enough to know the correct settings for 16 channels. Andy... 3 hours ago   read more Re: Laying off multiple channels of audio by Aaron Barton in the Adobe Premiere Pro Forum Thanks for the video, I was able to set up my timeline appropriately. My problem now is that I don't know how to get all of those channels to tape. Here's a picture of the AJA Device Control for when I layoff to tape and it says that I can... 3 hours ago   read more Re: making subclip from sequence by Anthony Bernard in the Adobe Premiere Pro Forum Im currently in the same boat. I have 10 days worth of interviews for this doc that I need to multi-cam then sub-clip, but apparently there is still no way to do this short of duplicating the multi-cam sequence and trimming them individually into each sub clip? Not even in... 4 hours ago   read more Re: Is it possible for a value to only be influenced by rising input? by Jon Wooley in the Adobe After Effects Expressions Forum Thank you both! Dan your solution worked perfectly. I cannot thank you enough. You are a genius and a credit to this and many other communities. Thank you so much!... 4 hours ago   read more Motion tracking by Elbire Rico in the Adobe After Effects Forum Hello everyone, I love this video but I don´t know how to do the motion tracking. I know how to track multiple points but not how to link them on an object. If anyone knows how this cool effect in this video it´s done please tell me. Otherwise you can... 4 hours ago   read more Re: Smooth animation based on "convert audio to keyframes"?? by Xavier Gomez in the Adobe After Effects Expressions Forum There is a smooth expression, it is: smooth(width = 5*thisComp.frameDuration, samples = 5, t = time + 2*thisComp.frameDuration); You can use this expression in the audio amplitude ("Both Channels"). ==> link (towards the bottom of the page). I'm not sure what the parameter t exactly is, probably the center of... 5 hours ago   read more Re: Is it possible for a value to only be influenced by rising input? by Dan Ebberts in the Adobe After Effects Expressions Forum There's no way to do it directly, you have to analyze each previous frame. Something like this should work: accum = 0; rot = thisComp.layer("Null 1").transform.rotation; for (f = timeToFrames(inPoint); f = timeToFrames(time); f++) if (rot.speedAtTime(framesToTime(f)) > 0) accum -= 10; value + [0,accum] Dan... 5 hours ago   read more Re: Is it possible for a value to only be influenced by rising input? by Mitch Mann in the Adobe After Effects Expressions Forum Here's a calculation-intensive idea: Loop through every previous frame to find the "highest yet" value, and there you go. That way the value would only ever rise. Pretty calculation-intensive because you'd have to recalculate everything on every frame, so for a long comp it could get pretty slow. You could... 5 hours ago   read more Re: Amount of Ram vs speed of RAM? by Walter Soyka in the Adobe Premiere Pro Forum [Alex Gerulaitis] "You gotta patent the hell out of that phrase, Walter." Now that you mention it, I could see it on a t-shirt. Walter Soyka Principal & Designer at Keen Live Motion Graphics, Widescreen Events, Presentation Design, and Consulting RenderBreak Blog - What I'm thinking when my workstation's thinking... 5 hours ago   read more Re: How to view background as transparent instead of black by TImi Boose in the Adobe Premiere Pro basics Forum So after I render it out with an alpha channel when I project it onto the wall, will it still have a black background?... 5 hours ago   read more News: RE:Vision Effects releases RE:Match for Nuke and Fusion, with automatic color matching for multicam and stereo shoots. Stereo features can be matched taking occlusions into account. by Cow News Droid in the Adobe Premiere Pro Forum ... 5 hours ago   read more Re: Amount of Ram vs speed of RAM? by Alex Gerulaitis in the Adobe Premiere Pro Forum [Walter Soyka] "More RAM = more better." You gotta patent the hell out of that phrase, Walter.... 5 hours ago   read more Is it possible for a value to only be influenced by rising input? by Jon Wooley in the Adobe After Effects Expressions Forum I hope I titled that right. I've searched the forums but haven't found anything, perhaps because I'm not using the right terminology. The problem is simply this, can and how would I write and expression that rises when the input it's referencing rises, but stays static when that referenced input... 5 hours ago   read more Re: How to view background as transparent instead of black by Ann Bens in the Adobe Premiere Pro basics Forum Nope. In fact there is no background it is a void and it shows as black. You can temporarily put a color matte underneath. ----------------------------------------------- Adobe Certified Expert Premiere Pro CS6 Adobe Community Professional... 5 hours ago   read more How to view background as transparent instead of black by TImi Boose in the Adobe Premiere Pro basics Forum Hi, I have a video that I'm going to project onto a wall for an art show of an animal where the background has been cut out and is an alpha channel. I'm putting video behind it in some parts and having other aftereffects drawings appear around it in other... 6 hours ago   read more Re: dolby audio decode licensing restriction for .mts files? by Boris Borisov in the Adobe Premiere Pro Forum hi, thx a lot for the solution. this is the one which only worked! boris Boris from Russia... 6 hours ago   read more Trouble editing using multiple timelines/audio sources by Phillip Horlings in the Adobe Premiere Pro basics Forum Hey All - new to the forums so if this is in the wrong place let me know! Working on a project, the assets were delivered on a drive with an XML file. I opened that in Premiere Pro CS5 and it gave me a timeline. The footage has multiple... 6 hours ago   read more Re: AE Audio: add reverb at outpoint of clip by doland ruiz in the Adobe After Effects Forum Ahh, sounds so logical. :) I'll try it as soon as AE is done rendering. Thanks!... 7 hours ago   read more Re: bouncing ball expression by David Cabestany in the Adobe After Effects Expressions Forum Update: I'm using this expression instead, it works perfectly, no timeout errors or anything like. Just change where it says LAYER NAME HERE to the floor layer you want to use. Thanks to Marcus Geduld and his excellent book After Effects Expressions for it. var bouncesPerSecond=1.5; var bounceStrength=200; var decayRate=.5;... 7 hours ago   read more Re: Hardware issue: Motherboard GTX570 communication by Joseph W. Bourke in the Adobe After Effects Forum While it's possible that it's a motherboard problem, have you checked everything possible, especially internal connections? I would try powering down, disconnecting the power cable, then pulling and reseating the card, while at the same time checking all of the connector cables. It's possible that the test person did a... 7 hours ago   read more Re: bouncing ball expression by David Cabestany in the Adobe After Effects Expressions Forum I'm getting the same timeout error and I'm adding the expression to a null, the thing is I can't replace it with a solid, because it's an Element 3D Group Null, so it's being referenced by the 3d objects, any suggestions on how to fix this error?... 7 hours ago   read more Re: Amount of Ram vs speed of RAM? by Walter Soyka in the Adobe Premiere Pro Forum If you want to live on the edge a little, you might be able to put all that RAM in (with the faster RAM getting automatically clocked down to the speed of the slower RAM). If your system gets crashy, I'd take the faster 8GB out. More RAM = more... 7 hours ago   read more Re: Free Class — Creative Color Grading by alberto elizondo in the Adobe After Effects basics Forum HI , GOOD DAY! , im need help to understand make this tipe fx , http://www.youtube.com/watch?v=l6s-mrtN2zA in 0:23 - 0:25 , im belive use "twitch" , but im try and not have the same results , sorry for disturb , thanks!... 8 hours ago   read more Re: Trapcode Particular 2 Seamless Loop Question by Walter Soyka in the Adobe After Effects Forum See Aharon Rabinowitz's Creating a Looping Particle System [link] for an in-depth explanation. Basically, you need to duplicate your Particular layer, slide it in time so that the the frame after the last frame of the comp comes back to the first frame of the comp, then create two keyframes... 8 hours ago   read more Re: Canon c300 files fail in After Effects and Prelude. by Todd Kopriva in the Adobe After Effects Forum There are bug fixes for Canon XF files in the upcoming versions After Effects, Premiere Pro, and Prelude, which are dues for release on June 17th. --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated After Effects quality engineering After Effects team blog ---------------------------------------------------------------------------------------------------------... 8 hours ago   read more Re: Creating an 80's Wireframe 3D Landscape by Walter Soyka in the Adobe After Effects Forum Mir or Plexus would make this pretty straightforward; you could also do it with Form. If you're using CS5 or CS5.5, you could use the bundled FreeForm in conjunction with Grid (though the results of the displacement will probably not be as sharp as generating with Mir/Plexus, unless you work... 8 hours ago   read more Re: Keyframe: How To Revert to Default by chris brett in the Adobe After Effects Forum -- there is a keyboard shortcut as well- but I dont remember what it is ............. --- F9 is 'easy ease' ....... ----------------------------------------------c--... 8 hours ago   read more Re: How do i add a seperate camera and null to a seperate layer by Walter Soyka in the Adobe After Effects Forum After Effects uses something called keyframing -- you can define "poses" for the asteroids at different points in time, and Ae will tween them: that is, calculate all the in-between frames. If you're new to After Effects, I'd recommend the following link, in which Adobe's Todd Kopriva pulls together some... 8 hours ago   read more Re: AE makes computer TOO slow and crashes by Walter Soyka in the Adobe After Effects Forum [Alex Rod] "I wish there was a way that I could tell AE to only use what it can without using so much that it crashes the system" Well, it's not supposed to grab more than it can... Have you installed all the updates for your version of Ae? (You... 8 hours ago   read more Re: Rendering with Transparency (After Affects CS6) by Walter Soyka in the Adobe After Effects Forum [Renier Van Heerden] "When I'm trying to render it, I'm rendering it in Lossless format and I do state that it should render with RGB + Alpha. The Toggle Transparency grid is on so I'm not seeing the black background, but once I finished rendering it, the black background is... 8 hours ago   read more Re: Multiple audio sources, MTS files, CS6. Uhg! by Kris Merkel in the Adobe Premiere Pro Forum Your audio files will be the same as they are in the recorded files and that is determined on how you set them up. Example:assign the internal stereo mic to only record on channel 1 and the line in assigned to channel 2. I am not sure about the AF... 8 hours ago   read more Re: Can't open an After Effects 10 file in After Effects CS4 by Todd Kopriva in the Adobe After Effects basics Forum This script makes transferring projects between versions relatively convenient: http://aescripts.com/pt_opensesame/ --------------------------------------------------------------------------------------------------------- Todd Kopriva, Adobe Systems Incorporated After Effects quality engineering After Effects team blog ---------------------------------------------------------------------------------------------------------... 8 hours ago   read more Re: Hardware issue: Motherboard GTX570 communication by John OBrien in the Adobe After Effects Forum JUst to add: I worked with RedGiant initially and found no issue with their software. Drivers are up-to-date. John 1950objuan@gmail.com... 8 hours ago   read more Hardware issue: Motherboard GTX570 communication by John OBrien in the Adobe After Effects Forum I discovered this problem using Looksuite but now find it is more general to my system than just AE. I get a "lost communication" between motherboard and card driver message accompnaied by a blank screen that momentarily recovers. I took the computer (Cyberpower tower) to a test person who found... 8 hours ago   read more Re: AE error 44 : 39 by Kalle Kannisto in the Adobe After Effects Forum I had this problem when Quicktime output format options was set to Animation. When I switched it to JPEG, the issue vanished.... 9 hours ago   read more Re: Canon c300 files fail in After Effects and Prelude. by Anthony Dean in the Adobe After Effects Forum any fix for this? I'm in the same boat. Surely there are others too?... 9 hours ago   read more Trapcode Particular 2 Seamless Loop Question by Seth Penley in the Adobe After Effects Forum I have a question about using Trapcode Particular 2.2 to create a seamless loop for a background. I know how to use time sampling techniques to have actual particles loop within a composition, but I am trying to create a 20 second comp of something simple like a bokeh, just... 9 hours ago   read more Re: Amount of Ram vs speed of RAM? by Tim Jones in the Adobe Premiere Pro Forum Unless you're looking at DDR2 vs. DDR3 or seriously huge speed differences, double the amount of RAM will always be the best way to go for ALL memory hungry 64bit apps. Tim -- Tim Jones CTO - TOLIS Group, Inc. http://www.productionbackup.com BRU ... because it's the RESTORE that matters!... 9 hours ago   read more Re: Multiple audio sources, MTS files, CS6. Uhg! by Eric McCarthy in the Adobe Premiere Pro Forum Well since the onboard mic is stereo, shouldn't there be at least three channels? Also, I would prefer to have access over mixing the onboard with the input from the mixer. Right now what I have is basically two, identical audio tracks. I can adjust levels and pan, but it... 9 hours ago   read more Re: Best possible settings to export for YouTube HD (720p)? by Robert Jones in the Adobe After Effects Forum I am having the same problem. I use media encoders 23.96 fps 720p youtube preset and when I put it on youtube its not smooth like other videos I watch. My sequence preset used these settings but there are clips from various frame rates. Most of my clips are 23.96... 9 hours ago   read more Re: How do i add a seperate camera and null to a seperate layer by mark dowie in the Adobe After Effects Forum Hi guys ive never animated before does this require frame by frame re sizing and positioning or is it simpler than that. Could you give me a quick proceedure for how i would animate multiple asteroids to fly into view and dissapear/ shrink into the distance. Any help would be... 9 hours ago   read more Re: How do i add a seperate camera and null to a seperate layer by mark dowie in the Adobe After Effects Forum Hi guys ive never animated before does this require frame by frame re sizing and positioning or is it simpler than that. Could you give me a quick proceedure for how i would animate multiple asteroids to fly into view and dissapear/ shrink int... 9 hours ago   read more Re: Traced AI file, AE creates shapes with no fill? by Justin Crowell in the Adobe After Effects Forum Thanks, Ridley. Very odd, but I at least get the workflow now. Sort of seems like they could use some more obvious verbage. Video editor, animator, composer, producer JustinCrowell.com... 9 hours ago   read more Re: Questions about Rendering for the "Big Screen" by Steve Swank in the Adobe After Effects basics Forum Thanks! www.doc3d.com... 10 hours ago   read more Re: Fade In then Wiggle - Based on Layers InPoint by Victor Nash in the Adobe After Effects Expressions Forum Thank You Dan, I've learned so much over the years from you. Thanks for being such an asset to this community.... 10 hours ago   read more Re: Pre Pro 5.5 - Quadro FX4000 and Matrox MX02 Mini MAX by Vic Philippossian in the Adobe Premiere Pro Forum Hi Don, and others who may be reading this, the MXO2 Max editions accelerate H.264 encoding in the windows and the mac world. Meaning in the Adobe suite, when you go file - export - media you will have the regular H.264 options and the Matrox Max H.264 options. On... 10 hours ago   read more Re: AE makes computer TOO slow and crashes by Dave LaRonde in the Adobe After Effects Forum Your shot to be stabilized may simply be very long, and it's taxing the available memory. Sometimes it's impossible to keep any other applications open other than AE and the OS. If you're comparatively new to AE, you'll quickly realize that AE is a RAM Hog. Dave LaRonde Former Sr.... 11 hours ago   read more Re: Fade In then Wiggle - Based on Layers InPoint by Dan Ebberts in the Adobe After Effects Expressions Forum Sorry, I misunderstood what you were after. Try it this way: w = wiggle(1,10); fadeInTime = .5; fadeOutTime = .5; if (time (inPoint+outPoint)/2) linear(time,inPoint,inPoint+fadeInTime,0,w) else linear(time,outPoint-fadeOutTime,outPoint,w,0); Dan... 11 hours ago   read more Re: Amount of Ram vs speed of RAM? by Don Cobble in the Adobe Premiere Pro Forum Alex thank you for info - but - I copied my post about vegas but I meant to change it to Pre Pro - because I am trying to change over to adobe - so wanted to know "does the same hold true for Pre Pro about more Ram vs... 11 hours ago   read more Re: Keyframe: How To Revert to Default by John Cuevas in the Adobe After Effects Forum Cntl+click the keyframe to cycle through the different keyframe states. Johnny Cuevas, Editor Thinkck.com "I have not failed 700 times. I have succeeded in proving that those 700 ways will not work. When I have eliminated the ways that will not work, I will find the way that will work."... 11 hours ago   read more Re: Fade In then Wiggle - Based on Layers InPoint by Victor Nash in the Adobe After Effects Expressions Forum Thank You Dan. I noticed the original value I set the opacity to starts at the inpoint and outpoint but it wasn't fading in or out?... 11 hours ago   read more Re: My Camera raw plugin doesn't compatible with after effects by Jim Arco in the Adobe After Effects Forum I'm not using CS6 yet. When I import a RAW sequence into AE, the "all acceptable files" pulldown needs to be changed to "all files." Jim... 12 hours ago   read more MORE

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